Ceramic Drawings and Watercolor Paintings

Enrique Chagoya Ghostly Meditations (waltzing with the forgotten), 2012 acrylic and India ink on de-acidified 19th century paper (facing pages of etchings from a 19th century book) 1...

This untitled work by Rick Sindt was inspired by the works of Paul Cadmus. It is a small graphite drawing of two male nude figures with both of their faces somewhat obscured during an intimate moment. The graph lines often used by artist are still visible to distinguish between the photographic elements of a Polaroid photo and this actual drawing. The piece is framed in a white float frame measuring 12.5h x 10.5w inches. Rick Sindt Untitled - After Cadmus graphite on panel 10h x 8w in 25.40h x 20.32w cm Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? In the body of work submitted here, black and white graphite drawings maintain a Polaroid scale referencing the found historical photographs on which they are based, oil paintings provide isolated moments of feeling as they investigate questions about queer dispositions in a contemporary setting, and a few key sketches provide insight into how a few individual inquiries began. Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

This drawing is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living be...

Lighthearted Illustration of Outdoor Pursuits This one of a fisherman signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist...

Juana Céspedes specializes in original art that draws inspiration from the infectious exuberance of dance. Her captivating artwork features individuals gracefully suspended in ethereal white space, forming mesmerizing semi-abstract compositions of shapes, clusters, and lines. Drawing from her beloved hometown of Barcelona, Céspedes envisions the harmonious mingling of souls as city squares overflow with jubilant dancers rejoicing in the arrival of sun-drenched days. Through the medium of watercolor, the artist skillfully captures the fluidity of human movement, while her meticulously crafted handmade paper adds depth and evokes the essence of the urban landscapes that fuel Céspedes' creativity. This one-of-a-kind 12-inch square artwork is painted on handmade paper. It is unframed. Céspedes uses ink and watercolor to display the splendor of movement. Convenient local Los Angeles shipping. Affordable Continental U.S. and worldwide shipping are also available. A certificate of authenticity issued by the art gallery is included with this original work. Provenance: Artplex Gallery The artist’s journey spans 21 years during which Céspedes has developed a unique style always revolving around two major themes: urban space and human bodies. “Dance inspires me. I love its contagious joy. I’m often carried away by the image of swing dancers on an endless journey, from partner to partner—a journey that started in Harlem and found its way across the world.” As a self-taught artist, Céspedes’ work is an inspiring example of outsider art. Her life is a story of resilience. The artist was orphaned at thirteen and Céspedes was left to contend with life as the eldest of a family of seven in rural Andalucía. Her pursuit of art brought a meditative calm to her life but with no connection to the art world, Céspedes did not show her work as she developed her unique style. Céspedes decided to infiltrate the artistic circle of Barcelona after years of solo creation. She joined the Agrupacion de Acuarelistas de Catalunya where masters helped her see the liberating power of abstract watercolor, with its ebbs and flows. Céspedes’ work has been shown in more than 60 solo and collective exhibitions and awarded internationally. REPRESENTATION Artplex Gallery, Los Angeles, CA, USA EXHIBITIONS 2023 "Fluid Histories, Culture and Style", Artplex Gallery, Los Angeles, CA 2022 "The Optics of Vision", Artplex Gallery, Los Angeles, CA 2021 Artplex Gallery, Los Angeles, CA 2019 The Other Art Fair, Brooklyn, NY The Other Art Fair, Los Angeles, CA Finalist in the 8th edition of the Premio de Pintura Barcelona, Barcelona, Spain 2018 Solo exhibition at Casa Usher Llibreters, Barcelona, Spain Work selected at LV edition of the Ynglada-Guillot Prize at Fundacion Vila Casas, Museo Can Framis, Barcelona, Spain 2017 Collective exhibition as part of Mini Print Internacional, Cadaqués, Spain Selected work at 15è Premi BBVA de Pintura Ricard Camí, Terrassa Selected work at LIV edition of the Ynglada-Guillot Prize at Vila Casas Barcelona, Spain Selected work at IV Bienal Internacional de nuevas técnicas en acuarela Caudete, Spain Finalist work at VIII Premio Fundación Barcelona Olímpica, Barcelona, Spain RESIDENCIES Agrupació Aquarel.listes de Catalunya, Barcelona, Spain Cercle Artistic Sant Lluc, Barcelona, Spain Escola Massana, Barcelona, Spain Escola d'Arts i Oficis de Barcelona, Barcelona, Spain Barcelona Academy of Art, Barcelona, Spain Scuola internazionale Di Grafica, Venice, Italy...

"Daniel #1" is a graphite drawing by Rick Sindt. The two figures, one naked, one fully clothed, are standing in a doorway inviting the viewer in. The graphite is reminiscent of the...

Aprender a caminar y salir del pozo I, 2022 Ivan Castiblanco From the series Aprender a caminar y salir del pozo gravitacional Ink on paper book Image...

Village is an original drawing in China ink on paper realized by an Anonymous artist of the XX century. The State of preservation is very good wit...

Lighthearted Illustration of Outdoor Pursuits This one being cross country Snow Shoes signed "W. Steig" Provenance: from Mrs. Joseph B. Ryan, Commissioned by ...

This miniature drawing may be displayed on a wall or worn on a chain. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

This is an original India ink, graphite, chalk, and pen on paper drawing by Hunter Stabler measuring 14.25”h x 20.25”w framed. The piece ships in the pictured frame. Hunter Stable...

Dimensions w/Frame: 11 1/4" x 9 1/4" Gary Panter was born in Oklahoma and raised in Texas. He studied painting at the East Texas State University and moved t...