Horizontal Figurative Drawings and Watercolors

Summers Day Signed By Tony Herbert (1927-2024) Medium: Watercolor on artists paper on board, framed - glass covered Framed: 15 x 16 inches Watercolour: 8 x 9.5 inches Condition: Goo...

Warm Lit Pub Interior Signed By Tony Herbert (1927-2024) Medium: Watercolor on artists paper on board, framed - glass covered Framed: 16 x 18.5 inches Watercolour: 10 x 12 inches C...

Genre: German Expressionist Subject: Figures Medium: etching, watercolor paint Surface: Paper This is hand signed lower right.. there does not seem to be an edition size although th...

This year, the artist spent four months in residence in Paris, immersing himself in the vibrant legacy of French art. During this period, they traveled extensively, visiting places t...

Unknown Artist, French School 18th Century, Circle of Mallet? Scene taken from the Decamerone. Old Master Drawing

"La Birula de Nenuca" The Bicycle of Nenuca - Original Watercolor Painting. Contemporary surrealist painting by Marco Antonio Bustamante Underwood (Mexican, b. 1959 d. 2024). This c...

Landscape is a beautiful original drawing on paper realized by Robert Santerne between the 1930s and 1940s. Stamped on the rear "Atelier R.Santerne" Aged conditions with repaired r...

Johnson, Lester (American, 1919-2010). MEN IN BOWLER HATS. Drawing, watercolor, wash, and pastel on paper, 1973. Signed, lower right. 26 1/2 x 40 1/2 inches...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Moroccan Peasant Scene by Georges Manzana Pissarro (1871-1961) Pencil on paper 22 x 27 cm (8 ⁵/₈ x 10 ⁵/₈ inches)...

"Camp of soldiers" is an original pencil drawing on ivory paper by Anonymous Artist of the 19th Century. Very good condition. Not signed.

"Landscape" is an original China Ink drawing on ivory-colorated cardboard by Socrate Foscato. In very good conditions. Hand-signed and printing of his atelier, on the lower left. ...

"Group of Women" is an original drawing in pencil on paper, realized by Gabriel Guèrin. The state of preservation of the artwork is very good. Sheet dimension: 14.6 x 19 cm. The artwork represents beautiful group of nude women in a forest. Hand-signed "G.G", on the lower left. GUERIN GABRIEL (1869 - 1916, Paris): Born in 1869 in Boubonne-les-Bains (Haute-Marne). Died in 1916 in Paris XIX-XX centuries. French. Painter. He was educated by Bouguereau, Gabriel Ferrier...

“Old love, new love” Drawing, acrylic, ink and colored pencils on paper. I developed a drawing technique based on natural pigments from leaves, flowers and bark with which I intend t...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed lower left. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died in Venice i...

Watercolor on heavy paper realized by Carlo Ravagnan in 1960s. Hand signed in the top right corner. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, die...

"Abstraction #56" is a colorful abstract painting featuring hues of blue, mauve, green and red. The framed dimensions are 11 by 13 inches. Eilis Crean is inspired by the works of Honoré-Victorin Daumier, Evie Hone, Patrick Pye, Milton Avery, William Kentridge, Joan Snyder, Jennifer Bartlett, Judy Pfaff and Sarah Sze...

The painting shows the artist`s perception of the epidemic. The little mouse has the Latin name « Pande Mus». This painting is bursting with surrealism and symbolism. It features a...

Maitland de Gogorza, born in Asbury Park, New Jersey, in 1896, studied art at Pratt Institute and the Art Students League. Before joining the Smith College faculty in 1929, de Gogorz...

A Charming, 1930s Modernist Portrait Study of a Seated Young Male Bather by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Most likely completed at a summer lake house in Al...

Monotype on paper Dramatic disrupted realism imagery from Tom Bennett’s series of monochromatic monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Boat is an original pen sketch realized by an artist of the mid-20th Century. Good conditions on a white greeting card. On the back the wishes addressed t...

Moroccan Market by Georges Manzana Pissarro (1871-1961) Pencil on paper 20.8 x 26.9 cm (8 ¹/₄ x 13 ⁵/₈ inches) Signed with Estate stamp lower left Execu...

5" x 9" Unframed Original - Watercolour Hand Signed by Joe Lasker

Abstract figurative reclining nude by Louis Nadalini (American, 1927-1995). This piece is unsigned, but was acquired with a collection of Nadalini work. Unframed (First image shows w...

SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Rose Tattoo Luis Alfonso Jimenez 1940-2006 Color pencil on Arches paper 22 x 30.25 inches Provenance: The original drawing was owned by Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". An original Drawing by Luis Jimenez, 1983, 22 x 30.25 inches. A stone lithograph edition was made from this drawing. There was a PBS documentary showing Jimenez drawing on the stone with the drawing in front of him and the making of the lithograph with Sette Publishing. Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo photography...

This artwork "Golden Gate Park, San Francisco" c.1960 is a watercolor on paper by noted California artist Henry Waltermar Doane, 1905-2002. It is signed by the artist at the lower ri...

An Intimate, 1930s Modern Charcoal Study of a Seated Young Male Figure by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Most likely completed circa 1932 at a summer lake ho...

Gouache, coloured pencil and graphite on paper Signed lower right Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being ...

Original mixed media painting on wood. Hand signed on front by Purvis Young. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will ...

By Gustav Likan 8" x 5" Watercolor on Paper Framed Size: 15.75" x 12.5" A mother holding a and comforting her baby. 1965 This piece is part of Likan's series depicting his wife Bar...

Figures and Birds Watercolor Traditional Indian Mithila Painting artist signed. Pencil, ink, natural dye watercolor, on handmade paper 17.7x22.7 framed under glass 24x29. Binda Dev...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed). The picture is behind museum quality non-reflective UV glass. Throughout h...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-306 Hand-signed by author

Gouache on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi State Academy of...

Ricard Opisso - Bar - Colored pencils Measurements drawing 11x13cm. Frame measures 35x37 cm. Son of Alfredo Opisso y Viñas, journalist, historian and critic, and of Antonia Sala y Gil, his sister Regina Opisso, was also a writer. He comes from an enlightened family full of artists. His paternal grandfather was Josep Opisso y Roig, journalist and director of the Diari de Tarragona, father of the also writers Antonia Opisso y Viña and Antoni Opisso y Viña. His maternal great-grandfather was the painter Pere Pau Montaña, his maternal grandfather the fabulist Felipe Jacinto Sala and his maternal uncle, the painter Emilio Sala y Francés. His nephew was Arturo Llorens y Opisso, a writer better known under his pseudonym Arturo Llopis. Although he was born in Tarragona, his family moved to Barcelona when Opisso was only two years old. In modernist Barcelona at the end of the 19th century, Opisso worked as an assistant to Antonio Gaudí in the works of the Sagrada Familia in Barcelona since 1892. He was linked to the group Els Quatre Gats, along with Ramón Casas, Manuel Hugué, Isidre Nonell...

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Watercolor on heavy paper realized by Carlo Ravagnan in 1991. Hand signed and dated lower right. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died i...

A charming late 19th century watercolour by the artist George Goodwin Kilburne (1839-1924) depicting a tender moment between mother and child. The figures sit at the dining table pee...

Watercolor on heavy paper realized by Carlo Ravagnan in 1977. Hand signed lower right. Dated on rear. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, d...

Oil on paper Francine Ledieu is a French artist born in 1931 who lives and works in Paris, France. In the 50s, she was a student of Maurice Rocher who specialized in Sacred art. In the ’80s, Francine was a student of Jean Bertholle from the Saint Roch Academy. The artist had personal exhibitions at Maison Mansart from 1989 to 1993 and at Étienne de Causans Gallery in 1997. In 1998 & 2009 she exhibited at La Petite Galerie...

1.0 M (DETECTIVE COMICS), 3.2 M (ACTION COMICS) and 1.2M BAT MAN, Triptych, 2023 by Rodrigo Spinel From the series Currency Chinese ink on Fabriano pap...

"Lake Michigan Bathers" is an original pencil sketch by Francesco Spicuzza. The artist signed the piece in the lower right. On the reverse is a silver gelatin photo print...

Ethel Merman "Annie Get Your Gun" original Mid Century Broadway theatre drawing Ethel Merman in the pre-Broadway tour of ANNIE GET YOUR GUN, 18 ½ ...

This artwork "Mill Valley, California" 2003 Is a watercolor on paper by Filipino artist Ephraim Samson, b.1947. It is signed and dated at the lower righ...

Did Bendiner ever miss a performance, show, concert, play? Was there anyone he didn't know? This double-side drawing in blue crayon shows Johnny Hodges (jazz saxophonist extraordina...

Painting measures 22" x 28" and framed 26" x 32" x 2" Hand-signed "J.E. Costigan NA 1952" lower left. About this artist: John Costigan was a self-taught painter distinguished by h...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed lower right. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died in Venice ...

The image is an original animation drawing of Bugs Bunny and Yosemite Sam by Virgil Ross, a legendary animator from the "Golden Years of Animation" at Warner Bros. Graphite, colored ...

This artwork titled "Evening Fog, Moss Landing, California" 1970, is a watercolor on paper by noted French/American artist Albert Bechely Crundall, 1906-1997. It is signed at the low...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed lower right. Titled on rear. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911,...

Charcoal, pastel lace Audrey Anastasi states: "The paper doll series was created first in the presence of a live model, working quickly, in charcoal an...

Classic Birdsey watercolor depicting a Bermudian harbour scene signed (LR) Alfred Birdsey (1912-1996) Watercolour 1970s Art Sz: 17"H x 21"W Frame S...

Tamara de Lempicka 1898-1980 Polish Smiling Nude Signed “Lempicka”(bottom right) Pencil on paper “Everything that I did was never done like the others were doing... I wanted to d...

Children's Book Illustrator Lois Lenski draws a complex figural narrative in a style that is reminiscent of how her subject would draw it. She deliberately uses black and white nai...

Thunderstorm over Boston. July 14, 1930. Ink and watercolor on paper. 10 5/8 x 17 5/8 (sheet 12 x 19 1/4). Signed and dated and titled in ink, lower right; titled verso and annotated...

Signed, dated and titled lower left. Felix Waske was born in Vienna in 1942. From 1958 to 1967, he studied at the University of Applied Arts under Prof Eduard Bäumer and at the Acad...

Sullo sfondo di un paesaggio dai tratti centro-settentrionali europei-in cui si riconoscono una cappella e il profilo di una città dagli alti pinnacoli-si svolge una scena di svago, ...

Frederick Bosley was an Impressionist painter of the Boston School who most often depicted portraits, figures and still-lifes. The artist was born in Lebanon, New Hampshire in 1881. He studied at the Museum School in Boston from 1900-1906 with Edmund C. Tarbell (1862-1938) and Frank W. Benson (1862-1951), and then in Europe from 1906-1908. Bosley returned to Boston in 1909, obtaining a studio at the Fenway Studios from 1909-1918. He was to become a teacher in his own right, settling as Director at the Museum School from 1913-1931. His many awards include First prize in the 1920 Concord Art Academy Exhibition and a Gold Medal in the Pennsylvania Academy of Fine Arts Exhibition, 1925. His work may be found in the collections of several institutions, including the Boston Museum of Fine Arts, the Farnsworth Museum, the National Academy of Design and the Concord Academy...

Original Graphite and Pen Sketch on Paper 12 1/4″ x 15 5/8″ Viewable 26″ x 29 1/2″ Framed Circa 1960’s