Inkjet Drawings and Watercolor Paintings

Carl Andre Handwritten Letter to the Artist's Parents, 1974 Letter handwritten with black marker on postmarked, stamped postcard (hand signed by Carl Andre) Boldly signed @ - the art...

Original drawing signed and dated in pencil by Aubrey Penny, Hyle Reflection series #6008, July 1971 Aubrey Penny (American 1917-2000) was...

Wayvox, 1986 Ballpoint pen on paper 11 x 8-1/2 in. (27.9 x 21.6 cm) Signed, titled, and dated, lower margin At the heart of Bousfield's work lies a lyrical celebration of color and ...

Original drawing signed and dated in pencil by Aubrey Penny 1971 from Reflection series #6021. Aubrey Penny (American 1917-2000) was an innovative Califo...

This is an original drawing on paper by Hunter Stabler measuring 12”h x 12”w x 2.5”d framed. The piece is made from graphite, ink, transfer paper and Gelly Roll® pen on paper. Hunter Stabler was born in Jefferson City, Missouri and was raised in upstate South Carolina. He received a BFA in painting from The Maryland Institute, College of Art and an MFA in painting from the University of Pennsylvania. He is currently pursuing an MFA in Digital Art at Louisiana State University. His work has been widely exhibited across the United States and internationally including exhibitions at the Morbid Anatomy Museum in Brooklyn, NY, The Shelburne Art Museum in Shelburne, VT, the Hunterdon Art Museum in Clinton, NJ, and the Islip Art Museum in East Islip, NY. His hand-cut paper artwork has been published in the books High Touch: Tactile Design and Visual Explorations, Push Paper, Strangers in the Nest (a book of Poems by Anselm Berrigan, Letterpress printed with images accompanying each poem), and published in Laminate Magazine, First Look Magazine, and American Craft Magazine. He was named “Philadelphia’s Next Hot...

Figures is an original drawing in blue ballpoint pen on ivory paper realized by Danilo Bergamo in 1962. Not signed. Good conditions...

CARL ANDRE Untitled Drawing, 1984 Felt tip pen, marker and stamp on Postmarked (franked) card to Lynn Charles Foster 3 3/5 × 6 1/10 inches Hand-sig...

The series of drawings is called Starfall. I was inspired by space, the starry sky, clouds and natural phenomena. I also like to play with linear rhythms and spots of color. Paintin...

I See Future 2, 2020. Smoke, coffee, ballpoint pen and pastel on ivory Rosaspina fabriano paper In the 'I see...' series, Actofel Ilovu’s latest body of prints, the artist draws on ...

Shanthi Chandrasekar has been trained in the traditional art forms of Kolam and Tanjore-style painting. While many of her works are influenced by her Indian heritage, her true inspir...

Sara Eichner wants to create a space where point of view can not be fixed. Optical games stand in for the struggle to comprehend the complexities of seeing. Using simple drawing tools and paper, she engages a systematic process that branches into new forms as they meet if / else junctures in the work. The series grow iteratively, engaging perception as a subject and a means. To begin, she creates a grid of converging lines in perspective to establish a basic unit of pictorial space. That bound unit: lines and perspective; becomes the foundation for building complexity. Variables such as repetition, color, incremental rotation, inversion, concentration and dispersion are applied. Properties of the initial unit are subverted and transformed. Play between solidity and transparency, mass and lightness, concentration and diffusion, slows down perception. A build up of marks aggregates into optical mixtures and resolves into patterns created by processes of rotation and layering. These patterns and binary relationships emerge slowly. The networks of lines converge and disperse creating multiple visual paths through fields of structured accumulation. Her very human hand leaves behind texture that animates the final artifacts of this process. Sara Eichner is a graduate of Kenyon College (BA) and Syracuse University (MFA). She has had solo exhibitions at PPOW and Sears Peyton...

Shanthi Chandrasekar has been trained in the traditional art forms of Kolam and Tanjore-style painting. While many of her works are influenced by her Indian heritage, her true inspir...