Unknown

Trachino - Watercolor by Unknown Master - 1920s

1923 ca.

The king is an original drawing in watercolor on cardboard realized by Toha in 1924 ca. The state of preservation of the artwork is good except for small decoloration and folding on...

Idaspe is original drawing in watercolor on cardboard realized by M. Molinari in 1923 ca., as scenography for the representation of Heliodorus of Emesa's "The Ethiopians". The state...

Study for Scenography is a painting in watercolor realized in the 1920s by Erminio Loy. Hand-signed on the lower right. Good conditions. The artwork represented through harmonious...

Costume for Aida is an original drawingg in tempera and watercolor on brownish paper realized in 1920 ca. by an Anonymous Italian artist of the early 20th Century. The artwork repre...

Warren Chase Merritt "Melodie Arabe" Original Watercolor c.1939 Original watercolor on paper Dimensions 13" wide x 18.5" high The frame measures 20" wide x 26.5" high Signed and ...

A charming watercolour study of an agricultural worker with his tools and a basket standing before a village. Unsigned. Presented in a gilt frame with a beaded running pattern. On pa...

ALBERT RUTHERSTON, RWS (1881-1953) Tailpiece – Illustration for The Tragedie of Cymberline Signed with initials l.r. AR; also signed with initials and inscribed beneath the mount: Tailpiece for end/of play {Cymberline}/No Reduction unless/”lay out”should make/necessary AR Pen and ink Unframed 6 by 10 cm., 2 ½ by 4 in. (mount size 36.5 by 25.5 cm., 14 ½ by 10 in.) Provenance: Estate of the artist Exhibited: London, Sally Hunter Fine Art, Albert Rutherston, Drawings, Theatre Designs and other Treasures, 2016, no.66 The present work was illustrated in Cymbeline, published by Ernest Benn in 1923. The series was a collaboration between Rutherston and Harley Granville-Barker following on from their work together 11 years earlier at the Savoy Theatre and celebrating the quatercentenary of the Shakespeare Folio edition. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke...

A finely detailed study of an elegantly dressed gentleman in 18th-century attire. His silk trousers and jacket are embellished with silver lace. He sits in a rather melancholy manner...