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George Harrington'Steeplechase', Boston, Massachusetts, National Academy of Design, Beagle, HorseCirca 1900
Circa 1900
About the Item
Signed lower left, 'George H Harrington' (American, 1833-1911) and painted circa 1900.
Born in Springfield, Massachusetts, George Harrington is recognized for his turn-of-the-century works reflecting American life before the industrial age, particularly for equestrian scenes that include polo matches, carriage rides, and horses in pastoral landscapes. After a successful career in business, Harrington studied art and became a successful landscape painter. He exhibited widely including at the National Academy of Design, the Pennsylvania Academy of Fine Arts, the Boston Athenaeum and at the Boston Art Club, of which he was a member.
Reference:
Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, page 1465; A Biographical Index of American Artists, Ralph Clifton Smith, Waverly Press, Inc: Baltimore 1930, page 44; et al.
- Creator:George Harrington (1833 - 1911, American)
- Creation Year:Circa 1900
- Dimensions:Height: 17.25 in (43.82 cm)Width: 28.5 in (72.39 cm)Depth: 0.13 in (3.31 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:card laid down on archival, 8-ply cotton rag board; minor toning, restoration to secondary areas, minor foxing; unframed; shows well.
- Gallery Location:Santa Cruz, CA
- Reference Number:1stDibs: LU34412493622
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Located in Santa Cruz, CA
Signed lower right, 'George H Harrington' (American, 1833-1911) and painted circa 1900.
A substantial and animated coaching scene enlivened by the artist's acute and humorous observation of character and fine equestrian painting.
Born in Springfield, Massachusetts, George Harrington is known for his, often humorous, anecdotes of American life in the pre-industrial age. His subjects included polo matches, carriage rides and coaching scenes, and pastoral landscapes. After a professional career in business, Harrington studied art and subsequently became a successful landscape and equestrian painter. He exhibited widely and with success including at the National Academy of Design (1888), the Pennsylvania Academy of Fine Arts, the Boston Athenaeum and at the Boston Art Club of which he was a member.
Reference:
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