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Henri Le SidanerLa Balustradecirca 1911
circa 1911
About the Item
Ce paysage silencieux, dénué de toute présence humaine, présente des effets de lumière et des vibrations caractéristiques du faire "ouaté" d’Henri Le Sidaner, qu’il a décliné de manière très personnelle tout au long de son oeuvre. Selon le témoignage de son fils Rémy, l’artiste considérait qu’"aucun paysage ne devait être peint sans un effet de lumière qui le mette en valeur". Dans ce dessin, les zones laissées en réserve au sol et le long du muret pour retranscrire la lumière contrastent avec les ombres portées, indiquant qu’il a sans doute été exécuté en fin de journée, au moment où les contours des choses se brouillent, un moment que Camille Mauclair qualifiait d’ailleurs d’"heure Le Sidaner".
La composition est identique à celle de la lithographie "La Balustrade", publiée en juillet 1911 dans la "Gazette des beaux-arts". Une peinture de 1911, intitulée "Jardin sur l’eau", en offre une variation à partir du motif de la balustrade en partie gauche*.
* Cette huile sur toile est conservée au Boston Museum of Fine Arts et reproduite sur leur site internet
- Creator:Henri Le Sidaner (1862-1939, French)
- Creation Year:circa 1911
- Dimensions:Height: 10.71 in (27.2 cm)Width: 8.9 in (22.6 cm)
- More Editions & Sizes:18x12,7 cm (feuille)Price: $3,955
- Medium:
- Movement & Style:
- Period:
- Condition:Petite lacune restaurée en marge en bas à droite, petite trace de foxing en bas à gauche.
- Gallery Location:BOULOGNE-BILLANCOURT, FR
- Reference Number:Seller: 1871stDibs: LU2790216215592
Henri Le Sidaner
Henri Le Sidaner was an intimist painter, born to a French family in Port Louis, Mauritius. In 1870, he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. Between 1885–94, Le Sidaner lived year-round at the Etaples art colony and was joined there by his childhood friend Eugène Chigot, who shared his interest in atmospheric light. Later, Le Sidaner traveled extensively throughout France. He also visited many cities around the globe, as well as villages throughout Europe. He exhibited at the Salon, the Galeries Georges Petit in Paris and the Goupil Gallery in London, and settled in Gerberoy. Marcel Proust's mention of Le Sidaner's work in his novel In Search of Lost Time confirms its later reputation. In Sodom and Gomorrah, the narrator mentions that an eminent barrister from Paris had devoted his income to collecting the paintings of the highly distinguished but not great Le Sidaner.
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