Lee Dubin

Grocery Store (1930s), Lee Dubin

2013

Artist: Peter Max (1937) Title: Seated Man Year: 1980 Medium: Ink on archival paper Size: 9 x 11.5 inches Condition: Excellent Inscription: Signed by the artist PETER MAX (1937- ) P...

Artist: Peter Max (1937) Title: Umbrella Man Year: 1997 Medium: Ink on archival paper Size: 13 x 14 inches Condition: Excellent Inscription: Signed by the artist PETER MAX (1937- ) ...

Artist: Lee Dubin Title: Drugstore (1930s) Year: 2013 Medium: Watercolor and graphite on paper Size: 18 x 21 inches Condition: Excellent Inscription: Signed, titled, and dated in pen...

Artist: Guillaume Azoulay (1949) Title: Four Studies For Winners Year: 1990 Medium: Ink, Pencil & Gold Leaf Drawing on Rice Paper Size: 8.5 x 14 inches Condition: Excellent Inscripti...

Artist: Lowell Nesbitt (1933-1993) Title: (Male Nude) Untitled, 1973 Year: 1973 Medium: Graphite on Artist's Board Size: 38.5 x 26.75 inches Condition: Excellent Inscription: Signed ...

Artist: Lowell Nesbitt (1933-1993) Title: (Male Nude) Untitled, 1973 Year: 1973 Medium: Graphite on Artist's Board Size: 40 x 30.25 inches Condition: Excellent Inscription: Signed & ...

Francis Luis Mora is loved sketching and drawing and did so for almost every day of his career. This allegorical and very finished pencil drawing depicts a Faun in the forest. Poss...

Likely a study for an illustration for Harper's Weekly, for which Wiser was a Civil War-era illustrator, focusing on shipwrecks and battles occurring along the mid-Atlantic coast. ...

Emilio Sanchez (1921-1999) created the watercolor entitled “Schooner St. Croix” in 1952. This piece is signed in pen at the lower right and titled on the verso. The paper size is 16.88 x 22.25 inches. Stamped on verso "Estate of Emilio Sanchez." Good to very good condition. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

Absence/No Presence, 2019

Black crayon and graphite with white heightening on blue handmade laid paper. Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand. ________ Aglio was born in Cremona is 1777 and his artistic talent was recognized early in his life. He was promised a place at the University in Milan by the Holy Roman Emperor, however, his formal education was upended before it even began by the invasion of Italy and Austria by Napoleon. Aglio joined the war effort and fought in a series of major battles near Venice before becoming seriously ill. At the age of about 23 he was released from duty, and traveled to Rome to focus on his health, and landscape painting. In Rome, Aglio studied with the renowned artist Campovecchio. At the invitation of well known British architect William Wilkins (designer of the National Gallery and University College London), Aglio relocated to London in 1803. He made London his permanent home, and married Letitia Clarke in 1805. He enjoyed a lucrative career painting frescoes in the interiors of high society townhouses, country manors, and major London concert halls and theaters. Most notably, Aglio painted multiple official portraits of Queen Victoria...

In "Chance" Albany based artist, Ken Ragsdale has created a visual conversation which references a historical lithograph of Albany, New York made by J. W. Hill in the 1850's. This w...