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Parimah AvaniRequiem For May 68 - Drawing by Parimah Avani-20222022
2022
$658.98
£490.48
€550
CA$902.64
A$1,003.93
CHF 524.22
MX$12,216.75
NOK 6,695.09
SEK 6,278.82
DKK 4,186.96
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About the Item
Requiem For May 68 is a painting realized by Iranian Painter and Poet Parimah Avani in 2022.
China ink and acrylic on ivory-colored Canson paper.
Hand-signed and dated.
Excellent conditions.
Presented in a Personal exhibition of "The Poems of Struggle and Mourning" curated by Leda Bartolucci in Turin, Italy, Bagni Pubblici, 2022.
The artwork is poetically created through expressionistic brush strokes, the well-applied dry and watery strokes in minimalistic style representing revolutionary figures. The various layer is made perfectly, which makes this series unique: is deeply behind the dynamic emotion of each figure and abstract form, exclusive applying of colors to emphasise metaphorical features; pink as woman, yellow as hope, silvery as resistance, and red as blood.
The panoramic lines inspired from Persian calligraphy created motifs harmoniously in a neat composition, her knowledge of poetry let her create a visual poem in an expressionistic style, which is congruent with the title, the use of space and maintaining an empty background and foreground present the solitude of figures and at the same time is connected to oriental art in which empty space has the same value as the filled one, succeed to create pure incarnation.
Her artworks have evident characteristics, they inspired by Tachisme's “Abstraction lyrique" and artworks of Henri Michaux, and Hans Hurting then oriental calligraphy and art, at the same time dynamic sensation of revolutionary art, the slogan of street wall, are transformed into contemporary language and its features intuitively are subtly inserted.
Her art tries to create a strong connection between symbolism, literature and visual expression by considering activeness of social issue, evolving an art which could be mirror of the society by passing from internal poetic language and inserting contemporary aesthetics codes, neither too bold to belong to just social art nor indifferent to just belong to art for art.
Parimah Avani (Born1988) is an Iranian Poet and visual artist, since 2009 has lived and studied in Italy, after graduating from the Fine Art Academy of Rome in painting continued her research on “Aesthetic of Talisman and Magics Text and Craft” and took her Ph.D. title in the Sapienza University of Rome in 2020. Her main camp study has been mythology, and symbolism.
From her have been published books and illustrations of books, various scripts and poems in magazines. Her last personal exhibitions held in Turin in 2022, in Bagni Pubblici "The Poems of Struggle and Mourning" and in Paiz "Silvery Rhapsody of Resistance".
The published book of her"The Magic Scroll of Antalus” has been among the finalists for the “Shamlu” literature and Poetry award in 2021 in Iran.
- Creator:Parimah Avani (1988, Iranian)
- Creation Year:2022
- Dimensions:Height: 11.62 in (29.5 cm)Width: 15.95 in (40.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1370541stDibs: LU650311638422
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Excellent conditions.
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The artwork is poetically created through expressionistic brush strokes, the well-applied dry and watery strokes from the series “The Poems of Struggle and Mourning " representing revolutionary figures in a minimalistic manner. The figure on the right and left made an impressive composition dynamically.
What makes this series unique: is deeply behind the dynamic emotion of each figure and abstract form, four colors here have metaphorical features; pink as woman, yellow as hope, silvery as resistance, and red as blood.
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The panoramic lines inspired by Persian calligraphy created motifs and repetition harmoniously in a neat composition, each reminding mysterious words. The style of Persian calligraphy and her knowledge of poetry let her create a visual poem in an expressionistic style, the use of space and maintaining an empty background and foreground intentionally have been made to emphasize the solitude and loneliness of figures and at the same time connect to oriental calligraphy in which empty space has the same value as the filled one, succeed to create pure incarnation.
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