Henri Le Sidaner

La Balustrade (The Railing) /// Impressionist Henri Le Sidaner Landscape Garden

1911

Artist: Henri Le Sidaner (French, 1862-1939) Title: "Le Perron (The Porch)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by Sidaner in the plate (printed signature) lower right Year: 1911 Medium: Original Lithograph on soft-cream Simili Japon paper Limited edition: approx. 1,500 Printer: Maison Fortier and Marotte, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Sanchez and Seydoux 1911, No. 12 Sheet size: 10.75" x 7.13" Image size: 7.5" x 5.75" Condition: Light toning to sheet. It is otherwise a strong impression in excellent condition Notes: Printed in one color: blue. This lithograph was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Biography: Sidaner, (7 August 1862 – July 1939), an intimist painter, born to a French family in Port Louis, Mauritius. In 1870 he and his family settled in Dunkirk. Le Sidaner received most of his tutelage from the École des Beaux-Arts under the instruction of Alexandre Cabanel but later broke away due to artistic differences. Between 1885 and 1894 Le Sidaner lived the year round at the Etaples art colony and was joined there by his childhood friend Eugène Chigot (1860–1923), who shared his interest in atmospheric light. Later Le Sidaner traveled extensively throughout France. He also visited many cities around the globe, as well as villages throughout Europe. He exhibited at the Salon, the Galeries Georges Petit in Paris and the Goupil Gallery in London, and settled in Gerberoy. Marcel Proust's mention of Le Sidaner's work in his novel In Search of Lost Time confirms its later reputation. In Sodom and Gomorrah...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "Maisons sur la Rivière, Canal à Nemours (Houses on the River, Nemours Canal)" Portfolio: Revue de l'Art Ancien & Moderne *Issued ...

Artist: Henri Le Sidaner (French, 1862-1939) Title: "Pavillon dans les Arbres (Pavilion in the Trees)" Portfolio: Henri Le Sidaner (Camille Mauclair) *Issued unsigned, though signed by Sidaner in the plate (printed signature) lower left Year: 1928 Medium: Original Etching on Rives BFK paper Limited edition: Unknown Printer: Unknown Publisher: Galeries Georges Petit and Henri Floury, Paris, France Reference: Bibliothèque Nationale No. 12 Sheet size: 11" x 8.38" Image size: 9.25" x 7.13" Condition: Some minor foxing on verso. It is otherwise a strong impression in excellent condition Notes: Printed in one color: bistre. Comes from Camille Mauclair's 1928 book publication "Henri Le Sidaner" which contained two bound original drypoint etchings by Sidaner. Comes with its original tissue cover...

Artist: Urbain Huchet (French, 1930-2014) Title: "Sunday in the Isle de France" *Signed by Huchet in pencil lower right Year: 1985 Medium: Original Lithograph on unbranded white wove paper Limited edition: 350, (the number may differ from what is shown in the photos) Printer: Unknown, Paris or Cannes, France Publisher: the artist Huchet himself, Paris or Cannes, France Sheet size: 30" x 22" Image size: 27" x 20.5" Condition: Never framed, has been professionally stored away for decades. In mint condition Notes: Numbered by Huchet in pencil lower left. The title printed in the plate lower left. Biography: Born in Rennes on April 28, 1930. After studying law and owning a textile factory for four years, he decided in 1960 to devote himself entirely to painting. He does many paintings of landscapes and the typical people of his region. His love of the Brittany coast and the sea can always be seen in his work. After moving to Paris in 1963, his love of adventure and travel led him to spend more time painting and writing in Europe, the Middle East, and South America, where he produced many paintings of the Indian markets and the great scenery. He made 14 trips, each of more than 4 months each, from Mexico to Brazil via Peru, Central America and the Caribbean Islands. In Addition to the paintings, he has written a book about these beautiful countries. A luxurious portfolio of paintings of Egypt...

Artist: David Hockney (English, 1937-) Title: "Red Square and the Forbidden City" Portfolio: China Diary *Numbered, signed, and dated by Hockney in pencil lower right Year: 1982 Medi...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Leo Castelli Gallery (Landscape with Red Sky)" Year: 1985 Medium: Original Offset-L...

This lithograph is part of my private collection from the 20th Century School of Paris. It is original, pencil signed and numbered by the artist. Guilde de la Gravure. It is in very...

HENRI DE TOULOUSE-LAUTREC Amazone et Tonneau 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

Bouvet 66. Trial proof showing variation in the foreground, most noticeably the presence of a dog. From the series "Some Scenes of Parisian Life" published by Vollard. With collector...

This piece is from the portfolio, entitled "Notre Pain Quotidien", which consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963...

This portfolio, entitled "Notre Pain Quotidien", consists of 13 lithographs from the original watercolors and gouaches by Maurice de Vlaminck, printed in 1963. These lithographs were printed by Daniel Jacomet and the four pages of typography about the artist were written by Pierre Bouchet. The portfolio begins with a forward written by French author, Georges Duhamel, as well as a justification page and a page of the artwork titles (see below). Each piece from this portfolio is numbered from the edition of 250 on Rives vellum paper, aside the editions numbered from 1 to 50 on Richard de Bas paper, and eleven numbered copies in Roman numerals reserved for the collaborators. The twelve pieces in the portfolio measure 17 x 20 inches and the lithograph on the cover of the portfolio measures 10.25 x 8.75 inches. Please see the artwork titles below: 1. Auto-portrait de l'artiste (located on the cover of the portfolio) 2. Les boutiques 3. Chemin forestier 4. Le bassin 5. Les chalands 6. Fleurs des champs 7. Proletariat 8. Le grand comptoir 9. Route du village 10. Sous la neige 11. Place de l'eglise 12. Le petit pont...

Shungo Sekiguchi, (Japanese, 1911-2002): Lithograph in color on Rives paper Hand signed in pencil lower right, hand numbered It appears to be the village of Montmarte in Paris This was published by the Guilde de la Gravure, Paris, France and bears their GG blindstamp. They were a mid century French art publisher and published many masters including Raoul Dufy, Max Erns, Jean Hans Arp, Ruffino Tamayo, Balthus, Gino Severini and Leonard Tsuguharu Foujita. Shungo Sekiguchi was born 1911 in Japan. In 1932 Shungo Sekiguchi contributed to the print series "One Hundred Views of Great Tokyo" (Dai Tokyo hyakkei). Prints from watercolors published by Kaneda Shoten (Nihon Hanga Ken-kyusho). In 1935, Sekiguchi moved to Paris, France to study at the prestigious Ecole des Beaux Art of France with a scholarship of the French government. He studied together with two other Ecole de Paris Japanese artists, Takanori Ogisu and Tsuguji Foujita. He exhibited at the prestigious "Salon d'Automne" in Paris. In 1940 when Paris was occupied by the German Nazis, Shungo Sekiguchi returned to Japan, but kept his ties with France. In 1952 he exhibited at the famous Salon d'Automne and received an award. In 1959, he received an award at the Vicci International Art Contest. In 1964, he received the Diplome d'Honneur des at Jobiji International Art Show. His retrospective exhibition has been held in many places in Japan. In 2002 the artist died in Japan. He is popular in Japan and several retrospective exhibitions were held in Japan. He was part of the Shin Hanga and Sosaku Hanga woodblock artists known for their woodcut prints and scrolls. Shin-hanga was an art movement in early 20th-century Japan, during the Taisho and Showa periods, that revitalized traditional ukiyo-e art rooted in the Edo and Meiji periods. He also worked as a book illustrator and did the artwork for the French edition of Le démon doré by Ozaki Kohyo. He is included in Helen Merritt and Nanako Yamada's classic book "Guide to Modern Japanese Woodblock...