Sèvres Vases and Vessels

Pair Antique French Napoleon III sèvres porcelain & gold bronze urns circa 1890's.

Pair Antique French Sèvres green porcelain & bronze D' Ore Urns, Circa 1880.

A spectacular collection of three painted and gilded blue opaline glass urns was created in Germany between 1845 and 1855. These stunning pieces have exceptional oval-shaped designs that are both elegant and captivating. These exquisite urns are hand-painted with white enamel floral motifs and illustrate themes from Hessian peasant life. The paintings are carefully captured on panels that are perfectly screwed to the urns, adding to their unique and exquisite beauty. The centerpiece urn measures 60 cm × 28 cm and the pair of urns measures 53 cm x 29 cm, making them a stunning and imposing presence in any environment. The three urns are in excellent shape, with no chips or cracks detected, increasing their rarity and value. The sumptuous opaline glass is opaque and has a distinct blue tone, which is heightened by the carefully applied gilding, making this set a visual delight. This limited-edition set is a tribute to 19th-century German workmanship, and it is certain to bring a touch of refinement and sophistication to any collection or interior design project. Don't pass up the chance to possess these exceptional pieces of history. We are selling this beautiful set on different platforms, please check availability before purchasing. More photos may be provided if necessary. With hope and love. Ash About the artist: MEYER, Johann Georg, commonly known as ‘Meyer von Bremen...

A Garniture de Chemineé in the Louis XVI taste By Arnold & Lewis (late Simmons) The mantle clock, and its two matched vases, are constructed in jewelled 'Sèvres' style porcelain, hand and polychrome decorated, with gilt highlights and finely gilt bronze. The clock, rising from toupie feet, supports a rectangular base frame with rounded ends, set with cast stiff leaf decoration, and having inset Roi de Bleu and gilt work panels; over, the circular porcelain dial, signed by the maker (qv) has Roman numerals and blued steel hands, and is set over a central porcelain panel with a bucolic scene, and flanked by elliptical female portraits; the ends are curved and conformingly polychrome and gilt decorated; the whole is surmounted by a decorated twin handled urn, having a pine cone finial, set on an addorsed acanthi gilt bronze base. The two train clock...