Jean Chapin Art

"Times Square" Mid 20th Century 1937 Modernism Broadway Drawing NYC Cityscape Philip Goodwin (20th Century) "Times Square," 23 ½ x 17 ¼ inches. Gouache...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 085A" graphite, Conte crayon and charcoal on Arches paper 30 x 18.5 inches unframed Signed, lower rig...

MB 702 (Contemporary Life Drawing of Male Nude by Mark Beard) graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Con...

If you are interested in African American Art and in Women in the Arts, I will certainly not need to introduce Lois Mailou Jones (1905-1988). Often associated with the Harlem Renaiss...

"Fall to Grace" is an original ink and watercolor painting on paper mounted to wood by artist Robert Kraiza measuring 19in height x 9in width. Artist Statement // In my work I invoke a whimsical world inspired by Victorian and Edwardian eras. To me they represent a romantic time period that has roots that extend directly into the modern world, both good and bad. The customs and aesthetics of the period are both fascinating and breathtaking but a vast portion of the population was victim to subjugation. It has since been eradicated on paper but still permeates to this day. I am exploring an imagined supernatural world hidden just out of sight where these woman could escape. This is an evolution from my earlier work set in the same time period with a continuous thread of humans and their animal companions. Through witchcraft these women find strength in their abilities and each other to leave the oppressive world they inhabit behind and escape to the woods to their Covendom, the boundary that defines the territory of their coven. They shed their customs, their corsets, and their concerns at the edge of the forest and gather among the trees to explore their magical potential with their familiars at the side. This body of work is exploring multiple media with a consistent theme and setting; combining watercolor painting, pen and ink illustrations, and graphite drawings. All pieces are created in monochrome on hot press watercolor paper mounted on wood with a gold painted border reminiscent of daguerreotype frames. Watercolor allows me to achieve results ranging from soft ethereal layered washes similar to oil glazes to precise minute details I include in all of my works. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

Figurative male nude drawing made of graphite, charcoal, and conte crayon on Arches paper 30 x 20 inches, unframed This unique life study drawing of a standing male nude was made...

A very atmospheric watercolour capturing the light and shimmer of a Venetian canal. One of two views of Venice by the artist that I am offering - please see my other listing. Dennis Page (born 1926) Venice Balcony Signed Watercolour 8½ x 12 inches including the frame 16¾ x 21 inches with the frame Painter, mainly in watercolour who was born in Hampstead, London. He studied art at Harrow and the Central School of Arts & Crafts, where his tutors included Mervyn Peake...

This appears to be dated 1927. It came in with a piece dated 1929. A very early, rare work. Framed 22.5 x 18. Image 14.5 x 9 A great New York city street scene with an El train (elevated subway line) and architectural renderings of buildings. This is a wonderful piece by one of America's most treasured artists, Chaim Gross. Throughout his lifetime Gross has gone through tragedy and a real test of faith however, he has the unique ability to focus and direct his expression to the most joyful and beautiful works of art, such as the present lot. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes. His acrobats, cyclists, and mothers and children convey joyfulness, exuberance, love, and intimacy. This aspect of his work remained consistent with his Hasidic heritage, which teaches that "only in his childlike happiness is man nearest to God." He often used his creative abilities to explore and experiment with media. In his artwork he retains an optimistic philosophy, even when facing somber issues such as war, depression, and the Holocaust. Chaim Gross (March 17, 1904 – May 5, 1991) was an American sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Academic life drawing of male nude with charcoal and graphite by Mark Beard, "MB 018" graphite, Conte crayon and charcoal on Arches paper 30 x 19 inches unframed Signed, lower right ...

Watercolour, signed and dated (lower right), 76cm x 56cm, (93cm x 69cm framed). Daniel Barkley is known for his nude figurative work alluding to myths, legends and art history, whi...

graphite, conte crayon and charcoal on Arches paper 30 x 22 inches Unique figurative life study drawing of a seated male nude in graphite and conte crayon on Arches paper in a style that is at once traditional yet contemporary. Strong facial features and upper body muscles are evidence of the artist's excellent drafting skills. The handsome nude...

Pencil, coloured pencil and chalk on paper, titled (lower left), signed (lower right), 31cm x 46cm, (51cm x 68cm framed). John Koch was an American painter and teacher, and an impo...