Laurence Sisson

Beachcomber with Clam Rake - Line Drawing Landscape in Ink on Paper

late 20th Century

Tending the fields - Line Drawing Landscape in Ink on Paper Bold landscape line drawing by listed Maine artist Laurence Sisson (American, 1928-2015). Two figures bent over the field...

Delicate and precise drawing by Lester G. Hornby (American, 1882-1956). Several boats are depicted at Convento de Santa María de la Rábida. The drawing is highly detailed, with the confident marks of an accomplished artist. Two buildings can be see to the left hand side of the drawing - a wharf house and the La Rabida Monastery. A man tends his fishing boat and few other boats are anchored in the water, including two caravels (a small, fast Spanish or Portuguese sailing ship of the 15th–17th centuries.) The Friary of La Rábida (in full, Spanish: Convento de Santa María de la Rábida) is a Franciscan friary in the southern Spanish town of Palos de la Frontera, in the province of Huelva and the autonomous region of Andalucia. Signed "L. G. Hornby" in the lower left corner. Presented in a new grey mat with foamcore backing. Original tag from Albert Roullier Art Galleries in Chicago has been preserved on verso. Mat size: 11"H x 14"W Paper size: 10"H x 9"W Lester George Hornby (American, 1882-1956) received his early training at the Rhode Island School of Design and the Art Students League in New York. He then journeyed to Paris where he developed his technique further at the major art academies there. Hornby’s progress was rapid; he received his first international recognition in Paris in the prestigious Salon d’Automne of 1907. Completely captivated by Paris and the French countryside, Hornby spent most of his productive years in France, returning intermittently to America. In his later years, he played an active role as teacher and artist in the Rockport art colony. He lived there with Bertha Grover Goodrich, his last wife. They lived in Rockport, Massachusetts until his death in 1956. Together they built the "old on purpose" house using old materials to build a "new" "old" house. Lester is the one who gave the name "Motif #1" to the old fish house that has become so famous. During WWI Hornby was a war correspondent. As did most artists at the time who did illustrations in relation to the war, Hornby had to have war- related pictures approved by the government before being published. In one case the war department refused to give permission because they felt his illustration was so accurate and well done that the enemy would have access to too much information. Hornby worked in the trenches with the men and his work reflects this. At a Philadelphia exhibit of color etchings in 1909 the critic called Hornby "the foremost exponent of this branch of graphic art that America has produced.” The critic Rowland Thomas wrote in 1910 "Hornby is beyond doubt a master etcher with such power of eye and hand as our generation has hardly known before. Not since Whistler posed with the Universe on his needle point has anyone scratched on solid metal lines of such electrifying, such insolently simple conciseness as these- a new old Paris leaps transfigured and revealed for those who will glory in her." Boston critic W.H. Downes found "Hornby's etchings among the best and most artistic being done by any American, and some of the Marne set are masterpieces." A 1928 exhibit of watercolors at the Vose Gallery in Boston won a rave from critic A.J. Philpott "He has been compared to Joseph Pennell but that is not a fair comparison. Hornby is a much more versatile genius than Pennell ever was!" Hornby's work is in the permanent collections of 21 museums worldwide, including the Addison Gallery of American Art, Boston Public Library, Boston Athenauem, Art Institute of Chicago, Detroit Institute of Arts, Rhode Island School of Design, Yale University, Rockport Art Association, and Philadelphia Museum of Art. Member: American Art Association of Paris, Boston Art Club, Guild of Boston Artists, Boston Watercolor Club, Brooklyn Society of Etchers, Chicago Society of Etchers, Caof. Society of Etchers, New York Society of Etchers, Gloucester SA, Painter-Gravers of America, Providence Art Club, Providence Watercolor Club, Rockport Art Association, NSAA, SC., Soc. Amis de l'Eau-Forte, Paris. Exhibits: Paris Salons, Dresden International Exhibition, doll & Richards Gallery, Boston Public Library, Irving & Casson, Roullier Gallery, Kennedy Gallerys, Grace Horne Gallery, Goodspeed's Boston, Venice International Exhibition, Lotos Club, Anderson Gallery, Swedish International Exhibition, Fine Art Society, London, Boston City...

Horse in the fields, a figurative watercolor landscape by Louis John Stellman (American, 1877-1961), c.1935. Presented in a wooden frame with linen liner. Signed "Stellman" lower right. Image size, 15"H x 19"W. Stellman moved to CA in 1901. By 1920 he had settled in San Francisco where he worked both as an artist and a writer for the Call-Bulletin newspaper. He later moved to the Monterey Peninsula where he remained until his death. Married to artist Edith K. Stellman (1877-1957). Works held: de Young Legion of Honor. His books include: Mate o'dreams and Other Poems Mother Lode; The Story of California's Gold Rush Port O' Gold A History-Romance of the San Francisco Argonauts Said the Observer Sam Brannan, Builder of San Francisco; A Biography That Was a Dream Worth Building; the Spirit of San Francisco's Great Fair Portrayed in Pictures and Words The Vanished Ruin Eta; San Francisco's Classic Artistry of Ruin Depicted in Picture and Song Stellmann was a protegé of Arnold Genthe...

Scenic countryside landscape of a barn and cows in front of Mount Washington by Mark Henthorn (American, 1943-2018), 1980. Signed and dated "Henthorn '80" lower left. Displayed in rustic wood frame. Image size, 12"H x 16"L. Mark Henthorn was an American painter with a love of nature and strong respect for light. His work depicts a mood of peace and serenity seen in the spaciousness of the Western landscape. He spent over thirty years as an award-winning architect and illustrator. His art has been displayed in galleries in Idaho, Montana, Colorado, and in the Port Townsend...

Beautiful mid-century small-scale watercolor landscape of fishermen with their boats on the shore by unknown artist. Signed lower left corner illegibly. Circa 1940's. Unframed. Image...

Vivid watercolor of a country house and grove of trees in a rural landscape of rolling green hills, with farm animals in the distance, by California artist Rene Weaver (American, 189...

Clyde Steadman's "Untitled 1" is an original, handmade watercolor painting that depicts an urban landscape with human silhouettes.

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two apples, still clinging to their leaves. Examples like this show the ability of Spicuzza to draw i...

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two milkweed pods, bursting forth with cotton. Examples like this show the ability of Spicuzza to draw in a naturalistic style, where most of her work is usually in a highly stylized, graphic mode. The richness and depth of the black charcoal makes for a moody image. 8 x 5 inches, artwork 18 x 14.5 inches, frame Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

Painting measures 22" x 28" and framed 26" x 32" x 2" Hand-signed "J.E. Costigan NA 1952" lower left. About this artist: John Costigan was a self-taught painter distinguished by h...

"59th Street Bridge" is a 22" x 30" watercolor on paper cityscape of the Brooklyn Bridge and city skyline, painted by Pennsylvania Impressionist and...

Open field with tree and building