Rubens Southey

Rubens Southey (1881-1933) - Watercolour, Hay Cart in the Mountains

Unknown

A landscape view in a mountain valley with a figure passing through a gate in the foreground. Presented glazed in a white and beige double mount and a gilt frame with bead courses to...

An impressive 19th century English School watercolour, attributed to Alfred H. Green (fl. 1844-1878), with a monogram to the lower right which fits other monograms on record for this...

An atmospheric, rural landscape under a grey, overcast sky. A group of carts pulled by horses process long the dirt track. The artist has signed to the lower left corner. The paintin...

A charming watercolour depicting roaming cattle on open moorland by landscape artist K. M. Broomhead. Signed in graphite below the mount. Presented in a decorative gilt frame with be...

19th century British School "Mountain Landscape", watercolor, framed, unsigned, inscribed in pencil: verso, illegibly.  

This atmospheric watercolour by Frank Walton, dated 1867 and signed lower left, reflects the artist’s technical skill and sensitivity in capturing the British countryside. Depicting ...

Art Sz: 4 3/4"H x 6 1/2"W Frame Sz: 10 5/8"H x 12 3/8"W Property from the Estate of Mary S.B. Braga Goat Fell (marked as Goatfell by the Ordnance Survey; Scottish Gaelic: Gaoda Bheinn) is the highest point on the Isle of Arran...

This early 19th-century watercolour by British artist Paul Sandby Munn RWS (1773-1845) depicts a riverside view at Mallevy in North Wales. Amid a hasty world where technology consumes our waking hours, few of us find the time to consider the subtle beauties of quiet watercolours. Yet, during the late 18th century, when Munn began producing his skillfully-rendered views, this style of drawing was considered an act of rebellion. Indeed, to such an extent that, together with several associates, Munn contributed to one of the most vital artistic circles in British history - the “Brothers” sketching club. Held every Saturday, the sketching club sought to raise the status of landscape watercolours from their lowly position as mere copies of nature. Fellow artists such as John Varley, Thomas Girtin and John Sell Cotman...