Ink Animal Drawings and Watercolors

Sven Berlin (British, 1911 - 1999) A strutting cockerell Pen and ink 8 x 4.5/8 in. (20 x 12 cm.) (4) Sven Berlin, born in Sydenham, London on 14th Septemb...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Sven Berlin (British, 1911 - 1999) Pegasus Pen and ink on paper laid down on card 11 x 7.7/8 in. (28 x 20 cm.) (16) Sven Berlin, born in Sydenham, London ...

Sven Berlin (British, 1911 - 1999) A Swan landing Pen and ink 14.1/2 x 14.1/2 in. (36.8 x 36.8 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English paint...

Sven Berlin (British, 1911 - 1999) Heron Swallowing Fish, a study for a sculpture Pen and ink Signed with monogram, inscribed and dated `HERON SWALLOWING F...

Sven Berlin (British, 1911 - 1999) White bird Pen and ink Signed with monogram, inscribed and dated `WHITE BIRD SclPT MY 87 SB’ (lower middle) 12.3/4 x 7.3/4 in. (32.3 x 19.7 cm.) S...

Animals in the fields is an original modern artwork realized in the late 19th Century. Mixed colored ink, watercolor and pastels on brown paper glued on paper. Unreadible signature...

Highly detailed depiction of a country kitchen by Alice Shaw (American, b. 1943). Full of details and vibrancy, this piece shows a vintage kitchen with a 19...

Sven Berlin (British, 1911 - 1999) Owl in flight #2 Pen and ink 7.7/8 x 11 in. (19.7 x 28 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, d...

Sven Berlin '(British, 1911 - 1999) Strutting cock Ink on paper 14.1/8 x 10.3/4 in. (36 x 27.3 cm.) Sven Berlin, born in Sydenham, London on 14th Septembe...

Sven Berlin (British, 1911 - 1999) Stag on alert Pen and ink Signed and dated 'SVEN 95' (lower edge) 7.7/8 x 11 in. (20 x 28 cm.) Sven Berlin, born in Syd...

Original artwork on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured in many solo ...

Sven Berlin (British, 1911 - 1999) Running Hare Black and brown ink on paper 15.3/4 x 22 in. (40 x 55.8 cm.)

Watercolor and gold ink on paper. Signed by the artist in pencil, lower right. Art: 10.75" x 8.5" Frame: 17" x 15"

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. Hugely inspired by Paula Rego, Isabel Rock is part of a formidable group of women artists (Leonora Carrington and Eileen Agar amongst others) working with Surrealism. In October 2023 Isabel won the Evelyn Williams...

Original artwork on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured in many solo ...

Original artwork on paper Michael Alan is an American artist born in 1977 who lives & works in New York, USA. As a multidisciplinary artist. His work has been featured in many solo ...

Sven Berlin (British, 1911 - 1999) Equus Pen and ink 7.7/8 x 12.3/4 in. (19.7 x 32.4 cm.) Sven Berlin, born in Sydenham, London on 14th September 1911, was an English painter, draug...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. Hugely inspired by Paula Rego, Isabel Rock is part of a formidable group of women artists (Leonora Carrington and Eileen Agar amongst others) working with Surrealism. In October 2023 Isabel won the Evelyn Williams...

Artist: Guillaume Azoulay (1949) Title: Four Studies For Winners Year: 1990 Medium: Ink, Pencil & Gold Leaf Drawing on Rice Paper Size: 8.5 x 14 inches Condition: Excellent Inscripti...

In Japan, they are known as Nishikigoi, or living jewels. These brilliantly colored varieties of the Amur carp have been selectively bred by family owned fisheries for generations. When I began this series of Gyotaku (Japanese fish printing) I studied the many varieties of Koi, each with their own unique colors and patterns. To create these pieces I print common carp I catch myself with sumi ink using traditional techniques used by Japanese fisherman...

The Monkey is an original Contemporary artwork realized in 1989 by the italian Contemporary artist Leo Guida (1992 - 2017). Original colored ink on canvas. Total Dimensions: cm...

Original drawing signed and dated by David Barnett. David Barnett an artist, collector, appraiser and gallerist has been passionate about art from the early age of five. David’s car...

SOLD UNFRAMED *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Etude de Chiens by Paulémile Pissarro (1884 - 1972) Ink on paper 23 x 31 cm (9 x 12 ¹/₄ inches) S...

SOLD UNFRAMED *UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Etude de Poules by Paulémile Pissarro (1884 - 1972) Ink on paper 23 x 31 cm (9" x 12 ¹/₄ inches) ...

Delicate and detailed drawing of a harvester in the field by an unknown artist. A team of horses is pulling a large harvester, controlled by four people riding on the machine. To the...

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. Wi...

A drawing by Keith Haring. ""Untitled (Queen of Hearts with Dog on Leash)"" is a figurative drawing, ink on illustration board by American Pop Artist Keith Haring. The artwork is uns...

Designers have an wide reach through out the world but have yet to reach the depths of the ocean. Artist Jeff Conroy has created this Gyotaku print of large ray entitled simply "Channel Quilted Black Caviar Ray" to fill that void. To achieve this remarkable painting, the artist applies sumi ink to a sting ray he caught himself on Florida's Gulf Coast, then "prints" it onto Marbled Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Chanel Quilted Black Caviar Ray sumi ink and watercolor on mulberry paper 37h x 25w in 93.98h x 63.50w cm JEC083 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...

To stay is a beautiful drawing realized by the Italian artist KEZIAT in 2022. Pen on newspaper. Hand-signed by the artist . Perfect conditions....

"The Chicken", is ink on paper by Denver artist Edward Marecak (1919-1993) from the 1940's of an abstract depiction of a chicken in black and red. Presented in a custom black frame, outer dimensions measure 23 ¾ x 19 ¾ inches. Image size measures 15 ¾ x 11 ½ inches. Drawing is clean and in very good condition - please contact us for a detailed condition report. Provenance: Estate of the Artist, Edward Marecak Expedited and international shipping is available - please contact us for a quote. About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of "Peter and the Wolf," awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier ouevre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s he was influenced by surrealist imagery and Paul Klee, and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish, foreshadowed the output of his entire Colorado-based career, distinguished by a dramatic use of color, intricacy of execution and attention to detail contributing to their visual impact. He once observed, "Each time I start a new painting I always fool myself by saying this time keep it simple and not get entangled with such complex patterns, color and design; but I always find myself getting more involved with richness, color and subject matter." An idiosyncratic artist proficient in oil, acrylic, watercolor, gouache and casein, he did not draw upon Colorado subject matter for his work, unlike many of his fellow painters in the state. Instead he used Midwest landscape imagery, bringing to life in it witches and spirits adapted from the Slovakian folk tales he heard growing up in Ohio. A number of his paintings depict winter witches derived from the Slovak custom in the Tatra Mountains of burning an effigy of the winter witch in the early spring to banish the memory of a hard winter. The folk tale element imparts a dream-like quality to many of his paintings. A devote of Greek mythology, he placed the figures of Circe, Persephone, Sybil, Hera and others in modern settings. The goddess in Persephone Brings a Pumpkin to her Mother, attired as a Midwestern farmer’s daughter, heralds the advent of fall with the pumpkin before departing to spend the winter season in the underworld. Train to Olympus, the meeting place of the gods in ancient Greece, juxtaposes ancient mythology with modernity creating a combination of whimsy and thought-provoking consideration for the viewer. Voyage to Troy #1 alludes to the ancient city that was the site of the Trojan Wars, but has a contemporary, autobiographical component referencing the harbor of the Aleutian Islands recaptured from the Japanese during World War II. In the 1980s Marecak used the goddess Hera in his painting, Hera Contemplates Aspects of the Art Nouveau, to comment on art movements in the latter half of the twentieth century Marecak’s love of classical music and opera, which he shared with his wife and to which he often listened while painting in his Denver basement studio, is reflected in Homage of Offenbach, an abstract work translating the composer’s musical colors into colorful palette. Pace, Pace, Mio Dio, the title of his earliest surrealist painting, is a soprano aria from Verdi’s opera, La Forza del Destino (The Force of Destiny or Fate, a favorite Marecak subject). His Queen of the Night relates to a character from Mozart’s opera, The Magic Flute. In addition to paintings and works on paper, he produced hooked rugs, textiles and ceramics. He likewise produced designs for ceramics, tableware and furniture created by his wife Donna, an accomplished Colorado ceramist. Both of them generally eschewed exhibitions and galleries, preferring to quietly do their work while remaining outside of the mainstream. He initially exhibited at the Colorado Springs Fine Arts Center in 1948 receiving a purchase award. The following year he had his first one-person show of paintings and lithographs at the Garrett Gallery in Colorado Springs. In the 1950s and early 1960s he participated in group exhibitions at the Print Club (Philadelphia); Amarillo Public Library (Texas); annual Blossom Festival Show (Canon City, Colorado); Adele Simpson’s "Art of Living" in New York; Denver Art Museum; and the Fox Rubenstein-Serkey Gallery (Denver); but he did not have another one-person show until 1966 at the Denver home of his friends, John and Gerda Scott. They arranged for his first one-person show outside of Colorado held two years later at the Martin Lowitz Gallery in Beverly Hills and Palm Springs, California. That same year his work was featured at the Zantman Galleries in Carmel, California. Thereafter he became an infrequent exhibitor after the 1970s so that his work was rarely seen outside his basement studio. In 1980 he, his wife and Mark Zamantakis exhibited at Denver’s Jewish Community Center, and four years later he had a one-person show at the Studio Gallery in Denver. In 1992 he was included in a group show at the Rule Modern and Contemporary Gallery in Denver, and a year later received a large, posthumous retrospective at the Emmanuel...

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. Wi...

Cats and Riders is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil, pen, and ink. Good conditions. The artwork is re...

Black Horse is an original artwork realized in the half of 20th century. Original black ink drawing on paper. On the left side a text in Chinese calligraphy, a red stamp seal and si...

This sexy joke cartoon with thought balloons and some bathroom humor was done by the brilliant humorist cartoonist for Mad Magazine, Al Jaffee. The joke's...

Ernest Howard Shephard (British, 1879 – 1976) The land of the lost toys – ‘Oh that’s you is it’ Inscribed with title (lower edge), and further inscribed ...

Designers have an wide reach through out the world but have yet to reach the depths of the ocean. Artist Jeff Conroy has created this Gyotaku print of large ray entitled simply "Gucci Ray" to fill that void. To achieve this remarkable painting, the artist applies sumi ink to a sting ray he caught himself on Florida's Gulf Coast, then "prints" it onto Marbled Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Gucci Ray sumi ink and watercolor on mulberry paper 37h x 25w in 93.98h x 63.50w cm JEC088 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...

Laszlo TIBAY Malicious Red Cat Original India ink and lavish drawing Handsigned Bearing the stamp of the artist On light board 45x 30cm (c. 17.7 x 11.8inch) ...

Sunil Das - Horse - 11 X 9 inches (unframed size) Ink on Paper , 2005 Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right from his college days, Sunil Das has been extremely well lauded by art critics, the press, artists and the art and culture glitterati across the world. Sunil das was the youngest artist to have won the National Award - The Taj Shiromani Kala Puraskar Recipient of the much coveted Govt. of India's 4th Highest Civilian Award: The PadmaShree (2014). Highly talented Sunil Das has done shows all across the world, got fame as early as while he was still in college, youngest recipient of the Lalit Kala Academy Awards and received a scholarship to study at L’Ecole Nationale Superior des Beaux arts, Paris. “There are painters who transform the Sun to a yellow spot, but there are others who, with the help of their art and intelligence, transform a yellow spot into Sun" - Pablo Picasso. Sunil Das was exactly one such artist. Style : Sunil Das' style of work is very original and shows no specific influence. He had risen to fame like MF Hussain...

Beautifully detailed and masterfully painted, this painting dating from the turn of the 20th century centers its expressive composition upon a rondel of Chinese symbols. Representing...

Original 1933 drawing, "Pinto" by New Mexico modernist, Hilaire Hiler (1898-1966), black and white line drawing of a Native American Indian figure wearing a feather bonnet headdress on horseback. Ink on vellum, signed lower right. Custom framing is available. Expedited and international shipping is available - please contact us for a quote. About the Artist: Hilaire Hiler was born in St. Paul, Minnesota, and was raised in Providence, Rhode Island. Hiler took art classes as a child at the Rhode Island School of Design. When he was older, Hiler studied at the Pennsylvania Academy of the Fine Arts, the Pennsylvania School of Industrial Art, Wharton School of Finance and Commerce, and William Server’s studio. He also studied at the University of Pennsylvania, the University of Denver, Golden State University, and National College in Ontario, Canada. He continued on to France, studying at the University of Paris in 1919. Hiler lived in Paris from 1919-1934, supporting himself as a jazz musician and a piano player for The Jockey Club. Hiler moved back to America in 1934, settling in San Francisco. He was commissioned by the Works Progress Administration to paint murals in the Aquatic Park...

Adeptly harnessing musings of the subconscious mind, Ball utilizes recognizable yet otherworldly imagery. Mythological creatures, swirling parrot wings, and fantastical flora join to...

Prakash Karmakar - Beach Series - 14.5 x 11 inches (unframed size) Ink on Paper Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible for the Benga...

Spurred on by the crowd- horse racing painting [2022] original Pen and Ink Image size: H:32 cm x W:24 cm Complete Size of Unframed Work: H:32 cm x W:24 cm x D:32cm Sold Unframed ...

Frank Adams (British,1871-1944) “Pray, Mistress Mouse, / will you give us some beer?”/Heigho! Says Rowley, / “For Froggy and I are/fond of good cheer”. / With a rowley powley/Heigho!...

Prakash Karmakar - Laughing Cow - 15.5 x 11.5 inches (unframed size) Ink on Paper , 2006 Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely responsible for ...

A newly discovered sea creature?? No, just an imaginative artist creating a Gyo-Tako print of large octopus by Jeff Conroy entitled "Cheetahpus". To achieve this remarkable painting, the artist inks the octopus using traditional sumi ink then "prints" it onto Mulberry paper - a soft, handmade paper. He then embellishes the details with watercolor to give extraordinary dimension and interest to its overall aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Cheetahpus sumi ink and watercolor on archival kraft paper 25h x 36.50w in 63.50h x 92.71w cm JEC080 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints. This original form of Gyotaku is still utilized today, and can be seen hanging in fish and tackle shops all...

Edward Julius Detmold (British, 1883 – 1957) Hornbill Pen and ink on paper Signed with initials’ ED’ (lower right) 16.3 x 15.8 cm. Edward Julius Detmold (21 November 1883 Putney, Wandsworth, Surrey - 1 July 1957 Montgomery) and his twin brother Charles Maurice Detmold (1883-1908) were prolific Victorian book illustrators. Their parents were Edward Detmold and Mary Agnes Luck. Their father, an electrical engineer was chronically ill, and they lived with their uncle and guardian, Dr Edward Barton Shuldham, who saw to their tuition and was a noted collector of porcelain and Japanese woodprints of plants and animals. Dr Shuldham occupied a house in Upper Richmond Road, Putney, where the twins had been born. He ensured their interest in natural history and art, and created a nurturing environment for their precocious talents. They also spent time with another uncle, the painter Henry E. Detmold, who encouraged them in their art. Most of their prodigious energy was expended on depicting animal subjects and their work showed great influence from traditional Japanese art, Albrecht Dürer and later the Art Nouveau movement. They were exhibiting watercolours at the Royal Academy and the Royal Institute of Painters in Water Colours at the age of 13. Edward Burne-Jones praised their work and warned against the dangers of uniformity inherent in art schools. The twins subsequently mastered the techniques of watercolour etching and of colour printing with copper plates, buying a printing press and producing their own proofs at home. In 1898 they compiled a portfolio of colour etchings of animals and flowering plants done in the Japanese style. These were much sought after and were rapidly sold out. They collaborated on the etchings and illustrations for their first book Pictures From Birdland published in 1899. This book resulted from a number of drawings being shown in the autumn of 1897, to the publisher J. M. Dent, who was so impressed that the two brothers were asked to provide coloured illustrations for a book of his. The first title mooted was Alphabet of Birds, eventually becoming Pictures from Birdland. "Particularly noticeable are the early influences in the paintings, Edward's design for an osprey, with its unusual water effects, testifying to a Japanese contribution. Already apparent is that style in which a searching study of natural forms, especially bird plumage, is subordinated to decorative arrangement" - David Larkin (The Fantastic Creatures of Edward Julius Detmold) This was followed in 1900, by an exhibition at the Fine Art Society's Gallery in London. Their next joint project was to produce a set of 16 watercolours for Rudyard Kipling's The Jungle Book published in 1903, by Macmillan. The success of their painting careers seemed assured, but Maurice ended his life by inhaling chloroform in April 1908, shortly before they were due to leave for a holiday in Sussex with Dr Shuldham, who had arranged that Maurice put down the household cats using the anaesthetic. Although stunned by the death of Maurice, Edward threw himself into his work. The recognition accorded the twins' illustrations of Kipling's classic tale was extraordinary. Consequently, in 1909 Edward illustrated The Fables of Aesop, producing 23 colour plates and a host of pen & ink drawings. This proved so popular that in 2006 The Folio Society of London published a facsimile of the original Hodder & Stoughton edition. In 1911, Detmold worked on illustrations for Maurice Maeterlinck's The Life of the Bee, Camille Lemonnier's Birds and Beasts and Florence Dugdale's Book of Baby Beasts. In the following year he worked on Maeterlinck's Hours of Gladness, in 1913, on Florence Dugdale's Book of Baby Birds and in 1919, on W. H. Hudson's Birds in Town and Village In 1919, he also produced a portfolio of Twenty Four Nature Pictures and, in 1921, on Our Little Neighbours and Jean-Henri...

Eileen Soper, RMS SWLA (British, 1905 – 1990) Rabbit was in one of his dreamy moods Signed ,inscribed with title (below mount) Pen and ink 3.1/4 x 5.1/4 in. (9 x 16.2 cm.) Provenanc...

The thunder of Hooves . Horse racing . Garth Bayley [2022] original Pen and Ink Image size: H:24 cm x W:32 cm Complete Size of Unframed Work: H:24 cm x W:32 cm x D:0.1cm Sold Unf...

The Cheshire Cat is an original China ink drawing realized by the Italian artist Enrico Josef Cucchi in 2020. Hand-signed and dated on the lower right....

Eileen Soper, RMS SWLA (British, 1905 – 1990) The wind blew the washing Pen and ink 5 5.1/2 in. (17 x 12 cm.) Provenance: The Estate of George and Eileen Sopen Chris Beetles Gallery, Ryder Street, London Illustrated; Eileen Sopen, sail away shrew, London: Hodder & Stoughton, 1949, Page 16

Acquired by American Legacy Fine Arts directly from the artist Exhibited The Imaginary, Carnegie Art Museum, Oxnard, California, March 10 – May 19, 2019 Framed 20.25" x 16.25" x 1....

Odilon Redon: 1840-1916 Well listed very important French artist. He is considered a symbolist, but it is hard to pigeon hole him into one category. He is known for his drawings of creatures and animals based...

From the famous illustrator who brought the world "The Polar Express" and "JUMANJI". They Marched into the Woods that Surrounded their Underground Home, Two Bad Ants, interior book illustration, 1988 is a highly detailed and meticulously rendered work that is as descriptive as it is abstract. Signed and dated lower right. This was illustrated on pages 8-9 in Two Bad Ants by Chris Van Allsburg...

Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...

Across the line – Horse racing painting – Garth Bayley [2022] original Pen and Ink Image size: H:24 cm x W:32 cm Complete Size of Unframed Work: H:24 cm x W:32 cm x D:.1cm Sold U...

Horse is an original drawing in China Ink by an anonymous artist in the mid-20th Century. Good conditions except for foe some decoloring dots. The artwork is depicted through confi...