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William Bailey
Untitled (Seated Young Woman)

1970

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Untitled (Seated Young Woman)
Located in Fairlawn, OH
Untitled (Seated Young Woman) Graphite on Veritable Papier d'Arches wove paper, 1970 Signed and dated lower right (see photo) Condition: Excellent Image/sheet size: 15 x 11 1/4 inch...
Category

1970s American Realist Figurative Drawings and Watercolors

Materials

Graphite

Woman with Bicycle: Two Views
By Frank Duveneck
Located in Fairlawn, OH
Woman with Bicycle: Two Views Graphite on paper, c. 1890 Unsigned Graphite study of standing female nude verso Provenance: Rookwood Pottery Factory Collection, Cincinnati Spanierman Gallery, New York (label) Drawings from the sketchbook are in the collections of the Munson Williams Proctor Institute in Utica, New York and the Picker Art Gallery, Colgate University, Hamilton, New York. A sister drawing from the same sketchbook was sold at Cowman’s Auction, Cincinnati, October 6, 2018. Accompanied by a letter from the Spanierman Gallery, dated 1997, stating that the drawing is from a sketchbook that was held in the Rookwood Factory Collection. Sister drawing provenance: Provenance: Terry DeLapp...
Category

1890s American Realist Figurative Drawings and Watercolors

Materials

Graphite

Seated Woman, Left Hand to Chin
By William H. Bailey
Located in Fairlawn, OH
Seated Woman, Left Hand to Chin Graphite on laid paper, 1984 Signed and dated in pencil (see photo) Provenance: Donald Morris Gallery, Inc. Birmingham, MI Chern...
Category

1980s American Realist Figurative Drawings and Watercolors

Materials

Graphite

Female Torso, Nude
By Asa Cheffetz
Located in Fairlawn, OH
Nude Female Torso Charcoal on paper, c. 1920 Stamped and initialed in pencil "Asa Cheffetz/A.D.C" Estate signature by wife, A.D.C. Exhibited: Museum of F...
Category

1920s American Realist Nude Drawings and Watercolors

Materials

Charcoal

Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch)
By Fletcher Martin
Located in Fairlawn, OH
Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch) Pen and ink with wash on heavy wove sketchbook paper, 1938 Signed lower right: Fletcher Martin Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo) The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938. Condition: Mat staining at the edges of the sketchbook page edges Toning to verso from previous framing. Does not affect framed presentation "It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation. A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.” Those muscles certainly beat Schmeling on fight night...
Category

1930s American Realist Figurative Drawings and Watercolors

Materials

Ink

Lets Find the Way #1
By Darius Steward
Located in Fairlawn, OH
Lets Find the Way #1 Watercolor on Arches wove paper, 2021 Signed with the artist's initials lower right Signed, titled and dated in pencil verso This watercolor is related to the ar...
Category

2010s American Realist Figurative Drawings and Watercolors

Materials

Watercolor

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