The most sought-after society portraitist of his time — as well as a highly accomplished painter of landscapes and genre scenes — John Singer Sargent was born in Florence, Italy, to well-to-do American parents. The French-trained Sargent depicted his sitters with a bravura brushstroke and a degree of originality that were highly progressive at the time. As a result, he enjoyed critical notice and important patronage, but also weathered some controversy.
Though Sargent spent most of his life abroad, his American ties brought him numerous portrait commissions as well as important commissions for the mural programs at Boston's Museum of Fine Arts and the Boston Public Library.
Sargent's works, whether in oil, watercolor, or charcoal, are marked with naturalness and a distinct sense of immediacy due to his remarkable technical facility as an artist. Whether monumental portraits or casual outdoor scenes, his works possess a freshness and fluidity seldom matched in any era.
Sargent spent much of his free time painting and sketching outdoors, and his landscapes, architectural, and subject pictures — influenced by his friendship with Claude Monet and frequently executed in watercolor — depict the various locations he visited, including Italy, rural England, Giverny, the Mediterranean, northern Africa, and the Alps. The artist devoted a large portion of his late career to his mural projects, and also served as a war artist during World War I.
Find original John Singer Sargent drawings, paintings and other art on 1stDibs.
La Carmencita by John Singer Sargent
By John Singer Sargent
Located in New Orleans, LA
John Singer Sargent 1856-1925 American Stamped by artist's estate (en verso) Oil on canvas John Singer Sargent, widely regarded as one of history's most distinguished portraitists...
Canvas, Oil
$6,500
H 37.5 in W 32.5 in
"Portrait of Rebecca" Harriet Peale, Early American Female Portrait
By Harriet Cany Peale
Located in New York, NY
Harriet Peale Portrait of Rebecca, 1840 Inscribed verso, “Portrait of Rebecca Greenwood (?)/ Aged 25 years/ Painted by Harriet C. Cany/ May 1840” Oil on canvas 28 3/4 x 23 3/4 inches...
Canvas, Oil
$10,000
H 18.8 in W 32 in
Old Time Football in the 1920s - Football 1920s - Classic Football
By Walt Louderback
Located in Miami, FL
You Got to be a Football Hero to Get Along with a Beautiful Girl. Masterfully composed and dynamic illustration that show a player getting punched in the jaw. During this period, there were no face...
Canvas, Oil
$3,500
H 26 in W 22 in D 1.5 in
Ready to Play (Academic Figurative Painting of Male Athlete by Mark Beard)
By Mark Beard
Located in Hudson, NY
Academic style figurative oil painting of a handsome football player against a country landscape 'Ready to Play', Painted by Mark Beard as Bruce Sargeant (pseudonym in homage to the...
Canvas, Oil
$169,000
H 34 in W 54 in
18th century diptych portraits man and woman American formal dress flower
By William Jennys
Located in Milwaukee, WI
The present pair of portraits would make an exceptional addition to any collection of early American art not only because they were painted by the notable William Jennys, but also because the sitters are members of notable and influential New England families. In addition, these pendants have impeccable provenance: they have never left ownership of the decedents of the Kimball family and this is the first time they have been available for purchase. David Kimball (1766-1848) and Nancy Stacy Kimball (1774-1844) were members of historic Massachusetts families. David Kimball is a sixth-generation decedent of Richard Kimball (d. 1675) and Ursula Scott (d. 1659), who emigrated from Rattlasden, Suffolk County, England to Watertown MA around 1634. The family then relocated in 1637 to Ipswich, the city with which the family is now most strongly identified, when Richard was appointed to be a wheelwright.[1] Nancy likewise had early New England ancestry, descended from Simon Stacy and Elizabeth Clark, who were married in London in 1620.[2] Nancy Stacy was the second wife of David Kimball, and the two were married in 1799. Given this, the present pendant portraits were likely completed shortly after the marriage. David had two children by his first wife Mary Morse, who died in September of 1798. David and Nancy would have nine additional children between 1801 and 1815.[3] Most notably, the couple were parents of the Boston politician and showman Moses Kimball (1809-1895).[2][3] Moses would found the Boston Museum, an early for-profit museum and theater opened in 1841 that resembled European curiosity cabinets: the museum displayed paintings of Thomas Scully and Charles Peale alongside Chinese artwork, stuffed animals, dwarves and mermaids. Alongside these exhibits, visitors could attend the theater which held performances by gymnasts and contortionists, followed by performances of Shakespeare and Dickens.[4] This museum set the model for the Museum of Fine Arts, Boston, which when founded in 1870 held a similarly diverse collection and appealed to the interests of a diverse set of visitors.[5] Moreover, some Greek antiquities from Moses Kimball's museum were eventually given to the MFA and Moses donated approximately $5,000 to the MFA's endowment upon his death.[6][7] William Jennys (1774–1859), also known as J. William Jennys, is an important American primitive portrait...
Oil, Canvas
$2,263
H 29.93 in W 22.05 in
Portrait of a Lady with Red Fan, Oil on Canvas, Circa 1945
Located in Sitges, Barcelona
Artist: Francesc Domingo i Segura (Barcelona, 1893 – São Paulo, 1974) Title: Portrait of a Lady with Red Fan Technique: Oil on canvas Dimensions: 76 × 56 cm (29.9 × 22 in), unframed Signature: Signed lower left “F. Domingo” Estimated Date: ca. 1945–1955 Provenance: Private collection Condition Report: Homogeneous superficial craquelure across the surface, especially in the background; varnish possibly not original, with slight yellowing. No paint losses or visible dirt. Canvas stable and well-stretched. DESCRIPTION This female portrait depicts a distinguished woman dressed in a floral-patterned gown in green and pink tones, holding a red fan that provides contrast and character to the composition. The sitter, with a serene expression and a slightly melancholic gaze, is softly illuminated, highlighting the texture of her hair and the delicacy of her skin. The work exemplifies Francesc Domingo’s mature style, where his academic beginnings merge with a livelier palette and touches of modernity, particularly visible in the treatment of patterns. The pink background, with loose brushwork and an almost abstract texture, enhances the sitter’s presence. ARTIST BIOGRAPHY Francesc Domingo i Segura (Barcelona, 1893 – São Paulo, 1974) was one of the most versatile Catalan painters of the 20th century. Trained at the Escola Superior de Belles Oficis of the Mancomunitat, he began in the Noucentisme movement and later traveled to Paris, where he absorbed the influence of Cézanne, Cubism, and modern currents. In the 1930s, he cultivated social realism with scenes of Barcelona’s Paral·lel district and the working-class world. After the Spanish Civil War, he went into exile in Latin America, residing first in Buenos Aires and later in São Paulo, where he taught printmaking and co-founded the Grupo Bisonte. His work, with both European influences and local echoes, is represented in museums such as the MNAC and in international collections. SIMILAR ARTISTS For his focus on portraiture and the fusion of academicism and modernity, Francesc Domingo can be compared with: Ricardo Macarrón...
Canvas, Oil
$12,000
H 91 in W 65 in D 3 in
Prosperous Family: Academic Figurative Painting by Mark Beard aka Bruce Sargeant
By Mark Beard
Located in Hudson, NY
Academic style figurative painting on canvas of a family and red tractor against a classic American farm field "Prosperous Family", painted by Mark Beard under his fictitious persona, Bruce Sargeant 84 x 58 inches unframed, 91 x 65 x 3 inches with a gold painted wood frame Excellent condition, ready to hang as is This Academic style figurative oil painting on canvas was painted by Mark Beard as Bruce Sargeant, a pseudonym in homage to the fashion photographer, Bruce Weber, and figurative painter, John Singer Sargeant. Here, the artist captures a blue collar American farming family in their field with an old red tractor. The man and woman stand stoically with their young child, dressed in simple white garments, perhaps to symbolize their purity. Rolling mountains...
Canvas, Oil
$2,400Sale Price|20% Off
H 39 in W 39 in D 1 in
Zeus and Ganymede - Paula Craioveanu oil canvas Neo Mythology
By Paula Craioveanu
Located in Forest Hills, NY
"Zeus and Ganymede", oil and silver leaf on canvas, 39x39in / 100x100cm Inspired by the legend of Zeus and Ganymede. Part of my NeoMythology project. Shipped as it is, stretched. "Z...
Canvas, Oil
$13,067
H 47 in W 53.5 in D 4 in
Portrait Of Jean Gerard Vonderbank & Family, Early 19th-Century Oil Painting
Located in Cheltenham, GB
This finely observed early 19th-century oil painting, attributed to German artist Carl Adolf Mende (1807-1857), depicts Jean Gerard Vonderbank, a German surveyor, instrument designer...
Canvas, Oil
$7,565
H 21 in W 18 in
La Couturiere - Academic Portrait Oil Painting by Tony Robert-Fleury
Located in Marlow, Buckinghamshire
Signed oil on canvas portrait circa 1890 by French academic painter Tony Robert-Fleury. The work depicts a young red-headed woman wearing in a white dress with blue trim. She is stti...
Canvas, Oil
$4,500
H 25 in Dm 21.5 in
"Portrait of Fanny Adam" Mary Jane Peale, Mid-19th Century, Early Portrait
Located in New York, NY
Mary Jane Peale Portrait of Fanny Adam, 1857 A scanned photograph of the back of the canvas taken prior to relining shows the inscription "Fanny Adam / painted by / Mary J. Peale / P...
Canvas, Oil
$2,000Sale Price|20% Off
H 39 in W 27.5 in D 2 in
The Painter's Studio original painting by Paula Craioveanu oil on canvas Framed
By Paula Craioveanu
Located in Forest Hills, NY
"The Painter's Studio", oil on canvas, 39x27.5in / 100x70cm The artist's studio and art objects part of artist' life and work. A sculpture, an antique head and a painting that remin...
Canvas, Oil
“Double Portrait”
Located in Southampton, NY
Beautiful original oil on canvas double portrait painting of a young boy and girl with cat (moist likely brother and sister) attributed to the hand of American artist, John Carlin. ...
Canvas, Oil
Sold
H 15.5 in W 21 in
"Study off Newport, Rhode Island" John Singer Sargent Drawing, Impressionism
By John Singer Sargent
Located in New York, NY
John Singer Sargent Study off Newport, Rhode Island, 1876 Signed in pencil "JS265A" lower left Pencil on paper 5 x 10 inches Provenance: Estate of the artist Grand Central Art Galleries, New York, 1959 Mr. William H. Bender Jr Sotheby's New York, September 19, 1987 Private Collection 1987-2000 Mark Borghi Fine Art Inc., circa 2002 Private Collection (acquired from the above), New York Recognized as the leading portraitist in England and the United States at the turn of the century, John Singer Sargent was acclaimed for his elegant and very stylish depictions of high society. Known for his technical precocity, he shunned traditional academic precepts in favor of a modern approach towards technique, color and form, thereby making his own special contribution to the history of grand manner portraiture. A true cosmopolite, he was also a painter of plein air landscapes and genre scenes, drawing his subjects from such diverse locales as England, France, Italy and Switzerland. In so doing, Sargent also played a vital role in the history of British and American Impressionism. Sargent was born in Florence in 1856. He was the first child of Dr. Fitzwilliam Sargent, a surgeon from an old New England family, and Mary Newbold Singer, the daughter of a Philadelphia merchant. His parents were among the many prosperous Americans who adopted an expatriate lifestyle during the later nineteenth century. Indeed, Sargent's family traveled constantly throughout the Continent and in England, a mode of living that enriched Sargent both culturally and socially. He ultimately became fluent in French, Italian and German, in addition to English. Having developed an interest in drawing as a boy, Sargent received his earliest formal instruction in Rome in 1869, where he was taught by the German-American landscape painter Carl Welsch. Following this, he attended the Accademia di Belle Arti in Florence during 1873-74. In the spring of 1874, Sargent's family moved to Paris, enabling him to continue his training there. He soon entered the studio of Charles-Emile-Auguste Carolus-Duran. In contrast to most French academic painters, Carolus-Duran taught his students to paint directly on the canvas, capturing the essence of his subject through relaxed brushwork, a tonal palette and strong chiaroscuro. Although Sargent also spent four years studying drawing under Léon Bonnat at the Ecole des Beaux-Arts, it was Carolus-Duran's approach that would form the aesthetic basis of his style. Upon his teacher's advice, Sargent also traveled to Spain and Holland to study the work of old master painters such as Diego Velázquez and Frans Hals, both of whom also employed deft, fluid techniques. In 1876, Sargent made his first visit to the United States, claiming his American citizenship and visiting the Philadelphia Centennial Exposition. One year later, he spent the summer in Cancale, in France's Brittany region, where he painted outdoors, applying Carolus-Duran's strategies to portrayals of fishing folk on sunlit beaches. His reputation in Paris was established in 1878 when his Oyster Gatherers of Cancale (1878; Corcoran Gallery of Art, Washington, D.C.) won an Honorable Mention at that year's Salon. During the early 1880s, Sargent began making painting trips abroad, working in Venice in 1880 and 1882, where he painted street scenes and interiors notable for their brilliant play of light and shadow. He also embarked on what would be a lucrative career as a portraitist, producing such well known works as The Daughters of Edward Darley Boit (1882; Museum of Fine Arts, Boston). His early commissions also included an image of Madame Pierre Gautreau. A renowned beauty and member of Parisian society, Madame Gautreau was known for her bold, unorthodox approach towards fashion. In her portrait, entitled "Madame X" (1884; Metropolitan Museum of Art, New York), Sargent effectively captured her distinctive aura. However, his daring realism, coupled with fact that he portrayed a diamond shoulder strap falling off one of her shoulders, caused such an uproar that his career in France was seriously compromised. As a result of the controversy surrounding "Madame X,"Sargent left Paris in 1886, settling permanently in London. He subsequently flourished in the English capital, becoming the leading portrait painter to the upper classes. Those who shared Sargent's sense of refinement and sophistication, as well as his international viewpoint, were especially drawn to his fashionable French style. In addition to patronage from such prominent British families as the Wertheimers and the Marlboroughs, Sargent received an equal number of American commissions, many of them secured by artists and architects he had met during his student days in Paris, among them painters J. Carroll Beckwith and Julian Alden Weir and architect Stanford White. On a painting tour to America during 1887-1888, he portrayed members of notable families from Boston and New York, including Mrs. Jacob Wendell and Elizabeth Allen...
Paper, Pencil, Graphite
Sold
H 11.75 in W 8.63 in D 6.75 in
How They Met Themselves By John Singer Sargent
By John Singer Sargent
Located in New Orleans, LA
John Singer Sargent 1856-1925 American How They Met Themselves Bronze John Singer Sargent was among the most successful artists of his era. By the late 19th century, he was the m...
Bronze
Portrait of Angela McInnes
By John Singer Sargent
Located in New Orleans, LA
John Singer Sargent was considered the leading portraitist of his generation, having painted the likes of Lady Evelyn Cavendish, Claude Monet, Isabella Stewart Gardner, Theodore Roos...
Paper, Charcoal
Sold
H 34.25 in W 20 in
JOHN SINGER SARGENT Mrs. Fiske Warren and Her Daughter 34.25" x 20" Offset
By John Singer Sargent
Located in Brooklyn, NY
Poster created for the Museum of Fine Arts, Boston. Printed by W.E. Andrews Co., Inc.
Lithograph, Offset
Sold
H 36.25 in W 17.75 in
JOHN SINGER SARGENT Miss Helen Sears 36.25" x 17.75" Poster 1987
By John Singer Sargent
Located in Brooklyn, NY
Poster created for the Museum of Fine Arts, Boston. Printed by Meriden-Stinehour Press.
Lithograph, Offset
Revolving Library Bookcase
By John Singer Sargent
Located in Haddonfield, NJ
Large oak revolving bookcase by the famous Sargent of New York city furniture company. Sargent Mfg. Co. Muskegon. Mich. & New York. N.Y. ...
Oak