Robert Xavier Frinet

Profile of Lady - Drawing by R.X. Frinet - Late 19th century

Late 19th century

Portrait is an artwork realized by the french Artist Jacqueline Barbet (1902-1975), in 1938. Pencil, pastel and charcoal rawing on paper. Hand-signed and dated in pencil in Roman nu...

The Prisoner is a drawing in pastel and charcoal on paper realized by Léon Couturie in the early-20th Century. Hand-signed on the lower. Good condition except for missing piece of ...

Portraits is an artwork realized by Mino Maccari (1898-1989). Colored portrait on one side, figure of a woman and two heads in black on the other side. Pastel and charcoal on pape...

He's The One is a Charcoal, pastel and Pen Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand signed and titled on the lower margin. Good condition on a little cardboard....

Provenance The artist; Collection of Henry Dubin, Philadelphia until 2018 Exhibitions Avery Galleries, Bryn Mawr, Pennsylvania, Living Color Modern Life: Hugh Henry Breckenridge and...

Orange tonal surrealist portrait drawing. The work is signed by the artist in the bottom corner and is not currently framed. Artist Biography: Eyes are a recurring motif in the work of American artist Stanley Clark...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

Alex (Cuban, b.1949). Indigenous Mexican Woman, 1982. Pastel and charcoal on wove paper, sheet measures 23 x 33 inches. 31.5 x 41 inches framed. Excellen...