Late 20th Century Landscape Drawings and Watercolors

Hand signed in pencil and hand numbered lithograph on fine French Arches paper. Jerusalem Landscape. Avigdor Arikha (April 28, 1929 – April 29, 2010) was a Romanian-born French–Isra...

Late autumn. 1972. Paper, monotype. 42x61.5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different sea...

Hay stacks. 1981. Oil on cardboard, 22x30 cm

LAST HOUSE ON KENCH AVE. is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 1964, in Milwaukee, Wisconsin. Gee is known for his Visionary Art filled with comical, expressive faces, figures, and colorful, surreal landscapes and seascapes. He is of African and Native American (Blackfoot/Choctaw) descent. LAST HOUSE ON KENCH AVE. is a mysterious cliffside landscape scene depicting a lone modern style ranch house...

ROCKET LAUNCH is an original oil pastel drawing on brown paper grocery bag by the self taught African American artist Reginald K. Gee, born April 28, 196...

Kenneth Rowntree Abstract Australian Landscape Watercolour 27.5 x 33cm Signed (top left) and dated ‘Kenneth Rowntree ’85’ Provenance: Anderson & Garland Studio sale of Kenneth Rowntree lot 263 Tuesday 8 September 2009 For biographical details and other works by Rowntree click here. Rowntree visited Australia in 1984/85. In this painting he picks up various vignettes from the Australian landscape in six separate blocks. Two relate to the sky, with almost-unbroken blue skies stretching from horizon to horizon, three relate to desert areas, with a whole array of different textures, and one is a luscious green. In one of the desert scenes he has picked out two road signs, in typical Rowntree fashion, reducing them to their simplest form. In her essay Kenneth Rowntree: A Strange Simplicity (published in Kenneth Rowntree A Centenary Exhibition Published by Moore-Gwyn Fine Art and Liss Llewellyn Fine Art, on behalf of the artist’s estate, on the occasion of the centenary of Kenneth Rowntree’s birth) Alexandra Harris makes reference to this painting noting: "Later, in 1986, just when the young David Hockney was collaging the signs and road-markings of Route 138 in Pearblossom Highway, Rowntree was in Australia painting yellow diamond-shaped road-signs as bright icons in open country. Wherever he went, Rowntree captured both the unfamiliarity of places and their relationship to things he knew. Heading into the Australian outback, he painted a road-sign as he would paint a rail signal at Clare in Suffolk or nautical markers at Swansea." Hockney’s 1986 Pearblossom Highway may be seen in the Getty and it is worth noting that Rowntree was in fact painting the yellow sign in 1985, so a year before Hockney. Kenneth Rowntree (1915-1997) Rowntree was born in Scarborough and educated in York where his father managed the local department store. Young Kenneth’s work was displayed there and his first major commission arose from an advertisement at the store. After the Ruskin School of Drawing in Oxford he studied at the Slade School, meeting Eric Ravilious and Edward Bawden and then moving to north Essex to work with them as members of the group of Great Bardfield Artists. Between 1940 and 1943 he was one of the team of over 60 artists engaged by the War Artists Advisory Committee for the ‘Recording Britain’ project, to record the face of England and Wales before wartime action – or development – changed it for ever. Rowntree’s keen sense of design, and fascination with the quirky and the vernacular made him an ideal candidate to interpret our built heritage’s more unusual aspects. In 1951 he painted murals in the Lion and Unicorn pavilion for the Festival of Britain, he decorated the route of the Queen’s Coronation procession (some of the works being acquired by Her Majesty). During a teaching job at the Ruskin School of Drawing in Oxford he was driven, perhaps by his experiences recording Britain, to record the decorated barges that belonged to the Oxford Colleges. These wooden Victorian ceremonial barges had belonged to the London livery companies, but were acquired in their later life by the Colleges to be used as changing rooms and clubhouses for the College boat clubs – depending on the size of the barge rowing eights were stored on board too. Part way through painting one of them Rowntree thought his drawing incorrect until he realised that it was the boat that was moving. It was in fact sinking. These days the Colleges have modern (but unromantic) boat houses; a handful of the barges remain – restored – in private hands. In 1959 he was appointed Professor of Fine Art at King’s College, Newcastle (latterly part of the University), which as British art schools went was one of the most progressive. The Master of Painting was the abstract constructionist Victor Passmore...

"Crossroads A-73" by Janet Richardson-Baughman is a pastel landscape drawing. The landscape figures a yellow field in the foreground and a cluster of deep green trees in the middle ground, behind which the tiniest strip of water is visible in light blue. On the distant horizon, a dark green hill meets a serene blue sky. Art size: 16" x 12" Frame size: 29 1/2" x 25 1/2" Framed to conservation standards. Matted with a cream-colored acid-free mat board and glazed in UV Clear Glass that filters 99% of UV Rays to inhibit fading. All this is housed in a traditional moulding in a gold finish. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

IAN HAY (Born 1940) Cars Rusting Signed l.r.: Ian Hay; bears title and dated 1973 on exhibition label on the backboard Watercolour and gouache Framed 44 by 88 cm., 17 ¼ by 34 ¾ in...

This original watercolor by Dwight Baird, titled Heading South, is part of his evocative series on truck drivers. In the early 1990s, Baird joined a truck driver on his travels acros...

Pastel on paper Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore Col...

An elegant and atmospheric watercolor showing a colorfully-striped linen jacket drying in the breeze with a view through a stand of palm trees to an idyllic tropical beach and the In...

Mountains 1989. Paper, watercolor, 11x21 cm The snowy mountains in watercolor evoke a sense of awe, peace, and the serene grandeur of nature. The delicate and transparent qualities ...

JOHN SERGEANT (1937-2010) Waterloo Crescent, Dover Chalks on grey paper 21.5 by 37.5 cm., 8 ½ by 14 ¾ in. (mount size 38 by 52.5 cm., 15 by 20 ¾ in.) Sergeant was born in London...

Titled, signed, and dated in lower margin. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personally, he expected a lot from Janet, and she grew from his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft. Janet met a businessman/artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists, and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful influencing them to concentrate only on their artwork and discontinue the sales end of his business. Janet says it has been very, very good for them and has caused different things to happen. The challenges of commissions make her think in directions that it is unlikely she would have done on her own. Janet is an extremely talented artist. It is difficult to believe when one sees her pastel, mixed media of pencil, oils and collage landscapes done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lives inspires her artwork. Interestingly, she also derives inspiration from her ceramics for her paintings although the two are quite different in style. Her paintings are stylized and readable, but she does not look for minute detail when she paints. These soft landscapes create a feeling of bucolic peace and serenity although Janet does not consciously paint a message. Janet says of her work, that it is like a dance or conversation in her head, which she expresses through her art. Janet lives an almost idyllic rural existence with her artist/husband who she says is "the love of her life." They work together everyday, and for them it is the perfect partnership because they compliment one another so well. Together they raise and train horses, and are expecting three foals within a year. In addition, she loves to garden and after the tradition of her grandmother and mother, has a huge vegetable garden. She and her husband love to cook. They enjoy golfing together as well. Their three grown children are still very important in their lives, and Janet sews intricate costumes for her daughter when she shows her horse. In the future, Janet thinks that living in Virginia with horses and continuing with her art would be perfect. She, along with her husband, would like to spend a summer in Provence...

Hand signed in pencil and hand numbered lithograph on fine French Arches paper. Jerusalem Landscape. Avigdor Arikha (April 28, 1929 – April 29, 2010) was a Romanian-born French–Isra...

Hand signed in pencil and hand numbered lithograph on fine French Arches paper. Jerusalem Landscape. Avigdor Arikha (April 28, 1929 – April 29, 2010) was a Romanian-born French–Isra...

A charming watercolour scene of Deadman Hill in the New Forest, In it we can see a small lake surrounded by shrubbery along with some horses in the distance enjoying the time in the ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you ...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 11.75 x 8.25 inches condition: very good A beautifully colorful and characte...

Mark McCrum Clare Bridge Watercolour 29 x 39 cm Signed and dated to lower right Mark McCrum, born in Cambridge, England, is a distinguished author and artist known for his diverse...

Artist: Jon Carsman, American (1944 - 1987) Title: Garden Fantasy Year: 1982 Medium: Watercolor on Paper, signed and dated Size: 26 x 37.5 in. (66.04 x 95.25 cm)

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

Artist: Ching Jang Yao, Taiwanese (1941-2001) Title: Winston (Madison Square Garden) Year: 1976 Medium: Watercolor on paper, signed and dated ...

A charming watercolour painting with gouache by the artist John Scarland, depicting a rural landscape scene with a windmill. Signed and dated to the lower right-hand corner. Presente...

A charming watercolour study with ink and acrylic details depicting Stokenham Church in Devon. Signed to the lower left. Dated and titled to the reverse. On paper.

Prakash Karmakar – Landscape – 36 x 57 inches (unframed size) Acrylic on Canvas Signed lower right in Bengali Inclusive of shipment in roll form. Karmakar is best know...

Artist: Ken Burton (English, 1946-) Title: "Wells Cathedral, Wells, UK" *Signed by Burton lower right Year: 1988 Medium: Original Watercolor on heavy wove paper Framing: Not framed, but beautifully matted with hand decorated archival French matting Matted size: 18" x 21" Image size: 9.5" x 13.5" Condition: Never framed, has been professionally stored away for decades. In mint condition Notes: Provenance: acquired directly from the artist Burton himself in the 1980's. Wells Cathedral is an Anglican cathedral in Wells, Somerset, England, dedicated to St Andrew the Apostle and seat of the Bishop of Bath and Wells, whose cathedra it holds as mother church of the Diocese of Bath and Wells. Biography: Born in Peterborough in 1946, Ken Burton's interest in art began at school and led him to an initial choice of career in design and engraving, in which he trained with Joseph Hules, in London. He left in 1970 to enter public service (The British Police...

Swallows by the water. 1976, paper, pencil, 45. 5 x 40. 5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she bega...

In the park. Paper, watercolor, 42x29.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In ...

Watercolor on paper, signed and dated "Steven Robert Kozar 1988" to bottom right corner, linen mat under plexiglass with silvered wood frame, overall 54 ⅛" x 25 ⅜".

"Crossroads" is an original pastel drawing by Jan Richardson-Baughman. The artist signed the piece in the lower right and titled it in the lower left. It depicts a field with trees in the background. 16" x 12" art 33" x 27" frame A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

James L. Grabowski (American born 1944) New England Landscape Gouache on paper 27 1/2 x 39 1/2 Signed on the reverse Has a plaque for Arches Paper Award James Grabowski...

Distinctive French seascape watercolor painting of an anchored sailing vessel in muted shades of crimson, 1982. Signed lower right. Displayed on a whi...

Inviting English watercolor of a brick pathway leading from a covered portico to a small farmhouse, 1980. Signed and dated lower right. Original vintage one-of-a-kind artwork on pap...

Serene watercolor landscape along the banks of the La Jordanne River looking at the Pont du Buis bridge in he picturesque city of Aurillac located in the Auvergne-Rhône-Alpes region...

Margie Dickson "Pueblo 2" Original Pastel on Paper 20th Century Dimensions 18.5" wide x 14.5" high The frame measures 29.25" wide x 25.25" high Signed and titled lower left Good ...

Hues of gold, blue, and green blend together in this arching landscape of trees against a setting sun, circa 1980. Signed lower right. Original artwork on paper displayed on a white...

Whimsical and enchanting French abstract drawing of tree, circa 1980. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame. Arch...

Lovely watercolor of fall tones of red and yellow trees by French artist Jaquel, circa 1970. Signed lower right. Original artwork on paper displayed on a white mat with a gold bor...

Soothing watercolor in greenish blue tones by French artist Jaquel, circa 1970. Signed lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits...

Stunning pen and ink drawing of St. Peter's Dome in Rome, Italy by French artist Robimu, 1974. Signed lower center with title and date. Original artwork on paper displayed on a whi...

Fluid French ink wash seascape, 1980. Initialed and dated lower right. Original artwork on paper displayed on a white mat with a gold border. Mat fits a st...

"Diner" is an original signed watercolor by Bruce McCombs. It depicts the front facade of a diner with careful attention to reflection, atmosphere, and light. 22" x 29 1/2" art 25"...

Fanciful watercolor in warm red and orange hues of a charming town perched atop a large ship, circa 1990. Signed lower right. Original artwork on paper displayed on a white mat wit...

"Beaver Lake Spring Fever Sunrise" is an original watercolor on paper by David Barnett, signed in the lower right corner in pencil. This abstract, minimal landscape represents the su...

Large French pastel landscape of vividly colored terrain depicted in bright and bold hues, circa 1970. Original artwork on paper displayed on a white mat with a gold border. Archiv...

Vividly hued ink drawing of pedestrians navigating a quaint street lined with row houses by Irmgard von Reppert, 1981. Initialed and dated lower right. Original artwork on paper dis...

Jake Lee (1915-1991) Original Watercolor "Bandstand on the Bluff" c.1989 Wonderful original watercolor by listed California artist Jake Lee. Though untitled, we are calling this "B...

Artist: Jon Carsman, American (1944 - 1987) Title: Blue Waves Year: 1976 Medium: Watercolor on Paper, signed and dated Size: 39.5 x 28 in. (100.33 x 71.12 cm)

Gouache of Paris, 'L’ile St Louis' by Serge Mendjisky, signed and dated lower right and inscribed with title on reverse. The piece including frame measure...