Paint Landscape Drawings and Watercolors

Title: Green and Red Sailboat in Harbour Yard with Vintage Cars Watercolour by John Steane (b.1931) Size: 15 inches (height) x 19.75 inches (width) watercolor painting on paper, unfr...

Title: Dramatic Coastal Cliff Chasm and Sea View Expressive Watercolour by John Steane by John Steane (b.1931) Size: 15.75 inches (height) x 20 inches (width) watercolor painting on ...

Title: Flatford Mill Painting Course Group of Artists by British Painter John Steane by John Steane (b.1931) Size: 14.75 inches (height) x 14.75 inches (width) watercolor painting on...

Title: Rowing Boats on Rocky Shore with Grass and Distant Hills by John Steane by John Steane (b.1931) Size: 15.75 inches (height) x 20 inches (width) watercolor painting on paper, u...

Title: Sandwich Harbour Kent Boats and Historic Waterfront British Watercolour by John Steane (b.1931) Size: 15.75 inches (height) x 20 inches (width) watercolor painting on paper, u...

Title: Dramatic Dorset Coast Cliff Landscape Watercolour by John Steane 1971 by John Steane (b.1931) Signed: Bottom right Size: 15.75 inches (height) x 20 inches (width) watercolor p...

Title: Gretan Harbour Scene with Fishing Boats Reflections and Stone Quay 1974 by John Steane (b.1931) Signed: Bottom right Size: 15.75 inches (height) x 19.75 inches (width) waterco...

Walberswick Landscape Signed By Tony Herbert (1927-2024) Medium: Watercolor on artists paper on board, framed - glass covered Framed: 17 x 19 inches Watercolour: 10 x 12 inches Cond...

Title: Dorset Beach Scene with Families Sea and Sky by British Artist John Steane by John Steane (b.1931) Size: 15.25 inches (height) x 23 inches (width) watercolor painting on paper...

Fishing Boat Landscape Signed By Tony Herbert (1927-2024) Medium: Watercolor on artists paper on board, framed - glass covered Framed: 16.5 x 19.5 inches Watercolour: 9 x 12 inches ...

River Blyth Southwold Signed By Tony Herbert (1927-2024) Medium: Watercolor on artists paper on board, framed - glass covered Framed: 16 x 18 inches Watercolour: 8.5 x 11 inches Con...

Aldeburgh Beach Signed By Tony Herbert (1927-2024) Medium: Watercolor on artists paper on board, framed - glass covered Framed: 17.5 x 20 inches Watercolour: 9.5 x 12 inches Conditi...

Title: Heraklion Harbour Crete Ship Milos Greek Port Scene Signed 1967 Watercolour by John Steane (b.1931) Signed: Bottom right Size: 16.5 inches (height) x 23.25 inches (width) wate...

Docked Boats Signed By Tony Herbert (1927-2024) Medium: Watercolor on artists paper on board, framed - glass covered Framed: 17.5 x 20 inches Watercolour: 10 x 12 inches Condition: ...

Title: Dorset Coast Abstract Rock Formations with Pebble Beach 1990 Signed Watercolour by John Steane (b.1931) Signed: Bottom right Size: 15.75 inches (height) x 20 inches (width) wa...

Title: Crete Harbour Beached Fishing Boat Greek Island Scene Mounted Watercolour by John Steane (b.1931) Size: 10.75 inches (height) x 13.75 inches (width) including mounting waterco...

Title: Great Givendale Yorkshire Landscape View with Wildflowers British Watercolor by John Steane (b.1931) Size: 9 inches (height) x 12 inches (width) watercolor painting on paper, ...

Title: Steamship Amazzone Harbour Scene Muggia Italy 1950 Signed Watercolour Painting by John Steane (b.1931) Size: 10.25 inches (height) x 13.75 inches (width) watercolor painting o...

Title: The Monument Southport Lord Street Lancashire Signed 1968 British Watercolour by John Steane (b.1931) Signed: Bottom left Size: 14.5 inches (height) x 22 inches (width) waterc...

Title: Boatyard with Children and Storm Clouds 20th Century British Watercolour Painting by John Steane (b.1931) Size: 15.25 inches (height) x 22.75 inches (width) watercolor paintin...

Title: Cornish Farm Buildings with Coastal View 20th Century British Watercolour by John Steane (b.1931) Size: 16.5 inches (height) x 23.5 inches (width) watercolor painting on paper...

A really charming study of a blacksmith puffing on a clay pipe at the forge door. Thomas Charles Leeson Rowbotham Junr (1823-1875) Village Blacksmith Patterdale, Aug 1848 Signed, in...

Title: Fishing Boats Harbour Scene with Seagulls British Coastal Watercolour Painting by John Steane (b.1931) Size: 15.75 inches (height) x 20 inches (width) watercolor painting on ...

Title: Jurassic Cliffs Dorset Coast 1970s British Watercolour Landscape Painting by John Steane (b.1931) Size: 15.5 inches (height) x 23 inches (width) watercolor painting on paper, ...

Title: Large Rock on Dorset Coast Low Tide 1960s English Watercolour Landscape by John Steane (b.1931) Size: 15.25 inches (height) x 22.75 inches (width) watercolor painting on paper...

Title: Summer Tents and Stormy Sky Over Yellow Fields British Campsite Watercolour by John Steane (b.1931) Size: 16 inches (height) x 19.75 inches (width) watercolor painting on pape...

Title: Shetland Fishing Nets and Lobster Pots with Ruin by the Sea 1985 Watercolour by John Steane (b.1931) Size: 15.75 inches (height) x 20 inches (width) Inscribed verso: “Shetland...

Title: Cretan Fishing Boats in Harbour with Church and Village 1980 Coastal Watercolour by John Steane (b.1931) Size: 15.75 inches (height) x 20 inches (width) including mounting Ins...

Awards 2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club 2011 Mary Bryan Memorial Medal / Allied Artis...

Coastal Trees Landscape in Watercolor on Paper A vibrant watercolor landscape of towering coniferous trees against a bright blue and cloudy sky, by California artist, Lucile Marie Johnston (1907-1994, American). Signature in bottom right corner. Presented in a new soft grey mat with foam core backing. Paper size: 16.5"H x 21.5"W Mat size: 20"H x 26"W Born in Santa Rosa, California on May 26, 1907, Lucile Johnston settled in Glendale 1930-1939, later moving to Carmel and then Pacific Grove in Monterey County, California where she remained. she managed Marsh's Oriental Antiques Shop...

Title: French Impressionist Watercolor of Notre-Dame and the Parisian Riverbank By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 5 x 7 inches (Heigh...

Waves 1913 Inscribed in ink and pencil, recto; Extensive notes in pencil, verso Watercolor and graphite on cream wove paper 3.5 x 5.5 inches This work is offered by ClampArt in N...

"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism Jo Cain (1904 – 2003) Good Health Week 10 ½ x 15 1/2 inches Oil on pape...

A very fine watercolour by the British artist Harry E. James (c.1870-c.1920). The scene depict a beautiful Cornish farm house set back from a field of spring daffodil. Well-presented...

CHARLES TUNNICLIFFE 1901-1979 Cutting Wheat Watercolour with body colour Image size: 9 ½ x 7 inches (25 x 18 cm) Gilt frame

A picturesque watercolour study of Rydal Water near Grasmere. Presented in a gilt-effect frame. Signed to the lower right. On paper.

Signed lower left, in graphite, 'Julian E Garnsey' (American, 1887-1969), titled, verso, 'Notre Dame and Pont de l'Archeveche' and dated 'May 11, 1961'. Old label verso. Born in Ne...

Abstract cityscape watercolor with loosely defined landscape elements and geometric shapes by Les (Leslie Luverne) Anderson (American, 19...

Fine original watercolour by the Dutch painter Louis Van Staaten, also known as Hermanus II Koekkoek (1836-1909). Signed lower right. Presented in a smart silver coloured frame with ...

Sunday on the Wye [2021] SOLD UNFRAMED Please note that insitu images are purely an indication of how a piece may look The artist comments "I painted 'Sunday on the Wye' after a day on the river canoeing with the family. It was a wonderful day meandering down stream near Symonds Yat. We turned the bend to see other boats congregated on the pebbles for a Sunday picnic. We beached our boat to take in the surroundings. The day was a great experience with sparkling light on the water and the sounds of the water over rocks. A few quick sketches and many photographs allowed me to then work at a large scale in the studio. It was painted with large brushes with watercolour. The chosen colours are blue and green. The painterly brush marks hold an energy and excitement of the days paddling." This work is sold unframed Artwork by artist Leigh Glover...

Albert Pollitt (1856-1926). Original late 19th century watercolour. A view along the river with rural village and church beyond. Presented in an ornate gilt frame with delicate runni...

School of the second half of the 19th century Pen and wash drawing 21 x 27.5 cm Inscription on the verso "Champigny rue St Jean"

Castel view on a lake is a modern artwork realized in the late 19th by a Dutch Artist. Mixed colored oil painting. Includes a gilded frame: 66.5 x 40 x 80 cm

The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape Exquisitely detailed 1888 watercolor of The Nailsmith Houses, a historical building in Rattenberg, A...

Forest edge at winter. 1983. Oil on cardboard, 40x50 cm Winter landscape Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at stud...

Sullo sfondo di un paesaggio dai tratti centro-settentrionali europei-in cui si riconoscono una cappella e il profilo di una città dagli alti pinnacoli-si svolge una scena di svago, ...

Ian Hornak, American (1944 - 2002) - Tropical Landscape, Year: circa 1977, Medium: Gouache and Graphite on paper, mounted to board signed lower left, Size: 29.5 x 22 in. (74.93 x 5...

APPLE BLOSSOM AND YEW is a new watercolor on Arches paper by Fleur Thesmar. This is part of a series by the artist examining the inherent geometry and co...

Surrealist landscape with doorway, animal and figures Watercolor on heavy paper, n.d. Unsigned Stamped with the artist's estate stamp (see photo) Provenance: Estate of the artist R...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

Michel BRON (1938-2010) said VALENTIN Valie, dream tent, 1966 Black stone and white gouache, black ink on cardboard Signed lower left Poem entitled “Valie!” written in pen on verso, ...

Gorgeous burst of blue behind a flat top mountain with splashes of orange in this abstract geometric landscape by Erle Loran (American, 1905-1999). Signed and dated lower right "Erle...

Chet Reneson (American, Born 1934) Signed: Reneson (Lower, Right) " Boys Fishing From a Log " Watercolor on Paper 22 5/8" x 30 1/8" Loose sheet, in excellent original condition. Reneson’s work has been featured on the covers of Sporting Classics, Gray’s Sporting Journal, Sports Afield and several others. He is a past member of the Old Lyme Art Association and the Connecticut Watercolor Association. He was the Atlantic Salmon...

A simplistic watercolour scene with pencil detail attributed to Henry Birtles RA (1838-1907), depicting a small group of cattle drinking from a river, in a vast open landscape. A parent and child...

Signed to the lower right. Presented in a light wooden frame and washline mount. On paper.

Landscape is an Artwork  realized by  the Artist Michel Cornille. Drawing on  paper, Hand-signed by the artist on the lower right corner. The artwork is glued on cardboard. Total d...

Watercolor landscape showing a view of a tranquil Florida cove with sailboats at rest in the sand, and a man and young boy wearing vermilion shirts approaching the shoreline in the s...

Frank Nelson Wilcox (American, 1887-1964) Moraine Valley, Rocky Mountain National Park, Colorado, c. 1950 Watercolor on paper 19 x 24 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

French watercolor of brightly-colored fishing boats at dusk, 1979. Signed lower right. Original artwork on paper displayed on a white mat with a gold b...

Wonderful winter watercolor landscape of a snowy scene by an unknown artist (American, 20th Century). Signed "Marieteresa" lower right. Presented in a giltwood frame. Image size, 8"H...