Charcoal Figurative Drawings and Watercolors

This architectural wall-hanging artwork titled "In Isolation Series VII" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This p...

Nude Woman is a pencil and charcoal drawing realized by Jean Chapin in the 1950s. Signature stamp on the yellowed paper. Good condition, except for slight folding.

A ca. 1928 charcoal on paper drawing of a dapper man with a pint glass by artist Francis Chapin. Image size: 12" x 9". Matted size: 14" x 18". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Lying Woman is a charcoal drawing realized by Adolphe-Félix Cals (1810 - Honfleur 1880) in the late 19th Century. The artwork represents a woman lying on a...

"Girl Drinking" by Charlie Mackesy is an original charcoal and pastel work, signed by the artist in pastel. The artwork is presented beautifully framed, making it an ideal addition t...

Facial expressions are used to convey information from one person to another. Here the viewer has a sense of how the artist feels about celebrating his 80th birthday. A master with vine charcoal, David Becker uses it with precision. With a rich range of value and strong darks, Becker captures his own fine details with exacting clarity. This piece is floated and framed with a simple wooden frame. David Becker Self Portrait at 80 vine charcoal on paper 35.75h x 25w in 90.81h x 63.50w cm DB0031 David Becker Exhibitions 2017 Figure8, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

Henri Harpignies (1819-1916) A Barrier on the hedge, study Signed lower left, annotation "branches séchées sur la barrière" (dried branches on the fence) on the upper right Charcoal...

Henri POEY (1910-1998) Mask, circa 1930 Charcoal on paper Mounted on cardboard Signed lower left 22.5 x 21.5 cm black lacquered oak frame : 30 x 30 cm Little biographical informat...

SALE ONE WEEK ONLY "Manipulator" is an abstracted figurative drawing in charcoal and graphite. The figure seems to be "manipulating" some object it holds without visual clarity as what that object is leaving it up to the viewer to fantasize about its intent. The drawing has a monumentality to it that speaks of Butler’s influence by Henry Moore, for whom he worked at one time, and echoes the style of the sculptures that Butler created. Butler most often used the female figure in his sculptures and drawings and although it is not certain, this drawing may be of a female figure engaged in some hand work with perhaps a mechanical toy that resembles a bird. Butler trained as an architect and worked as a blacksmith before becoming Henry Moore’s assistant and developing his own talent as a sculptor. His first solo exhibition was held in 1949 at the Hanover Gallery in London. In 1952 he exhibited at the Venice Biennale and in the same year won a much publicized competition for a Monument to the Unknown Political Prisoner which, however, was never made. After winning the 'Unknown Political Prisoner' competition in 1953 he became one of the best known sculptors during the 1950s and 1960s, and also taught at the Slade School of Art. Reginald Cotterell Butler (28 April 1913 – 23 October 1981) was an English sculptor born at Bridgefoot House, Buntingford, Hertfordshire to Frederick William Butler, formerly a police constable, and Edith Barltrop. His parents were the Master and Matron of the Buntingford Union Workhouse. His father was a relative of the poet William Butler Yeats; Edith was of Anglo-French descent. Butler studied and lectured at the Architectural Association School of Architecture in London from 1937 to 1939. He was a conscientious objector during the Second World War, being exempted from military service conditional upon setting up a small blacksmith business repairing farm implements. Butler's later work consists of lifelike models of female figures, such as Girl on a Round Base, that have something in common with Hans Bellmer and the sculpture of Allen Jones and prefigure the work of Ron Mueck...

John Ayres Head in Hand May 1, 1937 Charcoal on Paper 25"x19", unframed $1250 Signed and dated in charcoal top right *Custom framing available for additional charge. Please expect fr...

Work : Original Drawing, Handmade Artwork, Unique Work. Medium : Charcoal and Graphite on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject : Les Indestinés (series ...

"Girl with Flower" (2023) by Bunyod Suvonov is original handmade drawing made with charcoal on toned paper. This piece depicts a portrait of a woman with long black hair looking down...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Unframed. Katherine Curci began this series of charcoal drawings, premiered in This Land., at the start of the pan...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-306 Hand-signed by author

Compelling mid century nude figure study of a black woman reclining by Raul Anguiano (Mexican/American, 1915-2006), 1968. Signed and dated lower left hand corner "R. Anguiano." Presented in wood frame under plexiglass. Image size: 25"H x 34"W. Framed size: 35"H x 43.75"W. Raúl Anguiano was born in Guadalajara, Jalisco, on February 26th, 1915. He started drawing cubist pictures at the age of 5, taking as his first models movie stars, as Mary Pickford, Pola Negri and Charlie Chaplin. Anguiano first artistic influence or aesthetic emotion came from the Holy Family by Rafael Sanzio. At the age of 12, Anguiano attended Guadalajara's Free School of Painting under the tuition of Ixca Farias. From 1928 to 1933, he studied with the Master painter José Vizcarra, the disciple of Santiago Rebull and José Salomé Piña, and organised the group "Young Painters of Jalisco" with other artists. During this period, Anguiano worked with different kinds of models: workmen, employees and a few intellectuals like Pita Amor. In 1934 Anguiano moved to Mexico City. He began teaching in primary schools and taught drawing and painting at La Esmeralda academy and the UNAM School of Art. Anguiano was a member of the Mexican Artistic Renaissance movement which was started in the 1920's by the Mexican School of Art in which he belonged. This renaissance began with the San Carlos Academy movement -- among whose leaders were Ignacio Asúnsolo and Jose Clemente Orozco -- and which emerged out of the students' and teachers' discontent with the traditional paintings methods (academicism), and the close contact that the young artists had with the problems of Mexico and its people, explaining the marked critical realism to the painters of the time, including Anguiano himself. The same year, Anguiano received a commission to paint his first mural, Socialist Education, a 70 meters fresco located at A. Carrillo School in Mexico City. Other works followed, including Mayan rituals (oils on canvas and wood), for the Mayan Hall in the National Museum of Anthropology, and Trilogy of Nationality (acrylic on canvas and wood), for the Attorney General's Office. In 1936 he moved into his surrealist period, which lasted almost a decade. He painted circus performers and prostitutes. The most notable among his works of the time are: The Madame (gouche, 1936), The Clown's Daughter (oil, 1940), the Pink Circus Artist and the Grey Circus Artist (oil, 1941). Also during this period, Anguiano produced a series of drawings based on his dreams, with cold tones and silver-greys predominating. In 1937 Anguiano joined the Revolutionary Writers and Artists League. Together, with Alfredo Zalce and Pablo O'Higgins, he was also a founding member of the Popular Graphics Workshop, where artists practised a graphic style based on Mexico's folk traditions. This was due to the powerful influence of the recently discovered Jose Guadalupe Posada and Goya. Raúl Anguiano belonged to the so-called "Third Generation" of post-revolutionary painters, along with Juan O'Gorman, Jorge González Camarena...

Figures is a modern artwork realized by Francisco Bores in 1950. Charcoal drawings. Good conditions.

Mid-20th Century 1950s/1960s Soviet Ukraine - Khrushchev & Brezhnev Era. Three Generations Of Steel Factory Workers. Framed Charcoal On Paper Period Drawing. Image size 24.4 inches x...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

An original pastel-on-paper drawing by British artist Charlie Mackesy - Mackesy's clever work and style here, provide us with a glimpse into this atmospheric depiction of a Jazz Trio...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

"Waiting" (2023) by Bunyod Suvonov is original handmade drawing made with charcoal and graphite on toned paper. This piece depicts a portrait of a woman with long flowing hair laying...

"Elevate" is a beautiful and unique charcoal drawing on paper of a dynamic horse jumping in mid-air. The composition is contemporary, playing with the positive and negative space. Th...

UNTITLED charcoal on paper unique ©1969 R.C. Gorman

Pat Douthwaite (Scottish, 1939 – 2002) Seated Man Charcoal on paper Indistinctly inscribed, signed and dated ‘Douthwaite 71’ (lower right) 25.1/2 x 18.1...

Rosanna Gaddoni Vita Condatida 66 x 48 cm ( framed in wood frame with museum glass) Measurement with included frame: 80 x 60 cm Italian artist Rosanna...

Tree and House is a precious pencil study realized by the French painter Emile-Louis Minet. The state of preservation is excellent. The piece of paper comes from a sketchbook, and it...

A very good English Impressionist charcoal and pencil drawing of two male heads, by the celebrated British artist Sir George Clausen R.A. (1852-1944), the drawing circa 1905. Clausen was a very well respected British artist based in London in the late 19th & early 20th century, stylistically he managed to meld Romanticism and Impressionism with great success. This very handsome drawing depicts a study of two male heads, most likely related to the 1905 painting "Binding Sheaves" or another harvest painting from that period. This work of art was exhibited & sold in 1976 by the "New Grafton Gallery 42 Old Bond Street London W1", exhibition to the verso, the gallery specialized in showing major 20th century British artists. The drawing is in excellent condition and is ready to hang. At sight without frame 5.50" x 8.50" Biography George Clausen was born at 8 William Street in the Regents Park district of London on 18 April 1852, the son of a decorative...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imaginat...

Bernardo Navarro Tomas (Cuba, 1977) 'New York City #10', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-310 Hand-signed by author

Eye catching charcoal drawing of deconstructed face by American artist Kismine Varner, circa 1990. Signed lower left. Original artwork on paper displayed on a white mat with a gol...

"Da sempre sono attratto dagli oggetti semplici, spesso dimenticati o fuori contesto. Riporto alla luce piccoli frammenti del quotidiano – giocattoli, gadget, elementi della cultura ...

Tammy Liu-Haller presents "Rose Sunset," an original mixed media painting on encaustic panel created in 2023. This intimate artwork measures 5 x 5 x 0.87 inches (12.70 x 12.70 x 2.21...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-308 Hand-signed by author

Standing Female Nude is a superb original drawing on paper, realized by the French artist Marcel Roche (1890-1959). A beautiful and sensual standing woman is portrayed with a sanguine and oil pastels of the same color, with a wise use of the smudge. our original drawing represents one of the favoriteRoche's subjects, together with the still life: the female nude. With a monogrammed logo printed in black ink as a stamp on lower right margin. Original Title: Femme nue main debout In excellent condition, the original sheet is glued on a cutting paper and presents some usual pigment stain. Marcel Roche (Paris, 1890-1959) French artist best-known as a painter of nudes, portrays, still life, landscape and illustrator, marcel Roche attended the Académie Julian et l'Ecole Nationale des Beaux-arts in Cormon. He exhibited at the Salons des Indépendants and at the Salon d'Automne, where he bacame a membre of the organization. His best known artworks still today are: La pastorale normande, Baigneuses, idylle, le nu au paravent, Le nu à la tapissierie, nu au moulin, Le déhjeuner des baigneuses, la liseuse...

Bernardo Navarro Tomas (Cuba, 1977) 'Untitled', 2017 mixed media on Japanese paper 12.3 x 17 in. (31 x 43 cm.) ID: NAA-311 Hand-signed by author

Portrait of a Man is an original modern artwork realized in the first decades of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original charcoal drawing on paper. Hand-signed in pencil by the artist on the lower central margin: Maccari. Excellent conditions. Beautiful black charcoal drawing...

Charcoal drawing on paper realized by Mino Maccari in 1932 ca. Hand signed in pencil lower right. Very good condition.

Striking charcoal drawing of a woman's profile full of dash, éclat and energy by American artist Kismine Varner, circa 1990. Signed lower left. Original artwork on paper displayed...

Scottish artist Patsy McArthur explores the grace and power of human movement in her naturalistic drawings and paintings. Her latest works, including small ink studies, charcoal and ...

John Heliker Self Portrait, 1991 Charcoal Pencil on Paper (with original Kraushaar Galleries label verso) Signed on the front bears the original KRAUSHAAR GALLERIES label on the verso on the frame Vintage metal frame included Self portrait done in charcoal pencil by distinguished American artist John Heliker. Hand signed on the front This work is framed - bears the label of the renowned KRAUSHAAR GALLERIES on the verso. Image size: 13 inches by 10 inches; Framed: 18 1/2 inches by 14 1/2 inches About John Heliker from The New York Times Obituary, 2000 (Roberta Smith) John Heliker, a painter and teacher who was a fixture of the New York art world for nearly seven decades, died on Tuesday at the Sonojee Estate, a health center in Bar Harbor, Me. He was 91 and had lived in New York during most of his career, spending summers on Cranberry Island...

Seated Nude in Charcoal on Paper Figurative piece with a nude model by Santa Cruz and San Francisco artist Heather Speck (American, b. 1978). The model is seated, with one leg bent ...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Unframed. Katherine Curci began this series of charcoal drawings, premiered in This...

For your hockey enthusiast! A ca. 1950s, pastel & charcoal on paper drawing of a hockey game by artist Francis Chapin. Artwork size: 9" x 12". Matted to: 14" x 18". Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

In this collection, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...

The Carriage and Horse is a drawing in charcoal and pencil on paper realized in the early 20th century by Fernand Bivel. On the rear, there is another drawing of a nude. The state ...

Dialogue with Dionysus is one of the best works by the artist Marco Fariello realized in 2021. It is an academic drawing with a mythological theme, made in pencil on paper of a bust of Dionysus...

Watercolor on paper realized by Mino Maccari in 1930s. Hand signed lower right. Very good condition.

Pen drawing realized by Mino Maccari in 1934 ca. Hand signed lower right. Very good condition.

Tammy Liu-Haller's "Things are Looking Up" is an original, handmade charcoal and graphite drawing that depicts a fox in profile looking upwards towards the s...

Bright Lashes / Head Study No. 93, drawing / painting featuring the head portrait of a young woman. in monochromatic grey, brown and white. The work is created with mixed media on ar...

Jenna Ringuette's "Girl Look Up" is an original, handmade charcoal drawing that depicts a female model in a striped robe looking upwards beyond the composition.

Lone figure with glasses

Mid Century French Portrait Josine Vignon (French 1922-2022) Medium: Pencil/ charcoal on artists paper, double sided Size: 10 (height) x 6.5 (width) Stamped Verso Condition: Good P...

Watercolor on paper realized by Mino Maccari in 1960 ca. Hand signed in pencil lower right. Very good condition.

Joseph Piccillo’s meticulous charcoal and graphite drawings and paintings reveal an exquisite draftsmanship tempered by emotional sensitivity. Piccillo presents an action-based assem...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. From her "Irrepressible" series. Comes framed. Lake Pleasant, Phoenix, AZ Katherine Curci began this series of ch...

Portraits  is a charcoal drawing realized by Mino Maccari  (1924-1989) in the Mid-20th Century. Hand-signed. Good conditions with slight foxing. Mino Maccari (Siena, 1924-Rome, Ju...

Dancer is an original drawing in charcoal on paper, realized by Anonymous artist of the XX century. The state of preservation of the artwork is good. Sheet. dimension:31 x 23.5 cm The artwork represents a dancer man...

Female Nude is an original Contemporary artwork realized in the 1970s. Original Charcoal drawing on paper. Mint conditions. Female Nude is an original Contemporary artwork realiz...