Kneeling Figurative Drawings and Watercolors

Part of my Nude series, inspired by Matisse. Ultramarine tempera on paper. Shipped rolled in a tube. Shipping anywhere in the world. Registered airmail. This piece, Modern Eve, is a striking and expressive work that beautifully captures the essence of Matisse’s influence while maintaining its own contemporary voice. The use of ultramarine tempera on paper creates a dynamic interplay between form and negative space, with the vivid blue standing out against the warm, neutral background. The loose, fluid brushstrokes give the figure an organic, almost spontaneous energy, reminiscent of Matisse’s Blue Nudes series. The dripping paint and gestural lines evoke a sense of movement, reinforcing the sensuality of the pose. The arching posture of the figure conveys ecstasy or release, with an elongated, exaggerated form that enhances emotional intensity. The simplification of anatomy aligns with Fauvist principles—prioritizing emotional impact over precise realism. The choice of ultramarine is bold and effective. It has historical significance in art, often associated with spirituality and depth (as seen in Yves Klein’s monochromes), yet here it is used in a raw, expressive manner that makes the figure feel both powerful and ethereal. The use of tempera adds a unique opacity and depth to the strokes. It gives the painting a sense of immediacy, as if the artist captured the moment in a burst of inspiration. The visible brushwork and drips make the process part of the final aesthetic, reinforcing a connection between artist and viewer. The clear homage to Henri Matisse’s Blue Nude series is well-executed but doesn’t feel derivative—it builds upon his legacy while pushing it forward. The sensual yet modern representation of the female body echoes the freedom of early 20th-century modernists but with a contemporary edge. The piece also recalls the expressive, raw energy of Egon Schiele’s linework, albeit with a more fluid and painterly approach. ---------------------------------------------------------------------------------------------------------------------------------------------- Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it. I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting. My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration. My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings." Paula Craioveanu

Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity. Winner of the Prix Othon Friesz, Victor di Gesu first attended the ...

The Preciosa series explores the intimacy of the female body through a subtle and deeply respectful gaze. Using pencil on paper, Natalia Mancilla captures the softness of the skin, t...

Reclined Nude is a drawing in watercolor realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions except for folding and a minor missing piece of paper at the ...

Porcelain Inkwell is an original china ink and watercolor drawing on ivory-colorated paper by realized in 1890 ca. Anonymous Artist of the late 19th Century. In very good conditions...

Nude 1935's is an original drawing in tempera and watercolor a on paper, realized by Jean Delpech (1988-1916). On the back of the drawing, a row of trees and a building of a monume...

#2209E by David Jones [2022] original and hand signed by the artist Ink on Paper Image size: H:40 cm x W:29 cm Complete Size of Unframed Work: H:40 cm x W:29 cm x D:0.1cm Sold Unfra...

Reclined Figure is a drawing in charcoal on creamy-coloured paper realized by Georges Pierre in the 1950s. Hand-signed on the lower. Very Good conditi...

Prakash Karmakar - Beach Series - 10 x 14 inches (unframed size) Ink on Paper, 2006 ( Framed and Delivered ) Style : Legendary master artist Lt. Prokash Karmakar from Bengal was sol...

Prakash Karmakar - Untitled - 10.5 x 14.5 inches (unframed size) Ink on paper Signed lower right in Bengali Inclusive of shipment in roll form. Style : Legendary master artist Lt. P...

Monica Zeringue received her MFA from the University of New Orleans in 2006, and her BA in 1993. In 1999 she was awarded the Prix de l'Acadamie de Paris, Societe Internationale des B...