Georges Antoine Rochegrosse

Studies for Costumes - Pencil and Pastel by G. A. Rochegrosse - 20th Century

20th Century

Study for a Costume is an OriginalChina Ink and watercolor Drawing realized by Eugène Giraud in the Late 19th Century. Good conditions. The delicate and beautiful fine strokes form...

Theatrical Costume is a drawing made by Simone Vaulpré during the early 20th century. Charcoal and pastel Hand signed. Good condition apart from some tears in the lower part. The ...

Theatrical Costume is a drawing made by Simone Vaulpré during the 20th century. Charcoal, white lead and watercolor. Hand signed. Good condition apart from some tears in the lower ...

Sketch for a Costume is an original drawing in pencil on paper by Anonymous Artist of the early 20th Century.. In good conditions except for some...

Georges Antoine Rochegrosse (1859-1938) Studies of men, Pencil on paper 23 x 41.5 cm Signed lower right In good condition In a modern mount 41 x 52.5 cm Provenance: Estate of the...

Jules Cheret (1836-1932) Two studies of a woman, 1921 charcoal on grey paper signed and dated 24 10 (19)21 on the bottom right 39.5 x 24 cm A varnish stain in the lower middle of t...

Alexander O. Levy was a painter, illustrator, printmaker and designer who was born in 1881 in Bonn, Germany. He died in 1946 in Buffalo, New York. At age three, he was brought to ...

Denis Auguste Raffet (1804-1860) Studies of characters Black pencil and watercolor on paper 18.5 x 25.5 cm Stamp of the Raffet Estate Sale (1911) on the lower right In good condition, foxings on the original mount Framed 34 x 40 cm Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. At an early age he was apprenticed to a wood turner, but took up the study of art at evening classes. At the age of 18 he entered the workshop of Cabanel, where he applied his skill to the decoration of china, and where he met Rudor, from whom he received instruction in lithography, in the practice of which he was to rise to fame. He then entered the École des Beaux-Arts, but returned to lithography in 1830 when he produced on stone his famous designs of Lützen, Waterloo, Le bal, La revue, and Les adieux de la garrison, by which his reputation became immediately established.[ Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavor he was a contemporary of other French artist-lithographers of Napoleon and the French army including Hippolyte Bellangé, Horace Vernet, and Nicolas Toussaint Charlet. As an illustrator his activity was prodigious, the list of works illustrated by his crayon amounting to about forty-five, among which are Béranger's poems, the History of the Revolution by Adolphe Thiers, the History of Napoleon by de Norvins, the great Walter Scott by Auguste Defauconpret, the French Plutarch and Frédéric Bérat's Songs. He went to Rome in 1849, and was present at the siege of Rome, which he made the subject of some lithographs, and followed the Italian campaign of 1859, of which he left a record in his Episodes de la campagne d'Italie de 1859. His portraits in pencil...