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Medium: Charcoal
The First by J. Delagrange - work on paper, black & white, framed
Located in Paris, FR
The First - Forbidden reproduction (4) is a work by Belgian artist Julien Delagrange.
Charcoal on paper. Artwork sold framed. Dimensions of the fr...
Category
2010s Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
The Kiss by J. Delagrange - work on paper, black & white
Located in Paris, FR
The Kiss - Forbidden reproduction (8) is a work by Belgian artist Julien Delagrange. Charcoal on paper. .
This artwork is part of ongoing series o...
Category
2010s Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Gatherers - Original Charcoal Drawing of Huddled Women on Paper by Bruno Surdo
By Bruno Surdo
Located in Chicago, IL
This drawing of a group of women huddled in a circle has a blue tones with subtle red and white color. The drawing mixes loose sketch technique with high detail. This artwork is fr...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Archival Paper
Hidden - Cloaked Female Figure Original Charcoal Drawing on Paper by Bruno Surdo
By Bruno Surdo
Located in Chicago, IL
This drawing of a woman wrapped in a cloak has blue tones with subtle red and white color. The drawing mixes loos sketch technique with high detail. This artwork is unframed. Cont...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Archival Paper
Red Repose, bold abstracted woman female figure, collage jewelry chains in hair
Located in Brooklyn, NY
These collages were created first in the presence of a model, working quickly, in charcoal and pastel, and again, later, alone, furiously tearing and pasting images from magazines, v...
Category
2010s Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Mixed Media, Charcoal, Acrylic, Archival Paper, Laid Paper, Magazine Paper
Colin
Located in Palm Springs, CA
Red conte drawing of a male nude, part of ongoing series of drawings of the male nude form. Tape remains along thee top edge on verso.
Reyes attended The School of the Art Institut...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
Academic master drawing: Allegorical Scene artist in Musée d'Orsay
Located in Norwich, GB
A fascinating allegorical scene by French master Paul-Louis Delance (1848–1924), an artist known for the allegorical and history paintings. His grandfather was the Count Joseph van R...
Category
1870s Academic Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Paper
Carmen Schaefer, Frieze Hope
Located in Agoura Hills, CA
Carmen Schaefer holds an MA in Art History and an MFA in Photography and Drawing. She has studied with Allan Kaprow at Stony Brook University, Henry Holmes Smith at Indiana Universit...
Category
2010s Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Graphite
Art Deco Fantasy Illustration Charcoal Drawing Lithograph by Adolf Uzarski
Located in Atlanta, GA
German Artist Adolf Uzarski (1885 - 1970) designed this stunning charcoal drawing lithograph print on paper, depicting two riders in a wild dance or fight. This drawing is part of a ...
Category
1910s Art Deco Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Abstract Figurative Charcoal Drawing Black Frame
Located in Philadelphia, PA
We found an assortment of charcoal drawings on paper at an antiques show. All pieces are drawn by an unknown artist that explore various aspects of form, light and space. We had them...
Category
21st Century and Contemporary Naturalistic Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
Pouting
By Henri Fehr
Located in Genève, GE
Work on paper
Golden wooden frame with glass pane
84.5 x 65.5 x 3.5 cm
Category
Mid-20th Century Charcoal Figurative Drawings and Watercolors
Materials
Crayon, Charcoal
Señor De La Muerte
Located in London, GB
Señor De La Muerte, 2022
Charcoal on Italian Fabriano 90gsm paper
30 x 42cm
This drawing was created whilst Tobias Ross-Southall was on his artist residency in Puebla, Mexico.
Tobi...
Category
2010s Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
City Scape
Located in Los Angeles, CA
Provenance: Zabriske Gallery, NYC
Jack Rutberg Fine Arts, Los Angeles
Modernism Fine Arts, NYC
Exhibited: Utah Museum of Fine Arts, 1974
Edwin A. Ulrich Museum of Art, 1975
Abraham...
Category
1910s Cubist Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Watercolor
Framed Charcoal Drawing Portrait of a Woman
Located in Philadelphia, PA
We found an assortment of charcoal drawings on paper at an antiques show. All pieces are drawn by an unknown artist that explores various aspects of form, light and space. We had the...
Category
21st Century and Contemporary Naturalistic Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
The Thinker
Located in Miami, FL
A large charcoal-on-paper rendering by arguably one of America's most influential artists. It comes from the pioneering Allan Stone Galleries, who was an early champion of Willem de ...
Category
1960s Abstract Expressionist Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Precocious Anaba
Located in Venice, CA
Artist's Statement:
Anaba is a Navajo name meaning, she returns from war. She is shown returning on a sacred buffalo, acknowledging that women and girls are sacred too.
Traffickers...
Category
2010s Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal, Ink, Graphite
Portrait - Drawing by Mino Maccari - 1960s
By Mino Maccari
Located in Roma, IT
Portraits is an artwork realized by Mino Maccari (1898-1989).
Colored portrait on one side, figure of a woman and two heads in black on the other side.
Pastel and charcoal on pape...
Category
1960s Modern Charcoal Figurative Drawings and Watercolors
Materials
Pastel, Paper, Charcoal
Chicken Jazz - Charlie Mackesy, Original Pastel, Musician, Instruments, British
Located in Knowle Lane, Cranleigh
An original pastel-on-paper drawing by British artist Charlie Mackesy - Mackesy's clever work and style here, provides us with a glimpse into this ...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Pastel
Danse Macabre, Anti War Abstract Painting Charcoal William Gropper WPA Artist
Located in Surfside, FL
William Gropper (American, 1897-1977),
"War"
ink, watercolor and charcoal on paper,
Hand signed lower right, artist studio label with title en verso
19 1/2 in. x 25 1/8 in., unframed.
Provenance: Grosvenor Gallery, London
Titled "War" this dance macabre is a large, powerful anti war...
Category
Mid-20th Century Modern Charcoal Figurative Drawings and Watercolors
Materials
Watercolor, Charcoal, Ink
Nu Assise by Ludovic-Rodo Pissarro - Nude drawing
Located in London, GB
Nu Assise by Ludovic-Rodo Pissarro (1878-1952)
Charcoal on paper
31.3 x 24.2 cm (12 ⅜ x 9 ½ inches)
Signed lower right, L.Rodo
This work of art is accompanied by a certificate of authenticity signed and dated by Lélia Pissarro.
Artist biography:
Ludovic-Rodolphe Pissarro, born in Paris in 1878, was Camille Pissarro’s fourth son. Encouraged by his father, he began drawing from nature at an early age. He was familiarly known as “Rodo” and generally signed his works "Ludovic-Rodo", or early on in his career simply "Rodo".
The impact of Camille’s art and teaching on Rodo was considerable. His artistic production encompassed a wide range of media, including oil painting, tempera, watercolour, gouache, wood engraving, drawing and lithography. Rodo exhibited regularly at the Salon des Indépendants over a forty-year period.
In 1894, at the age of sixteen, Rodo published his first wood engravings in the anarchist journal, Le Père Peinard. When Camille left France for the safety of Belgium during the anarchist upheavals of the same year, Rodo joined him there.
Rodo moved into his first studio in Montmartre with his brother Georges in 1898. Works of this early important period until just after the death of his father in 1903 were post-impressionist and clearly painted under the influence of his father.
By 1904 living in Paris, he found the nightlife and the habitués of the cafes, theatres, circuses and cabarets compelling subjects for his work and changed dramatically the style of his painting, affiliating himself to the Fauve artists. Rodo became close to artists such as Kees Van Dongen, Maurice de Vlaminck and Raoul Dufy. In 1905 he participated in the first Fauve exhibition at the Salon des Indépendants. In 1907 he visited Van Dongen in Rotterdam and the two artists continued to paint together, something they often did in Paris.
In 1914 he married, though he never had children. Later that year at the outbreak of the War Rodo moved to England. Over the next seven years he lived mainly in and around West London. He worked closely with his brother Lucien to establish in 1915 the Monarro Group, formed with the aim of exhibiting work by contemporary artists inspired by Impressionism. Many of the works produced by Rodo while he was in England were of London landmarks but, he was also interested in the urbanisation of West London. After 1921, when Rodo had already returned to France, he divided his time between Paris and Les Andelys in Normandy, living and working closely with his elder brother Georges Manzana.
Despite his rich artistic heritage and his achievements as an artist, Rodo is perhaps best remembered for his contribution to art history. For ten years he researched and compiled a catalogue of his father’s paintings...
Category
Early 1900s Post-Impressionist Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Ships at the Harbor - Nautical Seascape with Seagulls in Charcoal on Paper
Located in Soquel, CA
Ships at the Harbor - Nautical Seascape in Charcoal on Paper
Detailed and layered harbor scene by Maude Folmar Ramsey (American, 1908-1993). The viewer is looking out at the harbor, across the water from the docks, buildings, and ships. The pillars, buildings, and masts are jumbled together in a pleasing manner that is almost abstract. Despite the simplified shapes, this piece is full of detail. This piece is executed in a rectilinear style frequently seen in American mid-century modern compositions.
Signed in the lower right corner "Maude Folmar"
Presented in a wood frame with a double mat.
Frame size: 25.25"H x 29.25"W
Image size: 17"H x 21.5"W
Maude Love (Folmar) Ramsey (American, 1908-1993) studied at the School of Fine Arts at Washington University in St. Louis, Missouri. She was the director of the Laguna Gloria Art Museum from 1968-1972. Ramsey was one of the charter members of the “Waterloo...
Category
Mid-20th Century American Impressionist Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Easter Flowers, mixed media charcoal and collage, floral
Located in Brooklyn, NY
Paper charcoal printed matter
Category
2010s Charcoal Figurative Drawings and Watercolors
Materials
Mixed Media, Paper, Charcoal
Holding on to a Post, Drawing
Located in Surfside, FL
Genre: Other
Subject: People
Medium: Pencil
Surface: Paper
Country: United States
Dimensions w/Frame: 14 1/4" x 14"
William Anthony
Born 1934, Forth Monmouth, NJ. and grew up in Was...
Category
1980s Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Carbon Pencil, Paper
Can Can Dancers - British Art Deco drawing Burlesque women dancers VG provenance
By Frank G. Howes
Located in London, GB
A large, detailed Art Deco pencil charcoal impressionist depiction of Can Can dancers which was executed circa 1956 by Frank G Howes. Excellent provenance.
Signed lower right.
Prov...
Category
1950s Art Deco Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Pencil
Landscape - Drawing By Reynold Arnould - Mid-20th century
Located in Roma, IT
Landscape is a Charcoal drawing realized by Reynold Arnould (Le Havre 1919 - Paris 1980).
Good condition included a white cardboard passpartout (37.5x55 cm).
Monogrammed on the lo...
Category
Mid-20th Century Modern Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
Portrait - Drawing by Albert Fernand-Renault - 1950s
Located in Roma, IT
Portrait is a drawing realized by Albert Fernand-Renault in the early 20th Century
Charcoal on paper.
Stamped signed.
Good Conditions.
The artwork is realized through delicate a...
Category
1950s Modern Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
Cellist - Charlie Mackesy, Original Pastel, Musician, Instrument, Dark, British
Located in Knowle Lane, Cranleigh
An original pastel-on-paper drawing by British artist Charlie Mackesy - depicting the motion of a musician playing the Cello. Mackesy instantly draw...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Pastel
Peter Nicholas (1934-2015) - 1988 Charcoal Drawing, Design for Dance Sculpture
Located in Corsham, GB
A charming design for a dance sculpture sketched in charcoal, chalk and watercolour. Signed titled and dated to the lower right. Presented in a painted wooden frame. On paper.
Category
21st Century and Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
HUMAN ATMOSPHERE Retro-study 1 - contemporary artwork, emerging artist
Located in London, GB
In this exhibition, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...
Category
21st Century and Contemporary Abstract Charcoal Figurative Drawings and Watercolors
Materials
Chalk, Charcoal
The Flight of the Soul
Located in London, GB
Pen and coloured inks on paper, signed and dated (lower right), 36cm x 25cm (54cm x 47cm framed). The picture is in its original frame.
Dutch by birth, the symbolist painter, arrived in Paris aged 20, and quickly became a figure of the Parisian avant-garde movement. Becoming close friends with Jean Lorrain, who is reported to have said, that Sarluis "had the smile of a Vinci, the eyes of Donna Ligeia, the neck of the Beatrice by Dante Gabriel Rossetti and the talent of Michelangelo”. He was also highly praised by Oscar Wilde. Known as something of an aesthete and a dandy, he began exhibiting at the Salon de la Rose Croix and at the Salon des Artistes Français, as well as numerous galleries in London and Paris, including Bernheim Jeune and at the Grafton Gallery. Sarluis’ paintings typically feature mythological or symbolical subjects painted in a modern style. In 1928 after six...
Category
1910s Art Nouveau Charcoal Figurative Drawings and Watercolors
Materials
Ink, Pen, Paper, Charcoal
The Prisoner - Drawing by Léon Couturie - Early-20th Century
By Léon Couturier
Located in Roma, IT
The Prisoner is a drawing in pastel and charcoal on paper realized by Léon Couturie in the early-20th Century.
Hand-signed on the lower.
Good condition except for missing piece of ...
Category
Early 20th Century Modern Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Pastel
Paysanne Barattant by Camille Pissarro - Drawing
Located in London, GB
Paysanne Barattant by Camille Pissarro (1830-1903)
Watercolour and charcoal on paper with white highlights
31.7 x 22.3 cm (12 ¹/₂ x 8 ³/₄ inches)
Stamped lower right, C.P.
This work is accompanied by a letter of authenticity from Joachim Pissarro and will be included in the forthcoming Catalogue Raisonné of Drawings by Camille Pissarro.
Provenance: Mercury Gallery, London
Mrs and Mrs P. Sado, acquired from the above on 10th April 1970
Private collection, London
Stern Pissarro Gallery, London
Private collection, Belgium
Artist biography
Camille Pissarro was one of the most influential members of the French Impressionist movement. Born 10th July 1830 in the Danish colony of Saint Thomas, Camille was the son of Frédéric and Rachel Pissarro. At the age of twelve he went to school in Paris, where he displayed a penchant for drawing. With his parents disapproving of his interest in art, Camille left the island in 1852 with a Danish artist Fritz Melbye to spend the next 18 months in Venezuela. After a brief return to St. Thomas he moved to Paris in 1855 to study at the Académie Suisse where he would meet many influential artistic figures of the period, including Claude Monet, Paul Cézanne, Édouard Manet and Pierre-Auguste Renoir.
In 1869 Camille moved to Louveciennes. The outbreak of the Franco-Prussian War in 1870 prompted him to relocate to London, where Camille painted a series of landscapes around Norwood and Crystal Palace. At this time, Pissarro and his close friend Claude Monet were able to visit museums together, where they could study and expand their understanding of the tradition of British landscape painting. It was also here that he married Julie Vellay, with whom he would have seven children. Upon returning in June 1871 to Louveciennes, Camille discovered that many of the works he had left in his house had disappeared or become damaged during the Franco-Prussian war.
Camille settled in Pontoise with Julie in the summer of 1871 where he was able to gather a close circle of friends around him for the next ten years. Here he was able to continue building his relationships with Cézanne, Monet, Renoir and Degas, expressing his desire to create an alternative to the Salon. This represented a longing to break from the rigid tradition of French academic painting – Camille believed that he and his peers deserved recognition for the new tradition they were shaping. Cézanne repeatedly came to stay with Pissarro, and under Camille’s influence he learned to study nature more patiently, even copying one of Camille’s landscapes in order to learn his teacher’s technique.
The first Impressionist group exhibition in 1874 earned the Impressionists much criticism for their art. Pissarro was in fact the only artist to exhibit in all eight of the Impressionist exhibitions...
Category
1880s Impressionist Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal, Watercolor
William Glackens Drawing Titled "M. Durand... Arrived on the Scene", Dated 1903
Located in New York, NY
William Glackens, 1870-1938
M. Durand... Arrived on the Scene, 1903
Ink, wash, charcoal and Chinese white on paper
Signed (at lower left): W. Glack...
Category
Early 1900s Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
William Glackens Charcoal on Paper Drawing, Dated 1902
Located in New York, NY
William Glackens, 1870-1938
Dubourg Drew from his Basket his Mechanical Syringe, 1902
Charcoal, gouache and white chalk on paper
Signed (at bottom ...
Category
Early 1900s Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
Nude Woman - Drawing by Jean Chapin- 1950s
By Jean Chapin
Located in Roma, IT
Nude Woman is a pencil and charcoal drawing realized by Jean Chapin in the 1950s.
Signature stamp on the yellowed paper.
Good condition, except for slight folding.
Category
1950s Modern Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Pencil
It stops with me
Located in MADRID, ES
It stops with me
Category
Late 20th Century Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
Working Child - Drawing by Tibor Gertler - Mid 20th Century
Located in Roma, IT
Working Child is a drawing on creamy color paper realized by Tibor Gertler in the mid-20th century.
Charcoal drawing.
Good conditions, aged margins.
The artwork is uniquely depict...
Category
Mid-20th Century Modern Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
From 'Mars Protects Pax from Mars' by Rubens
By Leon Kossoff
Located in London, GB
In 1936, at ten years old, Leon Kossoff paid his first visit to London’s National Gallery. Entranced by
the masterpieces on display, these works would become an enduring fascination ...
Category
1980s Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Seated mother and child with two reclining figures
By Henry Moore
Located in London, GB
signed 'Moore 80' (lower left)
Category
1980s Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal, Watercolor, Gouache
Figures - Drawing By Pierre Georges Jeanniot - Early 20th Century
Located in Roma, IT
Figures is a Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934).
Drawing in pencil.
Signed on the lower.
Good conditions.
Pierre-Georges Jeanniot (1848–1934...
Category
Early 20th Century Modern Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
"Things are Looking Up" Charcoal Drawing
Located in Denver, CO
Tammy Liu-Haller's "Things are Looking Up" is an original, handmade charcoal and graphite drawing that depicts a fox in profile looking upwards towards th...
Category
2010s Photorealist Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Archival Paper, Graphite
Lady on the Chair, Ink on paper, Black Color by KG Subramanyam “In Stock”
Located in Kolkata, West Bengal
K. G. Subramanyan
Woman on the Chair, Charcoal on Paper
9 x 7 inches (unframed size)
( framed work 19 x 17 inches )
Style : K G Subramanyan was one of the leading artists who was part of India’s post-Independence search for identity through art. A writer, scholar, teacher and art historian, K G Subramanyan was prolific in his art, spanning the spectrum of mediums from painting to pottery, weaving, and glass painting. He believed in the value of Indian traditions and incorporated folklore, myth and local techniques and stories into his work.
Critic Geeta Kapur has stated that Subramanyan was deeply influenced by popular, modern, classical and indigenous traditions. No matter what the medium, be it handmade paper or acrylic sheet, his artistic practice has integrated fluid traditions so as to create a new lingua franca. The strokes that shape the faces and the little blobs, the vertical and horizontal drama all become like a choreographed symbolism that has a sense of play in line and length. Nothing is in excess, nothing is obnoxious but each stroke forms the finesse of versatile ventures.
About the Artist and his work :
K.G. Subramanyan (1924-2016) was born in Kerala.
Education : He completed his Bachelor’s Degree in Economics from the Presidency College in Chennai.
In 1948, he graduated from Kala Bhavan in Santiniketan, where he studied under the tutelage of Benode Behari...
Category
2010s Modern Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Les Demoiselles - Drawing By Pierre Georges Jeanniot - Late 19th Century
Located in Roma, IT
Les Demoiselles is a modern artwork realized by Pierre- Georges Jeanniot in the Late 19th Century
Charcoal drawing.
Hand signaed on the lower margin.
The artwork is depicted throu...
Category
Late 19th Century Modern Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
Henri Ottmann (1877-1927) Nude in the studio, drawing signed
Located in Paris, FR
Henri Ottmann (1877-1927)
Nude in the studio
signed lower right
Charcoal on paper
37.5 x 31.5 cm
In good condition
In a modern frame : 53 x 46.5 cm
This drawing is a particularly interesting and touching example of Henri Ottmann's art. It shows his special technique, which gives priority to a kind of blur, and in this case it serves very well this scene of intimacy as if captured by stealth.
Henry Ottmann was born on 10 April 1877 in Ancenis.
He made his debut at the Salon La Libre Esthétique in Brussels in 1904 and took part in the Salon des Indépendants in Paris from 1905, the Salon d'Automne, the Salon de la Société Nationale des Beaux-Arts and the Salon des Tuileries.
In 1911 and 1912, Ottmann exhibited at the Artistes de la Société Moderne at the Gallery Paul Durand...
Category
1910s Post-Impressionist Charcoal Figurative Drawings and Watercolors
Materials
Charcoal
Academic Study (Male Nudes)
Located in London, GB
Pencil on paper, signed (upper right), 76cm x 56cm (88cm x 68cm framed).
A graduate of the Kiev Art Academy in 1957. Drawings of the nude, called academic studies...
Category
1950s Post-War Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Old Man - Drawing By Ricardo Florés - 1900
Located in Roma, IT
Old Man is a pencil and charcoal Drawing realized by Ricardo Flores in 1900.
Good condition on a cream colored cardboard.
Hand-signed by the artist on the lower right corner.
Rica...
Category
Early 1900s Modern Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Pencil
Biosphere no. 14 Charcoal on Canvas Portrait Painting Drawing In Stock
By Eddy Stevens
Located in Utrecht, NL
Biosphere no. 14 Charcoal on Canvas Portrait Painting Drawing In Stock
Eddy Stevens Born in Brasschaat, Belgium - 1965. At a young age, Stevens studied painting under the supervision...
Category
21st Century and Contemporary Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Canvas, Charcoal
Drawing 12, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Plunder at the Jewish Ghetto, Chalk and Charcoal 'Progrom' Drawing
Located in Surfside, FL
Chalk and charcoal drawing, depicting old world progrom, "Plunder at the Jewish Ghetto, Jews of Frankfurt are attacked in the 16th century."
Category
20th Century Modern Charcoal Figurative Drawings and Watercolors
Materials
Paper, Chalk, Charcoal
Le Pont du Vey by Paulémile Pissarro - Charcoal drawing
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Le Pont du Vey by Paulémile Pissarro (1884-1972)
Charcoal on paper
24.5 x 31.5 cm (9 ⁵/₈ x 12 ³/₈ inches)
Signed ...
Category
1940s Post-Impressionist Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Drawing 13, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdans...
Category
Early 2000s Conceptual Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
The Fallen Multitude (Drawing n° 31)
Located in Montreal, Quebec
As they are still erected today, just as they were in the past all over the world, the statues systematically testify to this ideological domination of people in power over the popul...
Category
2010s Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Archival Paper
Orange Vests
Located in London, GB
Gouache and charcoal on paper, 53cm x 37cm (74cm x 55cm framed). Provenance: the Artist’s estate (stamped verso).
Stonehouse had an extraordinary life. As a young art student studying fashion illustration, he joined the Royal Artillery at the beginning of WWII but soon became a part of the Special Operations Executive (SOE). He was sent to France as a radio operator but three and a half months later was caught by the Gestapo, tortured, given a death sentence and then selected for slave labour. He spent the subsequent war years in three French prisons and five concentration and labour camps, including Dachau. He still managed to continue to draw in some of the camps. Following the war, Stonehouse went to the US and continued his career as a fashion artist painting for magazines...
Category
1970s Post-War Charcoal Figurative Drawings and Watercolors
Materials
Paper, Gouache, Charcoal
The Fallen Multitude (Drawing n° 10)
Located in Montreal, Quebec
As they are still erected today, just as they were in the past all over the world, the statues systematically testify to this ideological domination of people in power over the popul...
Category
2010s Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Archival Paper
The Fallen Multitude (Drawing n° 23)
Located in Montreal, Quebec
As they are still erected today, just as they were in the past all over the world, the statues systematically testify to this ideological domination of people in power over the popul...
Category
2010s Contemporary Charcoal Figurative Drawings and Watercolors
Materials
Charcoal, Archival Paper
HUMAN ATMOSPHERE Retro-study 5 - contemporary artwork, emerging artist
Located in London, GB
In this exhibition, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...
Category
21st Century and Contemporary Abstract Charcoal Figurative Drawings and Watercolors
Materials
Chalk, Charcoal
Spanish School, Academic Study (Male Nude)
Located in London, GB
Charcoal on paper, 62cm x 43cm, (76cm x 55cm framed). Please note this drawing is double sided with a female nude academic study on the reverse. th...
Category
Early 1900s Old Masters Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Charcoal Figurative Drawings and Watercolors
Materials
Paper, Charcoal
Charcoal figurative drawings and watercolors for sale on 1stDibs
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