20th Century Landscape Drawings and Watercolors

Original watercolor and gouache on archival paper of birch trees in winter along a fenced roadway with a quaint home in the background. Signed lower right. Condition is excellent. Circa 1960. The watercolor is in a solid mahogany frame under UV glass in fine condition. Overall framed measurements are 14 by 11 inches. Provenance: A East Hampton, Long Island, New York collector. Born in Queens, Long Island, NY, Impressionist landscape and seascape painter Francis Dixon studied at the Art Students League in New York City under Impressionists Frank Vincent DuMond, Cape Cod, Massachusetts artist, Charles W. Hawthorne, and modernist Robert Henri. Having a good singing voice Dixon was an Army and Navy Song Leader for the War Department during World War I. From 1915 to 1917 was living and painting in Los Angeles, Carmel and Point Lobos, California. Dixon exhibited his California paintings at Folson Galleries New York City in 1917. Dixon continued to travel and paint, visiting Bermuda in 1923 and 1925, and Europe in the mid-1920s. In the 1930s he was living on West 55th Street in Manhattan with a number of other artists. He was a member of the Allied Artists of America (NY); Connecticut Academy of Fine Arts; and the Salmagundi Club, NY. He exhibited at The Corcoran Gallery of Art, Washington, D.C. (1916); Folson Gallery (NY, 1917, solo); Society of Independent Artists (NYC, 1917-18, 1920-22, 1924); Salmagundi Club (NYC, 1917-1940, 1943, 1945); National Academy of Design (NYC, 1925); Studio Guild Galleries (NYC, 1937); Barbizon-Plaza Galleries NYC, 1939); Allied Artists of America (NYC, 1940); and Salons of America (NYC). Dixon’s solo exhibitions included Babcock Galleries (NYC, 1926 and 1927); Women's University Club...

Eve Nethercott, American (1925 - 2015) - Salt Marsh (P6.29), Year: 1959, Medium: Ink and Watercolor on Paper, Size: 13 x 18 in. (33.02 x 45.72 cm), Description: Rendered with...

Industrial Landscape Contemporary American Watercolor Magic Realism 20th Century Henry Koerner (1915-1991) J&L Oxygen Plant 18 x 24 1/2 inches Watercolo...

A beautiful watercolor painting of high tide and overcast skies; the perfect time for a beach walk with furry friend, by California artist Les (Leslie Luverne) Anderson (American, 19...

Eve Nethercott, American (1925 - 2015) - Flea Market (P2.45), Year: circa 1960, Medium: Watercolor on Paper, Image Size: 13.75 x 21 inches, Size: 15 x 22 in. (38.1 x 55.88 cm...

Medium: Watercolour on paper, unframed Size: 10 inches (height) x 14 inches (width) Signed: Yes Condition: Sound condition, with some minor signs of foxing visible Provenance: Privat...

'Pittenweem Harbor' is by contemporary Scottish artist Robert Stirling, signed in lower left. Pittenweem is a fishing village on the east coast of Scotland in Fife, between St Andrews and Elie, an area known for local crafts and pottery. 'Pittenweem Harbor' presents well and is in excellent condition. The frame complements the dark blue greens of the boat hulls and reflections in the water. Covered in glass for protection, the frame is new. The total measurement is 21" high by 25.5" wide including the frame. This is a well priced...

Title: Mid Century French Pastel Drawing of Coastal Hillside with Sea and Town View Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.25 (height...

GEORGE SHERINGHAM (1884-1937) The War Birds Signed and inscribed with title on a label on the backboard Watercolour and gold paint on silk, semi circle shape, in artist’s decorated mount Framed 24 by 47.5 cm., 9 ½ by 18 ¾ in. (frame size 46 by 71 cm., 18 by 28 in.) Exhibited: London, Leicester Galleries. Sheringham was born in London, the son of the Rector of Christ Church, Marylebone. He studied at the Slade under Henry Tonks and later in Venice, Brussels, Berlin and Paris, holding his first one-man exhibition in Paris in 1905. On his return to London he initially supported himself with poster designs and teaching. Before and during World War I he concentrated much of his artistic energy on painting fan leaves, often on silk. His first exhibition of fan designs and silk panels was held at the Ryder Gallery in 1909 followed by another in the following year. With enthusiastic reviews in Studio he had launched his career as a decorative designer, theatrical designer and illustrator. Sheringham also worked as an illustrator, providing illustrations for books by Max Beerbohm and Cyrus MacMillan and others. In 1921 he collaborated with his brother Hugh on a book about fishing, The Book of the Fly Rod. He wrote Drawing in Pen and Pencil (1922), with James Laver, Design in the Theatre (1927) and with Rupert Mason and R Boyd Morrison he edited Robes of Thespis, Costume Designs by Modern Artists (1928). As a decorator, Sheringham designed the music room at 40 Devonshire House...

Eve Nethercott, American (1925 - 2015) - Rockport (P5.52), Year: 1948, Medium: Watercolor on Paper, Size: 15.5 x 21 in. (39.37 x 53.34 cm), Description: Moored along the wate...

A charming gouache study depicting a mother and child looking up at Edinburgh from Princes Street Gardens. Inscribed with the artist's name and title on the original label verso. Pre...

Medium: Watercolour on paper, unframed Size: 10 inches (height) x 14 inches (width) Signed: No Condition: Sound condition, with some minor signs of foxing visible Provenance: Private collection Description: This watercolor painting by Ian G. Walker beautifully captures the serene landscape of Svartisen Glacier, located in Norway. Svartisen is the second-largest glacier on the Norwegian mainland, renowned for its stunning blue ice and surrounding scenic beauty. The painting depicts a tranquil view of the glacier amidst the rugged mountainous terrain, with subtle shades of blue and green that evoke a calm and peaceful atmosphere. The artist's delicate brushwork and careful attention to detail highlight the natural beauty of this iconic Norwegian landscape, making it a wonderful addition for collectors interested in Nordic landscapes...

Francesco Spicuzza (American, 1883-1962) Untitled Landscape, 20th century Pastel on paper Sight size: 24 x 30 in. Framed: 26 1/4 x 32 3/8 in. Signed lower right: Spicuzza Italian-born Francesco Spicuzza was primarily a Wisconsin painter who did portraits, still-lives and local landscapes. He spent the first part of his life in near-poverty to become a painter. An eternal optimist, in 1917, the artist reported: "I am happy and my only ambition now is to paint better and better until I shall have reached the measure of the best of which I am capable." (Spicuzza, 1917, p. 22). His predilection for beach scenes germinated early: reportedly, the five-year-old boy first drew the outlines of his father's fishing boat in the sand on the seashore near their home in Sicily. After setting himself up as a fruit peddler in Milwaukee, Spicuzza's father sent for his family when Francesco was eight years old. For the following six years the boy was unable to attend school because of his job in his father's fruit and vegetable business. The poor lad suffered a caved-in shoulder from carrying a heavy wooden crate. The young Spicuzza was aided by moral and financial support from a sympathetic Milwaukee businessman named John Cramer, publisher and editor of the Evening Wisconsin, who raised Spicuzza's salary as a newspaper assembler so that he could attend school. In 1899 or 1900, Spicuzza began studying drawing and anatomy under Robert Schade (1861-1912), a painter of panoramas who had been trained in Munich under Carl Theodor von Piloty. Spicuzza was also taught by Alexander Mueller (1872-1935), a product of the Weimar and Munich academies. Mueller realized Spicuzza was a colorist and encouraged that orientation (Madle, 1961). Spicuzza found it beneficial to accept an apprenticeship in a lithographic studio for $8 a week, which demanded most of his time. During the St. Louis Universal Exposition in 1904, still a struggling student, Spicuzza attended the fair, thanks to Cramer. It was not long before Spicuzza received a twenty-five dollar portrait commission, and this inaugural success led to new commissions and allowed him to continue as a painter. The earliest influences in his work appear to be from Edward H. Potthast and Maurice Prendergast, though Spicuzza never mentioned either artist. Already in August 1910, Spicuzza was described in a newspaper as "one of the most talented of Milwaukee's rising workers." He undoubtedly received lasting inspiration from his one summer study period in 1911 with John F. Carlson at the Art Students League's Summer School in Woodstock, New York. Certainly Spicuzza would have picked up spontaneity in handling the brush from Carlson. Although he executed numerous still-lives and an occasional religious work, Spicuzza is best known for his Milwaukee beach scenes populated with frolicking bathers in multi-colored attire, not unlike the images of Potthast, who used a similar technique. Many of these are small, preparatory works on canvas board executed between 1910 and 1915. Frequently with even greater animation than Potthast, Spicuzza produced moving images of youthful energy and uninhibited child's play. These beach genre scenes reflect the attitude of American impressionists who depicted the more pleasant side of life. Spicuzza manipulated a successful balance of rich pigment applied in varying degrees of impasto texture with subtle nuances of hue. Working all'aperto, he sought "the soft enticing shades of yellow, blue, green, pink and lavender . . . to get the effects of bright glistening summer air." (L.E.S., n.d.). As a painter whose color not only derived from direct observation but also from a personal theory of color symbolism, Spicuzza traded the linear approach of lithography for dynamic patches of brilliant color. Like Prendergast, he would often tilt the angle of the picture plane to bring the viewer's position above the scene. Spicuzza was unable to enter the 1913 Armory Show or the Panama-Pacific International Exposition two years later but he did submit work to the annual exhibitions of the Pennsylvania Academy of the Fine Arts and those of the Art Institute of Chicago. His first important award was the bronze medal presented by the St. Paul Institute in 1913, which was followed by the silver medal two years later. Before long, Spicuzza had acquired a greater sense of security in his profession and was described by a writer in International Studio (April 1917) as "an independent artist with an assured future. His pastels and water-colours are poetic and joyous bits of nature with a genuine out-of-door feeling." In 1918, his Spirit of Youth, exhibited at the National Academy of Design, sold for $112.50. Four years later, the artist achieved his greatest local recognition by winning the gold medal from the Milwaukee Art Institute. Spicuzza spent a great deal of time painting en plein air and by 1925 he began summering at Big Cedar Lake, near West Bend, Wisconsin to gather his subject matter. Easter Morning (1926) owes something to the Symbolist movement, with its figure of Christ appearing over a seascape. During the difficult era of the Depression, patrons came to Spicuzza's aid and during the 40s, he taught housewives, businessmen and students at the Milwaukee Art Institute, the Milwaukee Art Center, and in his private studio. In the following decade, although his kind of art was no longer popular in the "make-it-or-break-it" New York gallery world, Spicuzza enjoyed regular patronage and sales. His beach scenes became more static and he would experiment with modernist techniques. Spicuzza died at the age of seventy-eight. Sources: L.E.S., "Do Colors Change a Person's disposition? Experiments of a Milwaukee Artist...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed and dated 47' From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed meas...

Title: "Mid Century French Original Ink Drawing of a Rural Landscape with Hay Wagon" Artist: Josine Vignon (French 1922-2022) Medium: Ink on artist paper Size: 19.75 (height) x 25...

Medium: Watercolour on paper, unframed Size: 10 inches (height) x 14 inches (width) Signed: No Condition: Sound condition Provenance: Private collection Description: This watercolor...

Title: "Mid Century French Original Pastel Painting of a Plowed Field and Orchard" Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.75 (height)...

"Streetscape" American Scene WPA Era Social Realism Mid 20th Century Industrial Herbert Heyel (American 1907-2000) "Streetscape" 14 x 20 inches Watercolor on paper, c. 1939 Signed l...

"Backyards" Early 20th Century Watercolor Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identic...

Inscribed verso, Southampton and dated 99' Size 11 x 15 inches Superb original watercolour painting by the well listed and popular Irish painter, Frank Forty (1902-1996). The pain...

Title: "Mid Century French Original Ink Drawing of Névoisins (Eure et Loire) Rural Village Landscape" Artist: Josine Vignon (French 1922-2022) Medium: Ink on artist paper Size: 13...

Swimmer is an artwork realized  by Isidore Pils in the Mid 20th Century. China ink drawing. In good conditions. Hand-Signed.

Anonymous Camp Northampton Charcoal sketch 34 x 43 cm At first glance, this charcoal sketch seemingly depicts three barns lining a country lane. The scene seems idyllic, trees a...

The Pianist & Violin Duet by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper , unframed size: 11.75 x 8.75 inches condition: very good ...

'Study for Connecticut at Putney' is an original pastel drawing by American artist Wolf Kahn. The landscape is an exploration of color and light: it is rendered in cool blues and purples with fields of subtle yellow, the pastels treated with the same gesture as Kahn's paintbrush on a canvas. Indeed, this pastel was a study executed en plein air for a painting – the painting now sometimes called 'Bend in the River' – that he later created in the studio. This process of creating studies, selecting the best of the studies, and then recreating them as paintings was typical of Kahn's studio process and makes this pastel a significant example of the artist's creative output. 9 x 11 inches, artwork 15.5 x 18.13 inches, frame Signed 'W. Kahn' lower right Framed to conservation standards using archival materials including 100 percent rag matting. Housed in a gold finish wood moulding. Acquired directly from the artist. Wolf Kahn, the youngest of four siblings, was born into a well-to-do artistic family. His father was the conductor of the Stuttgart Philharmonic Symphony, and his mother came from a family of art collectors.(1) During 1938, Kahn took his first art lessons, but most of his initial drawings were of military or historical events. The next year Kahn was sent to England for safety following the ascendancy of Hitler to power, and in 1940, he immigrated to the United States. In 1942, he entered New York's High School of Music and Art, and while there, he was employed by a commercial art firm doing illustrations. After a stint in the Navy, Kahn entered Hans Hofmann's school, and among his fellow students were Neil Blaine, Jane Freilicher, Allan Kaprow and Larry Rivers. His initial results were done with a dark palette and abstracted forms, and although Hofmann's style of teaching was difficult, Kahn has consistently praised him for teaching him the value of control and understanding.(2) Kahn's first exhibition was a 1951 group show in a loft with several other artists in lower Manhattan. From this impromptu show, a group effort evolved called the Hansa Gallery Cooperative.(3) In 1953, Wolf Kahn had a one-man show at this gallery, which was reviewed by Fairfield Porter, and at this same time bolder, more vivid colors began to appear in his work. By the mid-1950's, on a summer trip to Provincetown, Kahn's paintings indicated a new direction of softening warm colors in the manner of Bonnard. He was included in Meyer Shapiro's seminal exhibition, The New York School: The Second Generation at the Jewish Museum, and by the end of the 1950s, he had developed his abstracted landscape style for which he is best known. In 1966, he made his first "barn" painting on Martha's Vineyard that reduced the complexities of detail of the architecture to a more basic shape, a stylistic convention that is evident in the Museum's painting. Kahn has since commented frequently on his use of color as a unique and specific component of each work as the situation demands, where the gradual buildup of the colors resembles the beauty and translucent nature of pastels.(4) Since then Kahn has had one-person exhibitions at the Kansas City Art Institute, Chrysler Museum, San Diego Museum of Art, Fort Lauderdale Museum of Art and the Columbus Museum, among others. His work is in the permanent collections of numerous museums throughout the United States. Footnotes: 1. Much of the biographical information is drawn from Justin Spring, Wolf Kahn (New York: Harry N. Abrams, 1996). 2. Spring, 21. Wolf Kahn draws this from a 1973 address to the College Art Association. 3. This group included Jane Wilson...

Eve Nethercott, American (1925 - 2015) - Rockport (P4.5), Year: 1948, Medium: Watercolor on Paper, Size: 12.5 x 15.5 in. (31.75 x 39.37 cm), Description: Lining the beaches o...

In this piece the artist choice of colors is vibrant, and there is minimal blending of them. The artist takes a naive, Folk Art approach at rendering the subject simplifying the figu...

Colorful study of grape leaves in autumn with abstracted elements and a pink/magenta background by California artist Les (Leslie Luverne) Anderson (American, 1928-2009). From the est...

David Burliuk (Ukrainian, 1882-1967) Three figure on the beach (Hamptons, Long Island New York) Conte crayon drawing on paper. Hand signed lower left. Unframed Provenance: Bloomsbury Auctions David Davidovich Burliuk (Дави́д Дави́дович Бурлю́к; 1882-1967) was a Russian poet, artist and publicist of Ukrainian origin associated with the Futurist and Neo-Primitivist movements. Burliuk has been described as "the father of Russian Futurism." David Burliuk was born on 21 July 1882 in the village of Riabushky (near Lebedyn, Ukraine) in the Kharkov Governorate of the Russian Empire. Burliuk's family was artistically inclined; two of his brothers were talented artists as well, Nikolai and Volodimir Burliuk. The Burliuk family partly descended from Ukrainian Cossacks on their father's side, who held premier positions in the Hetmanate. His mother, Ludmyla Mikhnevich, was of ethnic Belarusian descent. From 1898 to 1904, he studied at Kazan and Odesa art schools, as well as at the Royal Academy in Munich. His exuberant, extroverted character was recognized by Anton Azhbe, his professor at the Munich Academy, who called Burliuk a "wonderful wild steppe horse". During a time of significant industrialization and political change, movements such as the famed Der Blaue Reiter, a group Burliuk associated with in 1912, while he was in Munich, emphasized a shift away from the classical styles of the past, prioritizing the innovations of the future. In 1907, he made contact with the Russian art world; he met and befriended Mikhail Larionov, and they are both credited as being major forces in bringing together the contemporary art world. In 1908, an exhibition with the group Zveno ("The Link") in Kiev was organized by David Burliuk together with Wladimir Baranoff-Rossine, Alexander Bogomazov, his brother Volodymyr (Wladimir) Burliuk and Aleksandra Exter. The exhibition was a flop, especially because they were all unknown painters. The Burliuks and Larionov left for the aforementioned brothers' home in Chernianka, also known as Hylea; it was during this stay that their work became more Avant-Garde. That autumn, while visiting Ekster, they organized an exhibition which took place in the street; it was a success, and enough money was raised to go to Moscow. In 1909, Burliuk painted a portrait of his future wife, Marussia, on a background of flowers and rocks...

Title: Mid Century French Original Pastel Painting - Coastal View from the Hills Artist: Josine Vignon (French 1922-2022) Medium: Oil Pastel on artist paper Size: 19.25 (height) x...

Jean La Forgue (French 1901-1975) watercolour on card, unframed painting: 23 x 20 inches provenance: the artists estate, France condition: very good an...

Title: Staithes Harbour with Boats and Red Roofed Cottages North Yorkshire Coast By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 8.75 inches (height) x 13.25 ...

Work on paper Golden wooden frame with glass pane 58 x 72 x 3.5 cm

Eve Nethercott, American (1925 - 2015) - Vermont (P4.29), Year: circa 1959, Medium: Watercolor on Paper, Size: 14 x 21 in. (35.56 x 53.34 cm), Description: Leading up to the ...

Provencal Landscape by Louis Bellon (French 1908-1998) Signed From a batch of similar work where most were dated 1942-1947 watercolour painting on paper, unframed measurements: 10.5...

This artwork "Landscape with Village" c.1940, is a watercolor on paper by noted Colorado artist Irene Fowler, 1884-1967. It is signed at the lower right corner by the artist. The siz...

A 1930s cheerful & colorful watercolor depicting a Chicago Street scene by artist Constantine Pougialis. Image size: 15" x 22". Painting bears its original frame, which measures 21...

"Cubist Factory" American Scene WPA Era Social Realism Mid 20th Century Industrial Herbert Heyel (American 1907-2000) "Cubist Factory" 14 x 20 inches Watercolor on paper, c. 1933 S...

Delightful watercolor seascape of a sweeping view over a rugged cliff off the English coast by artist Tae, circa 1960. Unsigned. Original artwork on pap...

Clinton Hill (1922-2003), created quintessential mid-century images. He lived in SoHo, New York, and was a frequent Gallery visitor. Born in Idaho and raised on a working ranch, ...

Wonderful set of four original pencil drawings depicting vintage motor cars from the 1930's. They are an ideal gift or interior furnishing for any 'man cave' or 'boys room...

Artist: Harry George Theaker (English, 1873-1954) Title: "Moors, Yorkshire, UK" *No signature found Circa: 1935 Medium: Original Watercolor on watercolor paper Sheet size: 9.75" x 13.75" Condition: In excellent condition Notes: Provenance: private collection - Corsham, UK. "GAC" and "H.G. Theaker" pencil inscribed upper left and center on verso. Biography: Born January-March 1873 in Wolstanton, Staffordshire. He was the son of George Theaker (1835-1902, born in Sheffield, Yorkshire), headmaster (principal) of the School of Art in Burslem from 1869-94 and designer for pottery. His younger brother, Charles Edmund (1875-1903) was an apprentice designer modeller and then a teacher at the Wedgwood Institute in Burslem around 1900. Harry George was an apprentice pottery decorator and then a teacher. He settled in London c.1900-05 and was in charge of design at the Polytechnic in Regent Street from about 1906 onwards, where he also taught courses in 'modelling from design'. Theaker remained at the Polytechnic and is listed in prospectuses as headmaster (principal) between 1931-2 and 1937-38. Theaker was also a successful illustrator, particularly of children's books. His first known published works date from about 1911, and most of his illustrations date from the 1920s and 1930s. Amongst the books he illustrated are 'The Ingoldsby Legends' by Sir Thomas Ingoldsby, London, 1911; 'Children's Stories from 'The Arabian Nights', by Rose Yeatman Woolf, 1914 (and later editions); 'The Adventures of Don Quixote', c.1920 and 1929; 'Gulliver's Travels', 1928; 'The Water Babies', 1930; 'Grimm's Fairy Tales', 1930; 'Stories of King Arthur', 1925 and 'Long, long ago: stories from the classics' both retold by Blanche Winder, the latter probably in the 1930s (see National Art Library catalogue...

Pt. Pinos California, Coastal Figural Landscape Watercolor Striking depiction of a lighthouse by Donald J. Phillips (American, 20th Century). Signed and dated "DONALD J. PHILLIPS WW/7-89" in the lower right corner. Tag on verso with artist and exhibition information. Presented in a double mat of white and cream, in a green metal frame with glass. Image size: 21"H x 15"W Donald J. Phillips (American, 20th Century) is an artist from San Leandro, CA. He attended California College of Arts and Crafts in Oakland, where he met his wife. Phillips served in Marine Corps Reserve and was called to duty from 1950-1951 during the Korean War. Exhibitions and Memberships: 21st Annual Santa Cruz Art Exhibit, 1950 New England Watercolor...

Idyllic depiction of Mount Fuji by Japanese artist Emiko Satsuta (early 20th Century). Muted colors create a serene atmosphere, with Mount Fuji in the ba...

Paris: Place du Tertre and Sacre Coeur, the Roman Catholic Basilica of the Sacred Heart of Paris by Henri Miloch (1898-1979) signed lower right watercolour and gouache painting on ar...

Milan Cathedral by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper , unframed size: 16.5 x 11.75 inches condition: very good and ready ...

Emile Antoine Verpilleux, 1888-1964 York, 1920 Original woodcut, printed in colors 14 x 18 inches Signed in pencil

Nude is an original drawing in watercolor, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions. Jean-Raymond Delpech (1988-1916) is a French painter,...

Ships at the Harbor - Nautical Seascape in Charcoal on Paper Detailed and layered harbor scene by Maude Folmar Ramsey (American, 1908-1993). The viewer is looking out at the harbor, across the water from the docks, buildings, and ships. The pillars, buildings, and masts are jumbled together in a pleasing manner that is almost abstract. Despite the simplified shapes, this piece is full of detail. This piece is executed in a rectilinear style frequently seen in American mid-century modern compositions. Signed in the lower right corner "Maude Folmar" Presented in a wood frame with a double mat. Frame size: 25.25"H x 29.25"W Image size: 17"H x 21.5"W Maude Love (Folmar) Ramsey (American, 1908-1993) studied at the School of Fine Arts at Washington University in St. Louis, Missouri. She was the director of the Laguna Gloria Art Museum from 1968-1972. Ramsey was one of the charter members of the “Waterloo...

Eve Nethercott, American (1925 - 2015) - Seascape (P2.52), Year: circa 1960, Medium: Watercolor on Paper, Size: 11 x 15 in. (27.94 x 38.1 cm), Description: Eve Nethercott's p...

Eve Nethercott, American (1925 - 2015) - Maine (P6.41), Year: 1947, Medium: Watercolor on Paper, Size: 15 x 19 in. (38.1 x 48.26 cm), Description: Looking out over a group of...

Seascape is a Watercolour and Color Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a sheet of notebook. No signature. Reynold Arnould...

Eve Nethercott, American (1925 - 2015) - Hamptons (P4.19), Year: 1958, Medium: Watercolor on Paper, Size: 12 x 19.5 in. (30.48 x 49.53 cm), Description: Focusing on two blue ...

Eve Nethercott, American (1925 - 2015) - Hampton Bays (P6.63), Year: 1958, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Covering almost thre...

Florida Coast Landscape in Watercolor on Paper Serene watercolor of coastal Florida by an unknown artist named Stow. Signed "Stow" in the lower left c...

Brussels: Belgium. De Brouckere Square and the Jules Anspach Obelisk by Leonard Machin Rowe (1880-1968) signed lower left watercolour painting on artist's paper, unframed Sheet: 9.7...

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller"; you can also search for other drawings by this artist. V A Hards...

Josine Vignon (French 1922-2022) ...

Frank Duffield (British, 1908-1982) original watercolour painting on board, unframed size: 19.75 x 15.75 inches condition: overall very good, minor wear to the edges as is normal for...

Original oil pastel on archival paper by the well known American artist, Leon Dolice. The painting depicts Trinity Church with several of the more contemporary buildings of Wall Stre...