John Singer Sargent

Garland Studies I

1922-1925

This charcoal drawing is a preliminary study for the figure of Science, the subject that comprises the far right panel above the entrance to the library at the Museum of Fine Arts, B...

This is a figure and head study for the extreme right figure depicted in Apollo and the Muses, one of the magnificent ovals decorating the dome of the rotunda of the Museum of Fine A...

This is a study for the body of Medusa in Perseus on Pegasus Slaying Medusa, 1922-25, the mural panel installed on the ceiling side aisle of the Huntington Avenue stairway at the Mus...

This drawing is also referred to as Young Boy Adjusting His Sandal, and is illustrated in the catalogue for Sargent's 1928 exhibition of drawings at Grand Central Art Galleries in Ne...

Doll Shoes by Lu Haskew Pencil 9x11" image size 15x18.5" framed as pictured, behind glass with archival matte Graphite drawing of doll shoes on a newspaper. Shipping price includes ...

Planes of the Head study by Lu Haskew Pencil 10x8" image size 14x12" framed as pictured, behind glass Graphite drawing. Shipping price includes the custom packing necessary for safe...

Monotype on paper Dramatic disrupted realism imagery from Tom Bennett’s series of monochromatic monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Sumi-e Brushes and Bowl - Still Life by Elizabeth Harrington Vibrant still life of Sumi-e Brushes in vase and rinsing bowl by Elizabeth Mae Harrington, "Betty" (American, 1919-1990). A small vase holds several sumi-e brushes, next to a small red bowl. A small piece of blotter cloth is in front of the bowl. Signed "Elizabeth Harrington" in the lower right corner. Presented in a wood frame with a double mat of pink and tan. Image size: 10.5"H x 9"W Frame size: 19.5"H x 16.5"W Elizabeth "Betty" Harrington (American, 1919-1990) was born in San Diego, California in 1919. She studied at the University of California and the California School of Arts and Crafts. She also studied privately with Richard Yip...