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$1,561.85List Price

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Mythological Subject - Charcoal and Ink Drawing
Located in Roma, IT
Mythological subject is a precious original drawing (black chalk, brush, and watercolor ink on ivory colored paper). Unsigned. Inscription: "Disegnato dal P. e Scotti ricavato da que...
Category

19th Century Old Masters Figurative Drawings and Watercolors

Materials

Ink, Charcoal

Martyrdom of Saint Bartholomew - Drawing - 17th Century
Located in Roma, IT
Martyrdom of Saint Bartholomew is a precious original drawing (black and red chalk, pen and China ink on laid paper, laid down on canvas) realized by...
Category

17th Century Old Masters Figurative Drawings and Watercolors

Materials

Charcoal, Ink, Watercolor

Female figure with Child and Dog - Charcoal Drawing
Located in Roma, IT
Female figure with child and dog is a sublime original drawing (red chalk drawing on laid paper) by an exponent of the French School of the XVIII century...
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18th Century Old Masters Figurative Drawings and Watercolors

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Charcoal

Female Nudes - Charcoal, Ink and Watercolor Drawing
Located in Roma, IT
Female Nudes is a fine original drawing (China ink and watercolor on paper). Unsigned. This artwork could be attributed to Thomas Stothard. Although th...
Category

Mid-19th Century Old Masters Figurative Drawings and Watercolors

Materials

Charcoal, Ink, Watercolor

In a Gothic Church
Located in Roma, IT
In a Gothic Church is a beautiful original drawing (China ink and watercolor on paper). Hand-signed "Stothard" in brown ink on the lower left margin outside of the image. Very sweet drawing representing a woman praying...
Category

19th Century Old Masters Figurative Drawings and Watercolors

Materials

Charcoal, Ink, Watercolor

In a Gothic Church
$360 Sale Price
33% Off
The Adoration -Painting by Giuseppe Assereto - 1630
By Giuseppe Assereto
Located in Roma, IT
The Adoration is an original modern artwork realized by Giuseppe Assereto (died in Genoa in 1650) in the first half of the 17th Century. Original Oil Painting on Canvas. A 19th Century style gilded wood frame is included. The Autograph of the work was confirmed by Camillo Manzitti. Very good conditions. The frame is in excellent conditions too. Reference: C. Marcenaro, Pittori genovesi a Genova nel '600 e nel '700, Genova 1969, pp. 134 ; 135, n. 55. Z. Wazbinski, Un Quadro Caravaggesco Di Gioacchino Assereto, in Prospettiva, n. 26, 1981, pp. 60 ; 63. F. R. Pesenti, La Pittura in Liguria. Artisti del primo Seicento, Genova 1986, p. 397, nota 23. A. Gesino, Tracce di Matthias Stom nel collezionismo tra la Sicilia e Genova, in Caravaggio e i genovesi, catalogo della Mostra a cura di A. Orlando, Genova 2019, pp. 182 ; 195. The Adoration is an excellent example of the XVII Century Italian Painting. The style of the work denotes the suggestive influence of Assereto father's mature production, when influenced by Mathias Stom (Amersfoort, about 1600 - Sicily, after 1650) expresses dark sensibilities in a southern Italian style. In his works, however, there is an accentuated naturalism and interesting similarities with the production of Giovanni Benedetto Castiglione. Gioacchino Assereto died in 1650, while, according to Soprani, he was intent on painting a Last Supper for the oratory...
Category

1630s Old Masters Figurative Drawings and Watercolors

Materials

Oil

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The Assumption of the Virgin
Located in New York, NY
Provenance: Unidentified collector’s mark “D.G.R,” lower right (Lugt 757b) Wilhelm Suida (1877–1959), New York; by descent to: Robert L. and Bertina Suida Manning, New York, until 1996 Private Collection, USA This impressive drawing of the Assumption of the Virgin is the work of the Genoese artist Giovanni Battista Paggi. The son of a nobleman, Paggi received a humanist education and was a self-taught artist. According to Paggi’s first biographer, Raffaele Soprani, it was only after encountering Luca...
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