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Vestie Davis
Sheepshead Bay Fishermen

1964

$5,000List Price

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Destroyer, American Modern Watercolor Painting by Robert Parker 1964
By Robert Andrew Parker
Located in Long Island City, NY
Executed in an American Modern style reminiscent of Lyonel Feininger, this Robert Andrew Parker watercolor painting depicts a warship at sea. The work is signed and dated lower left....
Category

1960s American Modern Figurative Drawings and Watercolors

Materials

Watercolor

A Man's Mother, Saturday Evening Post Original Watercolor Illustration 1940
Located in Long Island City, NY
An original watercolor illustration by Nicholas Riley, American (1900 - 1944) for the Saturday Evening Post 10/19/1940. The painting...
Category

1940s American Modern Figurative Drawings and Watercolors

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Hanging by a Hair, Political Satire Illustration 1902
Located in Long Island City, NY
A political satire illustration “Hanging by a Hair” originally published in the The Philadelphia North American newspaper circa 1902, edited by Edwin A Van Valkenburg and pubilshed b...
Category

Early 1900s American Modern Figurative Drawings and Watercolors

Materials

India Ink

A Man and his Wine, Illustrative Wax Crayon Drawing by William Gropper
By William Gropper
Located in Long Island City, NY
Artist: William Gropper, American (1897 - 1977) Title: A Man and His Wine Year: Circa 1950 Medium: Crayon Drawing on Paper, signed in pencil l.l. Size: 11 x 9 in. (27.94 x 22.86 cm) ...
Category

1950s American Modern Figurative Drawings and Watercolors

Materials

Wax Crayon

Behind, Surrealist Ink and Watercolor on Paper Painting by Thaddeus Strode
By Thaddeus Strode
Located in Long Island City, NY
An ink and watercolor work by Thaddeus Strode. A conceptual piece of a shadowed figure and ghost with caption "Behind the Sufferer is a Ghost". Artist: Thaddeus Strode Title: Behind...
Category

20th Century Surrealist Figurative Drawings and Watercolors

Materials

Ink, Watercolor

Music Hall Pathos, Cubist Mixed Media Painting by Benjamin Benno 1938
Located in Long Island City, NY
Music Hall Pathos by Benjamin Benno, American (1901–1980) Date: 1938 Gouache and Colored ink on paper, signed and dated lower left Size: 14 x 10 in. (35.56 x 25.4 cm) Frame Size: 23....
Category

1930s Cubist Figurative Drawings and Watercolors

Materials

Ink, Gouache

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Located in New York, NY
Magazine Cover Illustration Mid 20th Century Modern Theatre Broadway Realism WPA Ernest Hamlin Baker (1889 – 1975) “Today Magazine” Cover ...
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Family at the Beach WPA Modernism American Scene Social Realism Mid 20th Century
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Located in New York, NY
Family at the Beach WPA Modernism American Scene Social Realism Mid 20th Century William Gropper (1898 - 1977) "Family at the Beach" 27 1/2 x 19 1/2 inches Mixed media on paper, c. 1940 Signed lower left Provenance: Estate of the artist. The drawing will ship from the home of Mr. Gropper's grandson. Bio Throughout his life, William Gropper used his artistic talents to protest social injustice. Born in New York City, he grew up there in poverty and left high school to work as a dishwasher and delivery boy. He eventually began a career in art and was able to study with Robert Henri and George Bellows from 1912 to 1915. He adopted their realistic painting style, and his own work expressed sympathy for common laborers and outrage at society's ills. In 1919 Gropper established a reputation as a political cartoonist working for the New York Tribune. His blunt, forceful style attracted the attention of other publications, and he provided illustrations and cartoons for a variety of magazines, from the left-wing New Masses to mainstream Vanity Fair. Like many social realist artists of the 1930s, Gropper supported liberal political causes, depicting subjects such as the plight of migrant laborers and striking factory workers. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...
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By Jo Cain
Located in New York, NY
"Good Health Week" American Scene Modern Social Realism Double Sided WPA Era Jo Cain (1904 - 2003) Good Health Week – double sided 13 3/4 x 20 1/2 in...
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1930s American Modern Figurative Drawings and Watercolors

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Bull Ring Brass - Mexico City
By Stephen Longstreet
Located in Fairlawn, OH
Bull Ring Brass - Mexico City Watercolor, pen and ink on paper, 1955 Signed in ink, dated and titled in pencil (see photos) Condition: 1'' repaired tear left edge, along with other minor tears. Tape stains from previous matting visible in the four corners Image/Sheet size: 19 3/8 x 15 5/8 inches Provenance: Acquired directly from the Artist Joseph M. Erdelac, Cleveland, friend and patron of Longstreet Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...
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Charming Watercolor of a Southern Home
Located in New York, NY
Unknown Artist Untitled (Country Home), 20th Century Watercolor and ink on paper 21 x 29 in. Framed: 28 1/4 x 36 1/16 x 3/4 in.
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A Ca. 1915 Portrait of a Gentleman by Artist Anthony Stuffers
Located in Chicago, IL
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