Krzysztof Gliszczyński Art
Polish, b. 1962
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
(Biography provided by Galerie Sandhofer)
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Artist: Krzysztof Gliszczyński
Mandorla - Large Format Charcoal On Paper, Black White Drawing
By Krzysztof Gliszczyński
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
The artwork is unframed and will be shipped rolled in a tube
Artist Statement
In the 1990s I st...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Paper, Charcoal
Light, Series Drawing From Israel - Large Format, Charcoal On Paper
By Krzysztof Gliszczyński
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastk...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Charcoal, Paper
TWO SPACES - Expressive Charcoal On Paper Painting, Black White Drawing
By Krzysztof Gliszczyński
Located in Salzburg, AT
The work is on 1 paper.
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
The artwork is unframed and will be...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Paper, Charcoal
Drawing 14, Series Drawing - Large Format, Charcoal On Paper Panting
By Krzysztof Gliszczyński
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Paper, Charcoal
Drawing 13, Series Drawing - Large Format, Charcoal On Paper Panting
By Krzysztof Gliszczyński
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Paper, Charcoal
Untitled 1 - Expressive Charcoal On Paper Painting, Black White Drawing
By Krzysztof Gliszczyński
Located in Salzburg, AT
The paper of the work is not yellowed, there is a applied yellowed primer under the drawing
Krzysztof Gliszczyński is Professor for painting o...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Paper, Charcoal
From the series “Creatio Continua I” Conceptual Oil and Marble Dust Painting
By Krzysztof Gliszczyński
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1...
Category
1990s Conceptual Krzysztof Gliszczyński Art
Materials
Marble
Iosis, Synergic Painting - Conceptual Encaustic Painting On Canvas XL Format
By Krzysztof Gliszczyński
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1...
Category
1990s Conceptual Krzysztof Gliszczyński Art
Materials
Encaustic, Pigment, Canvas
Hiden Layers Of Red - Encaustic Abstract Painting On Canvas, Framed
By Krzysztof Gliszczyński
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1...
Category
2010s Conceptual Krzysztof Gliszczyński Art
Materials
Canvas, Encaustic, Pigment
Network - Conceptual Encaustic, Marble Dust, Oil Pigments Painting On Canvas
By Krzysztof Gliszczyński
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1...
Category
2010s Conceptual Krzysztof Gliszczyński Art
Materials
Canvas, Encaustic, Pigment
Grey Object, Series Urns - Encaustic Oil Painting, Marble Dust Ash On Wood
By Krzysztof Gliszczyński
Located in Salzburg, AT
Grey object, Series Urns nr 20 and 21, 2000
Krzysztof Gliszczyński, Oil, encaustic, marble dust, pigments, ash on wood, Plexi, 100x70 cm
Artist Statement
In the 1990s I started co...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Marble
Urns Nr 4/X.93-X.94, a Perspex - Cased Object
By Krzysztof Gliszczyński
Located in Salzburg, AT
Urns nr 4/X.93-X.94, a Perspex - cased object, 1994, flakes of paint + plexiglas
Krzysztof Gliszczyński,
33 x 47 x 4 cm
Artist Statement
In the 1990s I started collecting flakes ...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Plexiglass, Pigment
Synergy, Synergic Painting - Conceptual Encaustic, Oil Pigments, Canvas On Wood
By Krzysztof Gliszczyński
Located in Salzburg, AT
"Synergy" synergic painting: pigments, oil, encaustic on canvas stretched on wood, ∅ 100 cm, 2015.
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...
Category
2010s Conceptual Krzysztof Gliszczyński Art
Materials
Canvas, Oil, Wood, Encaustic, Pigment
Cauda Pavonis, Synergic - Conceptual Encaustic, Oil Pigments, Canvas On Wood
By Krzysztof Gliszczyński
Located in Salzburg, AT
"Cauda Pavonis" synergic painting: pigments, oil, encaustic on canvas stretched on wood, ∅ 80 cm, 2017.
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gda...
Category
2010s Conceptual Krzysztof Gliszczyński Art
Materials
Canvas, Wood, Encaustic, Oil, Pigment
The Unobvious, Synergic Painting - Conceptual Encaustic, Oil Pigments On Wood
By Krzysztof Gliszczyński
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Wood, Encaustic, Pigment
Caput Mortuum - Conceptual Encaustic Oil Painting, Marble Dust Ash On Canvas XXL
By Krzysztof Gliszczyński
Located in Salzburg, AT
Overall Size: Height 200cm x Width 300cm ( The painting consists of 2 parts, one part: 200x150cm )
Overall Size: Height 78,7402 Inch x Width 118,11 Inch ( The painting consists o...
Category
1990s Conceptual Krzysztof Gliszczyński Art
Materials
Marble
Vanishing Point, Synergic Painting - Conceptual Encaustic, Oil Pigments On Wood
By Krzysztof Gliszczyński
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated fro...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Wood, Encaustic, Pigment
About Lost Soul - Conceptual Encautic Oil Painting, Marble Dust Ash On Canvas XL
By Krzysztof Gliszczyński
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1...
Category
Early 2000s Conceptual Krzysztof Gliszczyński Art
Materials
Marble
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