Mid-20th Century Figurative Drawings and Watercolors

Masquerade is an original Contemporary artwork realized in 1970s by the italian artist Leo Guida. Original Pencil Drawing on paper. The work is in very good conditions.

The Birds is an Original Drawing realized by Louis Touchagues in the mid 20th Century. Drawing in ink and pen. Hand-signed on the lower by the artist. Good conditions. The delica...

Seated nude figure study by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager work directly from the estate. This piece is on heavy bond paper with ragged edges and is unfinished. No frame. Joseph "Joe" Yeager (American, 20th Century) was raised in Cleveland Ohio, where he went to art school at night and started his art career at 19. He was a commercial artist for the Cleveland Press...

Nude is an original drawing in pencil on paper realized by Jeanne Daour. The state of preservation good except for some foxings and stains. Hand-signed on the lower right. Sheet d...

Children, Playing,1957,illustrations, children's room,Toys, Marina Evgenevna USPENSKAYA (Moscow, 1925 – 2007) Marina Evgenevna Uspenskaya was born in Moscow. She graduated from the...

Nude figure study of a seated female model by an unknown artist (American, 20th Century). Circa 1940. Unsigned. Unframed. Image size: 25"H x 19"W.

Truth is an original painting in mixed media, ink tempera and watercolor, realized by Sergio Barletta in 1962. Applied on passepartout: 65 x 50 cm. Hand-signed and dated at the top...

Woman is an original drawing in marker and Watercolor, realized by Leo Guida in the 1960s. The status of preservation Good. The artwork is depicted skillfully through confident and...

Eileen Lake Crayon on paper, early1930's Initialed in pencil lower right (see photo) Titled and annotated verso "Eileen Lake, early 1930s girlfriend" Note: Eileen Hall Lake was an American poet and Adolf Dehn's girlfriend in the early 1930s. Provenance: Estate of the artist By descent Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood. After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet). Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason. Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag. The Years in Europe: 1922-1929 In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work. Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.” A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer...

Study for “David and Goliath” Graphite and black ink on paper 8.5 x 11 inches (21.6 x 27.9 cm) This work is offered by ClampArt in New York City.

Portrait is an original drawing in pastel and watercolor on paper realized in 1957 by Erhard Klepper (1906-1980). with the inscription of the artist beside the drawing of man. The s...

This artwork "Untitled, Woman in Costume" c. 1960 is a watercolor and gouache on beige thin paper by French artist Vincent Breton, b.1919. It is hand ...

Wonderful mid century figurative nude charcoal line drawing of a girl walking away by Moni (Mariellen) Ehlers (American, 1926-2007). Charcoal on...

Donald Stacy "Lounge" c. 1950s Ink on paper 14" x 16.5" unframed Unsigned Came from artist estate Donald Stacy (1925-2011) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art...

Demons is an original drawing in china Ink by an anonymous artist in the mid-20th Century. Good conditions. The artwork is depicted through confident strokes in a well-balanced com...

Study of Animals is a beautiful pencil original drawing on ivory-colored paper, realized in 1974 by the German artist Wilhelm Lorenz, best know as Willi Lorenz. Signed and dated " Willi Lorenz, München '74" in pencil on lower right margin. This is a preparatory study representing the profiles of a big...

Confidential Look is an original drawing on paper, realized around the mid of the Century by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989,. Black china ...

Original ink on paper Hand signed lower right Unique piece

The tempest is an original drawing artwork realized by Henri Espinouze (1915-1982). China ink and watercolor. Hand-signed on the lower center. With the stamp of the artist's atelie...

Blue Profile is an original Contemporary Artwork realized in the half of the 20 Century. Original Drawing on cardboard. Colored Pastels. Mint conditions. Excellent work depicting...

Still Life is an original pastel drawing on ivory-colored paper realized by Herta Haussmann (1892-1972). Not signed. The state of preservation is very good. Stamp of the artist's ...

This artwork titled "Les Danseurs Espagnols Teresa an Luisillo" referring to the famous Flamenco dancers, Teresa Viera Romero and Luis Perez Davila A.KA Luisillo, is a watercolor, on...

Very well executed watercolor on paper by Ruth Adele Mysel of a beautiful showgirl. Signed lower right. Circa 1940 to 1950. Ruth Adele Mysel was raised in Boston and attended the Ne...

Seidel, Herbert (1906-1974), Autumn verso Summer Landscape, 1953 Herbert Seidel (1906 Berlin - 1974 Rüdersdorf), Autumn verso Summer Landscape, 1953. India ink on grained, bleached p...

Winged Figure is a pencil drawing dated in the 1940s, realized by the British artist Josselin Bodley. The state of preservation is very good, except for...

The Meeting is an original drawing in pen and watercolor realized in 1933 by Gustave Bourgogne (1888-1968). Hand-signed and dated by the artist on the lower center. The artwork re...

Sz: 14 1/2"H x 23"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Santa Ringing The Church Bell

A Fine 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930...

A Fine 1930s Modern Academic Figure Study Drawing, Depicting an Artist's Sketch Class and a Seated Young Male Mode by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An excep...

Wheeler Williams (American, 1897-1972) Study for Dawn, 1947 Pencil on paper 9 1/4 x 12 1/4 in. Signed lower right: Wheeler Williams, 1947 Inscribed: Study fo Dawn [illegible] "Dawn & Twilight" A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors...

Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: l' Oeuf a Gober Year: 1958 Medium: Original gouache Paper: Canson Mongolfier Paper size: 14.2 x 10.65 inches Signa...

This work is unique. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visua...

Portrait is a modern artwork realized by Francisco Bores in 1950. Charcoal drawings. Good conditions.

A Fine, Modern 1930s Academic Anatomical Figure Study Drawing of a Standing Young Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well exe...

Date: 1942 Medium: Charcoal, Pencil and Collage on Paper Dimensions: 33.00" x 26.25" Signature: Inscribed and Signed In 1941, Norman Rockwell created his first cover image of Willie...

Watercolor on heavy paper realized by Carlo Ravagnan in 1960s. Hand signed and dated lower left. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died i...

A Fine, 1940s Mid-Cenrury Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed...

Chaim Gross (American, 1904-1991) Watercolor with pencil painting Rabbi Klezmer music concert, flute player. Hand signed framed: 15 X 28.5, paper: 9.5 X 23 Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, Israeli President, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. He also did some important Hebrew medals. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work.In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Interior Scene with Figures Ink and watercolor on paper, c. 1930's Signed with the Estate stamp lower center Condition: Loss upper right corner; two small tears lower margin ...

Image Dimensions: Image 9" x 19" Sheet Dimensions: 15" x 20.25" Medium: Watercolor, ink, and graphite on paper laid to board This is an unsigned study for the 38" H x 75" W oil pain...

Watercolor on paper of a chorus or show girl by Ruth Adele Mysel. Mysel grew up in Boston and attended the New England School of Art. She was both a artist and sculptor as well as ...

Wheeler Williams (American, 1897-1972) Untitled Study, 1942 Pencil on paper 8 3/4 x 11 3/4 in. Signed lower right: Wheeler Williams, 1942 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors from Yale University in 1919 and earned a Master of Architecture degree from Harvard in 1922. He studied at the Art Institute of Chicago with sculptor Albin Polasek...

Donald Stacy "Star Ear" c.1950s Ink on paper Black wood frame 9.75"x17.25 Signed lower right in pencil Came from artist estate This striking piece of art is an original drawing by r...

Ink and watercolor on cardboard realized by Alcione Gubellini in the mid-20th century. Hand signed. Includes a wooden frame cm. 53x47. Very good condition.

Unique, one of a kind original gouache on paper from Harper's Bazar series. Hand signed lower front by Erte; titled top front with studio catalog number on verso. Sheet size 10.7...

A Fine 1930s Modern Academic Figure Study Drawing, Depicting an Artist's Sketch Class and a Seated Young Male Mode by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An excep...

Ink and watercolor on paper realized by Cecilia Ferro Caporilli in 1963. Hand signed and dated . Very good condition.

JOHN DRONSFIELD (1900-1951) Costume Design Watercolour and pen and ink Unframed, in mount only 34 by 24 cm., 13 1/2 by 9 ½ in. (mount size 47.5 by 37 cm., 18 3/4 by 14 1/2 in.) J...

Children, Playing,Green, Blue,Russian art, 1970, Marina Evgenevna USPENSKAYA (Moscow, 1925 – 2007) Marina Evgenevna Uspenskaya was born in Moscow. She graduated from the 1905 Art C...

"The Defiant Ones" Tony Curtis Sidney Poitier Oscar Winning 1958 film Caricature. Two escaped convicts chained together, one white and one black, must l...

Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988), dated 1954 and inscribed with roman numeral, '4'; additionally stamped verso with certification of authenticit...

René Gruau ( 1909 - 2004 ) " Elégante à la rose et l'éventail " Dessin original et unique .signé . Graphite et fusain sur papier . taille feuille : 83 x50 cm taille globale : ...

Unknown/ Unidentified Artist, "Standing Nude", Figurative/ Nude Charcoal Drawing on Brown Charcoal Paper, 24 x 20, Late 20th Century, 1968 Colors: White, Blue, Black, Red, Black "S...

Literature: Alfonso Panzetta, Jared French by Jared French: 600 Unpublished Works from the Artist's Italian Years (Turin, Italy: Umberto Allemandi & C., 20...

Fighter Boxing Woodstock American Scene WPA Era Mid 20th Century Social John Ruggles (1907-1991) Sight: 17 1/2 x 13 1/3 inches. Framed: 22 x 18 inches...

A Fine 1930s Modern Academic Figure Study Drawing, Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s charco...

Untitled, c. 20th Century Pastel on paper Sight: 21 1/2 x 31 in. Framed: 24 1/4 x 34 1/2 x 1 1/4 in. Signed lower left

Painted by Victor Di Gesu (American, 1914-1988) circa 1955 and accompanied by certificate of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los An...

Literature: Alfonso Panzetta, Jared French by Jared French: 600 Unpublished Works from the Artist's Italian Years (Turin, Italy: Umberto Allemandi & C., 2010), no. 31, p. 60, illus. ...

John Chetcuti "Fishermen" Original Watercolor c.1950 Watercolor dimensions 11" wide x 7" high The frame measures 18.25" wide x 14.5" high Signed in the lower right corner Good vi...