Art Nouveau Vases

Vase Sign: Muller Fres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family who ...

A Tall Galle Cameo Glass Vase, c1910 This mark was used between the passing of Galle himself in 1906 and the start of the first war when the factory closed. Additional Information:...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Monumental Vase Sign: Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as ...

Vase Georgia by Morgane Pasqualini Material: enameled earthenware Dimensions: H 40 x Ø 15 cm Year: 2023 Type: unique piece Entanglements of ceramic vessels and Art Nouveau inspired...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Model #3540 Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Incredible and tall Uralin solefleur Nancy glass Art Nouveau vase circa 1900.

Monumental Vase Sign: Le Verre Francais ( Decoration Chene ) acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made ...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Kayserzinn polished Pewter Vase, art nouveau style, Germany 20th century. Stamped 4408 Kayserzinn on base. Height: 11.25 inches.

A Galle Cameo Glass Banjo Vase, c1910 Additional Information: Heading : A Galle Cameo Glass Vase of bottle form with slender trumpet neck Date : 1908 - 1914 Origin : Nancy, France ...

Tiffany Studio ribbed flora form iridescent gold Favrile blown glass vase. Etched on the under foot: L.C.T. 8542A American, Queens, New York, 1900.

PAIR of MOORCROFT art pottery Nicola Slaney Design Vase, Ragged Poppy 143 and 231 of 350, 2000. Cheerful and amazing Vases designed by Nicola Slaney for Moorcroft Ceramic. Numbered ...

Offering this beautiful, decorated Louis Comfort Tiffany favrile art glass floriform vase with green feather and white opal decoration. This floriform vase features a long stem body ...

Incredible big GOUDA porcelain dutch multicolor Art Nouveau vase circa 1900

MOORCROFT art pottery Rachel Bishop Design LARGE Vase, Daffodil, 96/250, 1994 Extremely Decorative painting by Rachel Bishop in Moorcoft Design Studio. ...

Vase Sign: Muller Freres Luneville acid worked Muller Feres The heart of the company was formed by five brothers (Henri, Desire, Eugene, Pierre, Victor) from a glass making family wh...

Drop-shaped vase with slender slim neck designed by Holger Busch Jensen for the Danish porcelain manufacturer Bing & Grøndahl. Made in the beginning of the 20th century. The vase is...

MARVELOUS Moorcroft pottery vase designed by Sally Tuffin painted by Sharon Austin, circa 1990, size 364/8, in the 'Red Tulip' pattern, of baluster form with tube-lined decoration, t...

A Daum Cameo Glass Vase of Sailboats at Sunset, c1910 ...

Miniature glass vase designed by Loetz. Gorgeous and very beautiful antique miniature cabinet glass vase, created by Loetz. Made in Bohemia, Aust...

Model #2059 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

Model #3791 Riessner, Stellmacher and Kessel (RSt&K), consistently marked pieces with the tradename “Amphora” by the late 1890s and became known by that name. The Amphora pottery fa...

The son of Edmond Lachenal, Raoul Lachenal worked in his father's studio until 1911, when he established a new workshop at Boulogne-sur-Seine. While some of Raoul Lachenal's Art Nouv...

Vase Sign: Le Verre Francais (French) Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider ...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

A Pair of Green Glass vases of Art Nouveau style with Enameled and Gilt Art Glass Vases formed very elegant shapes with subtle curved lines.

Vase Sign: Charder Le Verre Francais France Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schn...

The son of Edmond Lachenal, Raoul Lachenal worked in his father's studio until 1911, when he established a new workshop at Boulogne-sur-Seine. While some of Raoul Lachenal's Art Nouv...

Jo Hahn Locher for Bing & Grøndahl. Large and impressive Art Nouveau vase in porcelain. Openwork at the top and lid. Ca. 1900. Model number 412. In exc...

Austrian ceramist Paul Dachsel designed this unusually shaped pitcher, made of hard earthenware and covered in a light green glaze. Its slim and elongated body gives the piece an ele...

By Vinsce Wartha for Zsolnay Zsolnay introduced its patented shiny metallic glaze, known as eosin, in 1893. The small family ceramics workshop begun in Pecs, Hungary by Miklos Zsol...

Zsolnay introduced its patented shiny metallic glaze, known as eosin, in 1893. The small family ceramics workshop begun in Pecs, Hungary by Miklos Zsolnay in 1853 had evolved into a ...

Rookwood Art Pottery vase, with impressed marks for Rookwood, date marks for 1917, and model number 2381, an ochre glazed elongated floriform with petals. Dimensions: 6.75" H x 3.5...

Galle Four Colour Cameo Solifleur Vase with Ivy Seed Heads, c1910 Additional Information: Heading : A Galle Trumpet Cameo Vase with Ivy Seed Heads Date : 1906-1914 Origin : Nancy, ...

HIGHLY Decorative pair of Majolica Vases. Designed by the refined Harry Barnard, late 19th Century taste. Glazed earthenware Of baluster form, elaborately slip trail decorated and glazed in foliate designs Both impressed "WEDGWOOD", one signed by Barnard High 15 inches Diameter 7 inches Provenance Skinner, European Furniture & Decorative Arts, Boston, July 10, 2010, Lot 236 Collection of Dr. Ellis F. Rubin and Suzanne Borow Rubin Literature Reilly, Robin, Wedgwood: A New Illustrated Dictionary...

A Josef Ekberg sgraffito vase for Gustavsberg., Sweden Art Nouveau. Signed Gustavsberg 1920 JE In good condition, smaller signs of age and wear.

Müller Freres glass vase with a flower motif. Art nouveau cameo technique. The vase is in excellent condition with no restorations. circa 191...

Highly characterized fish circle around this large and dramatic vase by Theo Perrot.

Finest Bohemian Art Nouveau Glass Vase: Blown into shape of raised body on a round ground plan, triple depressed wall with mouth rim formed into trefoil, polished pontil, with groun...

Offering this HOLY GRAIL, decorated Louis Comfort Tiffany Art Nouveau Favrile vase in multi-green and metallic decoration in an UNIQUE "wave"...

Rare Majolica Lily vase Jerome Massier, circa 1900. The Massier family are known for the quality of their unique enamels and paintings. They produced an ...

Zsolnay introduced its patented shiny metallic glaze, known as eosin, in 1893. The small family ceramics workshop begun in Pecs, Hungary by Miklos Zsolnay in 1853 had evolved into a ...

Large art nouveau hand painted blown glass vase

Incredible pair of vases Art Nouveau circa 1900 signed Gouda Holland for Kolat.

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Made by Alvin in Providence. Tapering neck with bellied bowl. Overlay in form of entwined and tentacular tend...

This piece is a unique, one of a kind piece, not a mass-produced factory piece.

This piece is a unique, one of a kind piece, not a mass-produced factory piece.

Finest Bohemian Art Nouveau Glass Vase: Mould blown baluster shaped vase on flush stand, bulbous body with attached conical flared neck, three handles set on the side of the mouth r...

This vase, made by Royal Worcester, is decorated in an unusual Art Nouveau style incorporating a beautiful combination of soft and vibrant colors. The shape is tall and elegant and finished with a matching...

Discover the allure of a bygone era with this exceptional pair of early 20th century German Art Nouveau porcelain vases. Imbued...

This Art Nouveau vase displays particularly beautiful embossing which allows the harmonious creation of the figures of two young women at the front of the vase and two more at the ba...

Superb bucket, pot, Etruscan-shaped vase, from the Art Nouveau period. Circa 1880. French work in the style of the famous Legras glass and crystal workshops. This Pretty Cookie Buck...

Auguste Delaherche ( French. 1857 - 1940 ) four handled stoneware vase with flambe crystalline glaze. France with makers Stamped. Circa 1898. Auguste Delaherche - Historic - Jason Jacques Gallery...

Our lustrous and iridescent vintage art glass vase by Lundberg Studios of California, is multicolored and hand blown. Add to collection or place as ...

Art Nouveau vase around 1910. In perfect condition. Decorated with chrisenthems. Rose-colored leaves, buds, and flower clusters executed in two layers on colorless ground, signed on ...