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Gerry Bartlett
Santa Cruz California Seascape in Black and White by Gerry Bartlett

1974

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Two High Desert Landscapes - Line Drawing in Sepia-Toned Ink on Paper
By Laurence Sisson
Located in Soquel, CA
Two High Desert Landscapes - Line Drawing in Sepia-Toned Ink on Paper Bold landscape line drawings by listed Maine artist Laurence Sisson (American, 1928-2015). In the top image, giant cumulous clouds hang over the desert plateaus of varying heights. In the bottom image, desert brush fill the foreground with rocky mountains and big clouds towering over. These drawings were likely preparatory sketches for larger paintings. This piece is unsigned, but was acquired from David Sisson, the artist's son. Copy of a signed letter of authentication included Presented in a new orange mat with foam-core backing. Mat size: 19"H x 13"W Image size: 10.63"H x 7.75"W Laurence Sisson, was a student of Herbert Barnett (1910-1972), he was one of America's preeminent realist painters today. His work may be found in the permanent collections of museums nationwide including the Museum of Fine Arts, Boston, and the Portland Museum of Art, Maine. Laurence Sisson painted landscapes for sixty years. He was known for his paintings of the Maine coast and landscapes of the southwest. His style ranges from plein air watercolors to large oil landscapes...
Category

Late 20th Century American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Permanent Marker

Four-Panel Thumbnail Sketches of Desert and Canyon Landscapes in Ink on Paper
By Laurence Sisson
Located in Soquel, CA
Four-Panel Thumbnail Sketches of Desert and Canyon Landscapes in Ink on Paper Collection of landscape line drawings by listed Maine artist Laurence Sisson (American, 1928-2015). Fou...
Category

Late 20th Century American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Permanent Marker

Island Forest - Line Drawing Landscape in Ink on Paper
By Laurence Sisson
Located in Soquel, CA
Island Forest - Line Drawing Landscape in Ink on Paper Delicate landscape line drawing by listed Maine artist, Laurence Sisson (American, 1928-...
Category

Late 20th Century American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Permanent Marker

Fifteen-Panel Thumbnail Sketches of Desert and Canyon Landscapes in Ink on Paper
By Laurence Sisson
Located in Soquel, CA
Fifteen-Panel Thumbnail Sketches of Desert and Canyon Landscapes in Ink on Paper Collection of landscape line drawings by listed Maine artist Laurence Sisson (American, 1928-2015). ...
Category

Late 20th Century American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Permanent Marker

Grand Canyon Plateau - Line Drawing Landscape in Ink on Paper
By Laurence Sisson
Located in Soquel, CA
Grand Canyon Plateau - Line Drawing Landscape in Ink on Paper Bold landscape line drawing by listed Maine artist Laurence Sisson (American, 1928-2015). Towering canyon walls frame a river snaking round a central plateau. This drawing was likely a preparatory sketch for a larger painting. This piece is unsigned, but was acquired from David Sisson, the artist's son. Copy of the letter of authentication included. Presented in a new black mat with foam-core backing. Mat size: 8"H x 10"W Image size: 3.38"H x 6.63"W Laurence Sisson, was a student of Herbert Barnett (1910-1972), he was one of America's preeminent realist painters today. His work may be found in the permanent collections of museums nationwide including the Museum of Fine Arts, Boston, and the Portland Museum of Art, Maine. Laurence Sisson painted landscapes for sixty years. He was known for his paintings of the Maine coast and landscapes of the southwest. His style ranges from plein air watercolors to large oil landscapes...
Category

Late 20th Century American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Permanent Marker

A Cloudless Sky - Line Drawing Landscape in Ink on Paper
By Laurence Sisson
Located in Soquel, CA
A Cloudless Sky - Line Drawing Landscape in Ink on Paper Bold landscape line drawing by listed Maine artist Laurence Sisson (American, 1928-2015). An extremely low horizon line leaves a vast, cloudless sky over agricultural fields in varying values of light and dark. This drawing was likely a preparatory sketch for a larger painting. This piece is unsigned, but was acquired from David Sisson, the artist's son. Presented in a new black mat with foam-core backing. Mat size: 10"H x 13"W Image size: 4.63"H x 7.19"W Laurence Sisson, was a student of Herbert Barnett (1910-1972), he was one of America's preeminent realist painters today. His work may be found in the permanent collections of museums nationwide including the Museum of Fine Arts, Boston, and the Portland Museum of Art, Maine. Laurence Sisson painted landscapes for sixty years. He was known for his paintings of the Maine coast and landscapes of the southwest. His style ranges from plein air watercolors to large oil landscapes...
Category

Late 20th Century American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Permanent Marker

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Watercolor of the Oak Tree by Allen Tucker
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Landscape watercolor by Allen Tucker of an oak tree. This piece, along with several others, was gifted to Una Brage, a friend of the artist in the 1930s. More about this artist: Allen Tucker, was an architect and painter so influenced by Vincent Van Gogh that he was called "Vincent in America". (Gerdts 291) Robert Henri and Maurice Prendergast were also credited as having an influence on Tucker's brushwork and compositions, the latter decisively. However, as his painting evolved, he did not fit into any tidy slot for description and was known as an individualist not easily categorized in American art history. Tucker was born in Brooklyn in 1866 and graduated from the School of Mines of Columbia University with a degree in architecture and took a job as an architectural draftsman in the architectural firm of McIvaine and Tucker, his fathers business. During that time, he studied painting at the Art Students League with Impressionist John H. Twachtman, but it was not until around 1904, when he was 38, that Tucker became a full-time painter, leaving architecture behind. Many of his early canvases were classically Impressionistic with poplar trees resembling those of Van Gogh and haystacks and corn shocks...
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