Nature Landscape Drawings and Watercolors

Mid-century watercolor by French artist C. Groux, circa 1940. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archival plasti...

Soothing watercolor of a small grassy area encircled by jagged mountain peaks by A. Siegris, circa 1950. Original artwork on paper displayed on a white mat with a gold border. Mat f...

PAMELA MARY SPENCER (1924-2012) The Hen Coop Signed and dated 1946 Watercolour and pencil, unframed in conservation mount only 30 by 28 cm., 11 ¾ by 11 in. Provenance: The artist’s estate. Pamela Spencer was the niece of Sir Stanley Spencer RA and Gilbert Spencer...

This is an exclusive handprinted limited edition cyanotype. "Calming Sea Ripples" is a handmade cyanotype print portraying the subtle movements and abstract ripples of the open sea. ...

During heavy snowfall, snow-covered branches of bushes stick to the ground under the weight of snow. Sometimes small branches and trees are broken, although it would seem that the sn...

Dennington towards pypes barn by Cornelia Fitzroy [2022] original and hand signed by the artist Pastel on Paper Image size: H:23 cm x W:30 cm Comp...

"The Space Between" is a unique charcoal drawing on paper. Scottish artist Patsy McArthur captures the dynamic movement of the swimmer against an urban backdrop. This monochromatic a...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Unframed. Katherine Curci began this series of charcoal drawings, premiered in This...

Born on a small island near Martha's Vineyard, R. Swain Gifford and his family moved to the New Bedford, Massachusetts, area when he was two years old. The Dutch marine painter Alber...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Claude Muncaster (1903-1974) Boston Stump Signed Pen and watercolour 23x34cm Mid Twentieth Century Titled to reverse, erroneously 'North Norfolk Churches' Claude Grahame Muncaster, RWS, ROI, RBA, SMA was the son of Oliver Hall RA. At the age of fifteen his career as a landscape painter began, and he soon took to the seas, spending the 1920s and 30s travelling the world with his sketchbook in a series of vessels. With the outbreak of war and he joined the RNVR training as a navigator. Having left school at fifteen his mathematics was very weak and it was a relief for all when his artistic talents meant he was recruited as a camofleur. A master of capturing seascapes he was therefore able to hide huge ships ‘in plain sight’ with clever disguises. After the war he painted for the Royal Family and was a frequent guest at Sandringham. Claude Muncaster was a watercolourist known for his landscapes and maritime scenes. He was born Grahame Hall, the son of the Royal Academician Oliver Hall who taught his son to paint from an early age; Grahame first exhibited his work aged 15 and a few years later was showing at the RA. However, he adopted the name Claude Muncaster in 1922 to dissociate his career from that of his father. Muncaster’s primary choice of subject matter came from a genuine love of the sea. He made several long-distance sea voyages, including one around the Horn...

pastel on paper landscape brown wood frame

RANDOLPH SCHWABE, RWS, NEAC (1885-1948) Chickens, Cerne Abbas Inscribed Cerne Abbas and dated 1937 Watercolour and pen and ink over traces of penci...

Painter and teacher Jesse France was born in Ohio, and lived and painted along the eastern seaboard in New York City, New Haven, CT and on Higgins Beach, Maine. After studying art at...

An original watercolor by Ohio artist Joseph Koch who was affectionately known as Koco during his long life of almost 105 years. This beautiful watercolor painting titled "Winter's ...

Work on paper without frame

Selsley Church, Gloucestershire By Max Pants [2021] Original Watercolour on Paper Image size: H:33 cm x W:49 cm Complete Size of Unframed Work: H:36 cm x W:51 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look The view of Selsley Church sitting just below Selseley's undoubtedly triangular piece of common. This is the view from my Parent's living room window in Stroud. Perhaps the best view of Stroud I have ever seen. Painted on Saunders Waterford 300gsm Watercolour Paper. Max Panks...

Watercolor on paper, 1976 Painted in South Bristol, Maine Signed by the artist lower left Condition: Excellent

France landscape, Travel Watercolor,Cote azur Henry Maurice CAHOURS (Paris, 1889 – Vence, 1974) He was born in Paris but spent his childhood and adolescen...

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

Born in Charlestown, Massachusetts, Hendricks Hallett studied in Antwerp and Paris. Best known for marine scenes and shorescapes of Boston Harbor, he also painted in the White Mountains of New Hampshire and on Mount Desert Island...

Landscape with Haystacks by Ludovic-Rodo Pissarro (1878-1952) Watercolour on paper 15 x 34 cm (5 ⁷/₈ x 13 ³/₈ inches) Signed with Estate stamp (initials) lower right, LR an early wor...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

Adalbert Holzer (1881 Munich - 1966 Munich). Wettersteinkamm. Watercolour, 29 x 34.5 cm (visible size), 37.5 x 43 cm (frame), signed and dated at lower right 'ADALBERT HOLZER [19]23'. Framed behind glass. Frame shows signs of wear. - The blue of the mountains - About the artwork The Wetterstein ridge is revealed to the viewer from a gentle, snow-covered hill. In contrast to conventional depictions of mountains, the painting is composed entirely of shades of blue, which condense into the blue-grey of the rock or fade into the white of the snow. As a complementary colour to the blue, Holzer virtuously activates the ochre ground. The uniform yet exciting polarity of the colours emphasises the massive majesty of the mountains and at the same time underlines the special character of the Wetterstein ridge. Holzer transferred the translucency of glass painting, in which he was originally trained, to watercolour and developed a pictorial language related to the art of Ferdinand Hodler, which earned him the nickname 'Master of Blue' and led to the appreciation of his watercolours in particular. About the artist After an apprenticeship as a stained glass painter at the Kunstgewerbeschule, Adalbert Holzer studied at the Munich Art Academy under Carl von Marr...

"Float" is a luminous abstract work by Arminée Chahbazian that evokes the sensation of suspension—between thought and feeling, surface and depth. With her refined use of muted color,...

Oscar Bluemner Sheepshead, Long Island, 1907 Signed with the artist's conjoined initials "OB" and dated "4-30 - 5 - 30" / "Aug 3, 07" Watercolor on paper 6 x 10 inches Provenance: J...

In this work, the artist returns to a favorite spot in Alley Pond Park, Queens, to memorialize the ever-evolving carved names and glyphs in this majestic trunk. She is documenting no...

Frank Charles Peyraud (1858-1948) Coastal landscape, 1882 Charcoal and shading on paper Signed "C. Peyraud", dated "82" and dedicated "à l'ami Baradat" ? lower right 29.5 x 56 cm Slightly oiled A French-born artist born in Switzerland in 1858, Frank Charles Peyraud showed an early interest in drawing and painting. He grew up in a rural environment before studying architecture at the Swiss Federal Institute of Technology in Zurich, encouraged by his father. In 1877, he entered the École des Beaux-Arts in Paris. In 1881, Frank Peyraud...

"Afternoon Walk" is an Original Watercolor On Paper by Paul Scarborough. It measures approximately 13 x 15 inches with frame and matting. The painting...

Provenance The artist; Estate of the artist, until 2018 Exhibitions Woodmere Art Museum, Philadelphia, The Art of John Pierce Barnes (1893–1954), June 28–August 30, 2009. A native ...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

At Baltic sea. Watercolor, paper, 63x94 cm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private ...

Artist: Maud Hollyer (English, 1867-1910) Title: "Cotswold Village, England" *Signed by Hollyer lower left Circa: 1900 Medium: Original Watercolor on paper Framing: Not framed, but beautifully matted with hand decorated archival French matting...

Graphite on paper, numerous pencil inscriptions Image size: 5 1/2 x 21 1/2 inches (14 x 55 cm) Period style hand made gilt frame Provenance The collection of Ernest Pearce (1930-20...

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"Light #104" is an original graphite drawing on paper by Bill Teeple, signed on the mat in the lower right corner. This small image of a sunrise over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own. Art size: 1 7/8" x 1 7/8" Frame size: 14" x 11" "I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years." In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy art...

"Sand, Sea & Sky" is an original watercolor painting by David Barnett. The artist signed the piece in the lower right. This piece features a waterscape in teal with brown sand bars and a deep blue sky...

"Wolf Lake A-11" by Janet Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right and titled in the lower left, both in pencil. The work is framed and matted with a white acid-free mat board. Though it seems contrary to the title, the main focus of the image is not a lake, but a yellow and gold field of grass that leads to a distant dark green treeline. The cloudy blue sky meets the horizon, and perhaps the darker line of blue above the trees is the far-off lake. With its restrained palette of yellow, green, and blue, it creates a send of calm. Art size: 22" x 22" Frame size 36 1/4" x 36 1/4" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Albert Wein visited Monhegan, Maine and created a modernist series of watercolors depicting the landscape, coast and life on the Island. Richly colored, t...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner in the American Arts Quarterly. Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley...

Winter landscape. 1980. Oil on cardboard, 24x32.5 cm

untitled (Hillside in Spring) Gouache on paper, c. 1965 Signed with the estate stamp lower right Provenance: Estate of the artist by decent William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

"Normandy Farmhouse" is an original pastel drawing signed by Michael DeFrancesco. It depicts a red-roofed barn in a wide farm landscape. 6 1/2" x 19 1/4" art 13" x 26" frame "As I progress in my painting, I hope to say more with less ... to leave the obvious vague ... and to paint only that which is essential ... this is my goal as an artist." Michael Defrancesco received his Fine Arts degree from the American Academy of Art in Chicago. While at the Academy, he was fortunate to have studied under some wonderful instructors such as Bill Parks, Vern Stake, Eugene Hall, Fred Berger, and the renowned watercolorist Irving Shapiro...

"Bandelier #1" is an original pastel drawing signed by the artist Peggy Leonard in the lower left. It depicts a colorful array of light and shadow in a grassy wooded area. 12 1/2" x 9" art 25 1/2" x 21 1/2" frame Peggy Leonard received her BFA in painting and drawing and an associate’s degree in nursing from Miami University in Oxford, Ohio. She is both a registered nurse, and accomplished artist, residing in Milwaukee, WI. From the artist: “These paintings are my prayers,” muses Leonard, reflecting on her driving need to express herself through her art. “We are made of the stuff that requires us to respond with our hearts and hands. Often, it requires terrible sacrifice and suffering, something not everyone can understand. But it is done with reverence of life, not irreverence.” Leonard’s pastels and oil paintings capture her reverence of life and reflect her own life’s journey, including earlier forays into the wilderness. Her venture into art began in early childhood, as childless neighbors nurtured her natural ability to draw; concurrently, Leonard’s parents instilled a respect for academic excellence and the higher order of nurturing others. As a young nurse, Leonard “heard and saw poignant messages to travel while one was young and free…while one had one’s health.” Consequently, she took to the open road and public lands, camping across America for months at a time. During these years, her “celebration of the natural splendor of this country” helped shape her sense of artistic expression. She was moved by such sights as the sunset on St. Mary’s Lake...

Eve Nethercott, American (1925 - 2015) - View of House from Docks (P2.60), Year: 1948, Medium: Watercolor on Paper, Image Size: 10 x 13 inches, Size: 11 x 15 in. (27.94 x 38....

Eve Nethercott, American (1925 - 2015) - Artist's Easel in Beachside Town (P2.54), Year: 1947, Medium: Watercolor on Paper, Image Size: 8 x 11 inches, Size: 9 x 12 in. (22.86 ...

Eve Nethercott, American (1925 - 2015) - Dock, Year: circa 1960, Medium: Watercolor, Size: 16 in. x 20 in. (40.64 cm x 50.8 cm), Description: Looking out over a boathouse on a ...

Eve Nethercott, American (1925 - 2015) - Waterfront (47), Year: 1959, Medium: Watercolor, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Description: Viewed diagonally, the yellow...

Eve Nethercott, American (1925 - 2015) - Ruined Shack (P5.20), Year: circa 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Sitting on a b...

Eve Nethercott, American (1925 - 2015) - Trap Rock, Haverstraw (P4.30), Year: 1957, Medium: Watercolor on Paper, Size: 14 x 19 in. (35.56 x 48.26 cm), Description: Eve Nether...

Eve Nethercott, American (1925 - 2015) - Barn (P4.1), Year: circa 1960, Medium: Watercolor on Paper, Size: 6 x 10 in. (15.24 x 25.4 cm), Description: Situated somewhere along...

Eve Nethercott, American (1925 - 2015) - Woodstock (P6.37), Year: 1950, Medium: Watercolor on Paper, Size: 15 x 20 in. (38.1 x 50.8 cm), Description: Leading along a paved ro...

Artist: Ken Burton (English, 1946-) Title: "Broadway, Worcestershire" *Signed by Burton lower left Year: 1988 Medium: Original Watercolor on heavy wove paper Framing: Not framed, but beautifully matted with hand decorated archival French matting Matted size: 21.25" x 26" Image size: 12" x 18" Condition: Never framed, has been professionally stored away for decades. In mint condition Notes: Provenance: acquired directly from the artist Burton himself in the 1980's. Broadway is a large village and civil parish within the Cotswolds, located in the county of Worcestershire, England. Its population was 2,540 in the 2011 census, a small increase on the 2,496 in the 2001 census. Biography: Born in Peterborough in 1946, Ken Burton's interest in art began at school and led him to an initial choice of career in design and engraving, in which he trained with Joseph Hules, in London. He left in 1970 to enter public service (The British...

Cargo ship 1965. paper/watercolor., 8x22.3 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military...

Jurmala 1965, paper/watercolor, 19.5x35.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military courses. In 1933 he graduated from the Arts Academy of Latvia, Graphic workshop under the guidance of R. Zarins. He participated in the exhibition since 1924. He painted mostly military themes. And also painted landscapes and compositions with oriental motives in watercolors technique. He drew sketches for the plates painting to porcelain factory of Kuznetsova and faience factory. One of the first drawer of Latvian journeyman army in 1922. He i san author of Viesturs Order sign...

Clouds over horizon

Morning at the sea. 2020. Watercolor, paper, 40 x 62 cm Sea with waves in yellow colors Zigmunds Šņore was born in 1942 in Latvia. His works has been...

Awards 2013 Loring W. Coleman Award for Watercolor/ Allied Artists of America, 100th Annual Exhibition at the National Arts Club 2011 Mary Bryan Memorial Medal / Allied Artis...

Ice breaker 1965, paper/watercolor, 16x21 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...

Winter landscape 1965, paper/watercolor., 20.5x27.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many...

Landscape 1967, paper/watercolor, 23x43.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many military ...