Large Nude Drawings and Watercolors

Juventus 1995-96 - The Embrace of Victory Artist: Marco Silombria (Savona, 1936 - Albissola, 2017) Medium: Charcoal on paper Dimensions: 101 x 72 cm Signed: Lower right, "Si...

These recently discovered 1983-84 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

Artist: George Grosz, German (1893 - 1959) Title: Sex Scene in Red Shoes (Erotic) Year: circa 1940 Medium: Watercolor, Pen and Ink on Paper, signed Size: 17...

Jose el velezolano Sabado 25 de junio, 2016 by Celso Castro Crayon and pastel on cardboard Image size: 40 H in. x 29 in. W Unframed ____________ Undefined by medium, Celso Castro’s...

This work was intentionally torn and mended. It predates the artist's full immersion, years later into torn and re-pasted collages, using ripped previous drawings and paper-based materials from media. These recently discovered 1984 oversize drawings on archival papers were created working quickly, from a live model. The series shows the last existing observational drawings prior to the artist's switch to working with her non- dominant left hand. As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...

Duchándome, May 22nd / Duchandose, May 27th-Duchandome/Duchandome En Cuerpo Ajeno 2018 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.75 in. W Overall Size: 39 in. H x 27.5 in. W Both works are one of a kind Unframed Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Rich Seated 2 is a contemporary nude painting by Judith Brenner. This is an original drawing from life on paper using acrylic, pan pastel , ink and watercolour pencil. The idea is t...

Artist: Lowell Nesbitt (1933-1993) Title: (Male Nude) Untitled, 1973 Year: 1973 Medium: Graphite on Artist's Board Size: 40 x 30.25 inches Condition: Excellent Inscription: Signed & ...

Pastel on paper. Signed lower right. Presented in a painted wooden frame.

Nude Laying Over the Edge of the Bed in Pastel on Paper Elegant pastel composition of a nude woman by an unknown artist (20th Century). The model is laying on her back, with her hea...

Drawn from life this model is obviously at ease which has allowed Angela to present a relaxed and subtle figurative work. Her colors are warm and this is a beautiful, graceful piece....

A new coffee table book has just been released titled "Poster Child" The Psychedelic Art & Technicolor Life of David Edward Byrd. This original drawing is featured on page 104 of the...

Really well executed male study Charcoal on paper. Matted Drawing in good order Image 25" x 18". matted 33" x 25"

"Entangled", large scale drawing pencil and ultramarine tempera on paper, inspired by Matisse. Couple in love, part of Nude in Interior series. Shipped rolled in a tube, from Florid...

Sliced Venus. Original art, signed 100x70cm / 30x27in, ink, graphite, tempera on paper. large size, shipped rolled in a tube Drawing has on the back 2 white wood sticks, and it's rea...

John Emanuel . English ( b.1930 ). I Can’t Stay Away From You. Watercolor & Ink. Signed Lower Right. Image size 28.3 inches x 19.9 inches ( 72cm x 50.5cm ). Frame size 35.2 inches x...

Artist: George Grosz (1893-1959) Title: Man and Woman with Lamp Year: circa 1940 Medium: Pen and Ink on Paper, signed l.r. Paper Size: 23.5 in. x 18 in. (59.69 cm x 45.72 cm) Frame ...

"Silence", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube. Size 39x27.5in /100x70cm Free shi...

This mixed media on paper is a subtle study of the model, soft and flowing. Angela was born in 1946 and studied art at Kingston Art College, London. Her early career was predominan...

Edwin Carrillo, 24 de junio, 2016 by Celso Castro Charcoal on cardboard Image size: 40 H in. x 29 in. W (Erase signature with white paint) Unframed ____________ Undefined by medium...

Duchándome and Pity June 4th, by Celso Castro-Daza From the Duchándome Series Watercolor, ink, and pastel on archival paper. 1. Duchándome 2. Pensando & recordando a Luis Caballero...

Signed, dated and numbered “Picasso / 3.2.67 / II” (upper right) Crayon on paper Hailed among the fathers of modern art, Pablo Picasso possessed a seemingly e...

Set of 4 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on archival paper 1. Duchándome May 22nd 2. Duchándose, May 27th 3. Duchándome May 28th 4. Duchándose, May 27th Overall Size: 39 in. H x 27.5 in. W Individual size: 19.5 in. H x 13.75 in. W Unframed 2018 Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

"Summer Blue", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted ...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

These recently discovered 1984 oversize nudes on mylar and/or archival papers were created working quickly, from a live model. The series shows the last existing observational drawi...

"Memories" Original art, signed 100x70cm / 30x27in, ink, graphite, tempera on paper, large size, shipped rolled in a tube. The drawing has 2 wooden pieces attached on the back, up an...

"Private Moment", 39x27.5in / 100x70cm, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. Free shipping for items over $500 with 1stDibs code. "Private Moment" is an exceptional addition to the "Nude in Interior" series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist's signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy. The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space. The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation. The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art. The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, "Private Moment" explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual. "Private Moment" is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the "Nude in Interior" series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work. "Private Moment" is an exceptional addition to the "Nude in Interior" series, offering a quiet, introspective narrative that exudes grace and serenity. The young female figure, seated on an elegant armchair, is rendered with the artist's signature ultramarine on ochre paper, a pairing that enhances the emotional depth and sophistication of the scene. The interplay between the figure, the armchair, and the background elevates this work to one of both elegance and intimacy. The composition is centered yet fluid, with the figure reclining gracefully within the ornate frame of the armchair. Her pose—relaxed but introspective—creates a sense of harmony between the human form and the architectural rigidity of the chair. The artist’s sweeping, gestural brushstrokes provide movement and energy to the static pose. The curves of the body mirror the chair’s decorative elements, emphasizing the unity between the figure and her environment. The suggestion of a room or interior space in the background, with its gridded linear patterns, contrasts the organic softness of the figure and the chair. This juxtaposition adds visual interest while grounding the scene in a lived, tangible space. The combination of ultramarine blue and warm ochre paper continues to be a defining characteristic of the series, but here it feels especially poignant. The vivid blue of the figure and chair stands out against the muted background, emphasizing their significance while allowing the ochre to imbue the work with warmth and subtlety. The cool blue tones evoke calmness and introspection, while the warm ochre creates a sense of comfort and intimacy. This duality reflects the subject’s private moment—a mix of solitude, peace, and perhaps quiet contemplation. The figure’s pose—sitting with one leg bent and her arms lightly embracing herself—suggests vulnerability and self-reflection. There’s a narrative of quiet introspection, perhaps even self-care, that invites the viewer into a deeply personal moment. The elegant, almost regal armchair adds an element of formality or tradition to the scene. This contrast between the casual nudity of the figure and the structured formality of the chair lends the piece a timeless quality, connecting it to historical depictions of the reclining nude in fine art. The armchair recalls the opulence of classical interiors, reminiscent of Rococo or Baroque aesthetics. However, the loose, gestural style firmly situates the work in a contemporary context, bridging historical traditions with modern expression. Like many works in the series, "Private Moment" explores themes of solitude, introspection, and the intimate relationship between figure and space. The title emphasizes the personal, unguarded nature of the scene, making it feel both universal and deeply individual. "Private Moment" is a poignant, beautifully composed work that encapsulates the themes of intimacy, elegance, and reflection central to the "Nude in Interior" series. The artist’s expert use of ultramarine and ochre, combined with their dynamic gestural technique, creates a scene that feels timeless yet deeply personal. This piece stands as a testament to the artist’s ability to balance classical influences with modern sensibilities, making it a captivating and thought-provoking work. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes, in a reversal of the male-artist/female-muse pattern, validate the feminine experience, defining myself through it. I was interested in how one experiences the body in a sensual form, and later focused on my own body, as I experience it myself, looking into the mirror and reconnecting. My work challenges the tradition of the nude by capturing my point of view, the gaze of a female painter, by using photography, drawings, sketches, and painting on canvas, for, both physical and psychological exploration. My art tries to create a visual language for emotion, beauty, feelings of intimacy and in the same time autonomy, captured with paint and vivid colors. My intense interest in color and the gestures of the brush strokes are the means I see and convey the subjects in space, as living, passionate beings." Paula Craioveanu

Body Double Original art, signed 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio The drawing has 2 wooden p...

"Sensory Experience", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube, from Florida, US. See 1stDibs free shipping offer FREESHIP Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

"Siesta", 100x70cm / 39x27.5in Nude in Interior, pencil and ultramarine tempera on paper, inspired by Matisse. Large drawing. Shipped rolled in a tube, from Florida, US. Check 1st Dibs offer FREESHIP coupon for items over $500. "Siesta" is a serene and visually arresting addition to the "Nude in Interior" series. It conveys a quiet intimacy and relaxation, perfectly encapsulated in its title. The reclining female figure, with legs elegantly extended upward, creates a sense of balance between stillness and subtle energy. The interplay of ultramarine tempera and the warm-toned paper once again demonstrates the artist’s ability to use limited color palettes to great emotional and visual effect. The ochre-like background provides a sunlit, tranquil atmosphere that pairs beautifully with the cool, calm energy of the ultramarine tempera. The artist’s choice of medium emphasizes contrast while imbuing the piece with a harmonious duality—warmth in the environment and coolness in the figure. The fluidity of the brushstrokes aligns with the theme of relaxation, while the vertical drips lend a dreamlike quality, as if the figure is melting into her surroundings. The looser strokes in the background contrast with the more defined lines of the figure, highlighting her as the focal point. The unconventional reclining pose, with legs extended upward, adds visual interest and a sense of lightheartedness to the piece. It suggests a playful yet completely relaxed moment, as though the figure is unwinding and stretching in the midst of a private, comfortable setting. The verticality of the legs and the drips juxtaposes with the horizontal lines in the background, creating a sense of structure and stability. This geometric balance anchors the composition and enhances the overall sense of calm. The artist has included abstract horizontal strokes in the background, reminiscent of blinds or a window. These subtle details suggest an interior space filled with sunlight and add depth without detracting from the figure’s prominence. The title, "Siesta," reinforces the narrative of rest and tranquility. The figure’s pose is unapologetically casual and unguarded, evoking the vulnerability and freedom found in moments of private repose. While other works in the series explore themes of introspection, passion, or desire, this piece focuses purely on physical and emotional relaxation. It offers a more subdued, meditative perspective, providing variety to the series while maintaining its stylistic coherence. The reclining nude is a recurring motif in art history, seen in works by Titian, Ingres, and Modigliani. However, this piece’s contemporary execution—fluid, minimalist, and abstracted—ties it more closely to modernist traditions, particularly the gestural energy of Egon Schiele or Matisse’s reclining nudes. The artist’s decision to leave much of the environment abstract enhances the piece’s timeless quality. The figure feels anchored in both a specific space (suggested by the window-like strokes) and an almost dreamlike, universal realm. "Siesta" is a masterful exploration of rest and serenity, demonstrating the artist’s ability to convey mood through form, color, and composition. The elegant simplicity of the figure, combined with the abstracted interior elements, invites the viewer to share in this peaceful moment. Its balance of gestural abstraction and classical themes makes it both timeless and distinctly modern. This piece is a beautiful representation of intimacy, calm, and the universal human experience of seeking rest. Artist Statement "I started by painting interiors, being interested in space and perspective through my studies. These scenes evolved, when I added the human figure. I focused more on the human figure and its relation to the background. The human figure is more present than ever in my paintings now. As a woman artist I’ve been preoccupied with the female form and its imagery. One of my goals was to capture the solitary moments and the nude’s relation to the surrounding space. My interest turned from depicting the space to rendering the atmosphere and the scene as a whole, the feeling a woman adds to the environment: warmth, desire, joy, a feeling of power and control, or the opposite – sadness, despair. Here is a collection of figurative paintings, exploring the nudes in interior spaces, seeing the nudes from my perspective, as a woman artist, considering the physical and spiritual realities of a woman’s body, in a new level of intimacy. My paintings are the opposite of objectifying a woman’s or a man’s anatomy. Painted works, featuring female nudes and a also men nudes...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Colorful image of a powerful woman enjoying the dance. This painting is in a series called the Wild Woman which is also printed in a pocket sized book. Watercolor, mixed media, usi...

Angela brings vibrant immediacy to her figurative paintings. She uses a depth of colour and bright outlines of her figures to emphasize shape and contours. In all her works Angela gi...

Bright and vibrant this mixed media on paper is a lovingly created study. Excellent condition Angela was born in 1946 and studied art at Kingston Art College, London. Her early c...

“Dreaming”, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted per...

"Summertime", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube. Artist Statement "I started by ...

Angela was born in 1946 and studied art at Kingston Art College, London. Her early career was predominantly spent designing sets and costumes for rock bands. This connection with the...

This mixed media on paper is a subtle study of the model, soft and flowing. Angela was born in 1946 and studied art at Kingston Art College, London. Her early career was predominan...

"Summertime", pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Large drawing. Shipped rolled in a tube. Artist Statement "I started by ...

Charcoal on cream laid paper mounted on board. 940x590 mm; 37x23 1/4 inches. Signed in charcoal, lower right recto. Unframed, The Paper has a slight ripple in the chest area. Four s...

A striking nude study in graphite showing a woman with her head buried in her arms, hiding her face. The artist has signed to the lower right corner and the drawing has been presente...

These recently re-discovered 1984 oversize pastels on archival papers were created working quickly, in pastel. The series shows the last existing obs...

Mortimer Luddington Menpes, 1855-1938, was an Australian born English painter, printmaker, illustrator and author. Menpes left Australia in his early twenties with his family and ca...

Dances. Paper, watercolor, 59x83.5 cm "Dances" is a watercolor artwork that portrays colorful figures dancing in nature. The medium used is paper, and the dimensions of the artwork ...

René-Paris Castaing, winner of the Grand Prix de Rome in 1924, left a large body of work, both sacred and secular. Many churches in the Pyrénées-Atlantiques, in South-West France still bear witness to the diversity of his talent. In 1942, he began a major decoration project for the Château de Diusse, in the north-east of the county, including an allegory of the four seasons. The vigorous pastel we are presenting here is a study for Spring, depicted as Flore undressing. This commission was a veritable swan song for the artist, who died a year later at the age of 47. 1. René-Marie Castaing, the great inter-war painter in Pau René-Marie Castaing was born in Pau on December 16th 1896. His father, Joseph Castaing, was also a painter: he was the official portraitist of Pau's high society, which was particularly cosmopolitan at the end of the century, when many rich foreigners spent the winter in Pau, taking advantage of the mild weather to enjoy an outdoor lifestyle punctuated by hunting, horse ridings and golf. René-Marie Castaing was admitted to the Ecole Nationale Supérieure des Beaux-Arts in Paris in April 1920 and entered the studio of Paul-Albert Laurens (1870-1934). In 1924, he was awarded the First Grand Prix de Rome for Painting, which earned him a stay at the Villa Médicis for more than three years. He then returned to Pau in 1928, where he lived until his death. Castaing's work is marked by the academic tradition, in which drawing plays as important a role as painting. Although his drawings are often sketches that help to set up large painted compositions, they stand as independent artworks in which the artist fully expresses the vivacity of his talent. Castaing was a fervent Christian and religious painting played an essential part in his work, as shown by the decorations he created for the churches of Bizanos, Borce, Bidache and Salies-de-Béarn. The painter also created several secular decorations, such as that for the dining room of the Villa Saint-Basil's in Pau in 1935, and the Hunting at the Albret’s time commissioned in 1940 by the Prefecture of Pau. The décor created in 1942-1943 for the Château de Diusse, a mansion located north-east of Pau, was his last large-scale décor, as the painter died shortly after its completion on December 8th 1943. 2. Description of the drawing Our pastel depicts an eminently secular theme: Spring is embodied by Flore, crouching on the ground with one knee touching the ground. She reveals her ample bosom by removing her shirt, her arms raised above her shoulders to undress. Given Castaing's classical training at the Beaux-Arts and the influence of ancient statuary...

Sutra, a Sanskrit word meaning “thread”, is a word or small group of words that summarize an entire complex web of ideas, truths, wisdoms, or teachings all woven together into a sing...

“Dreaming”, pencil and ultramarine tempera on paper, inspired by Matisse. Part of Nude in Interior series. Nude shown in a Victorian interior, in a cinematic view. In a distorted per...

Charcoal on paper, signed by the artist (upper right), and RA visitor L. Alma Tadema, RA., and dated (lower left), 76cm x 57cm, (64cm x 88cm framed). Olivier studied at the Royal Academy Schools from 1881, where this extraordinary display of drafting took place. Olivier exhibited extensively, including the Royal Academy starting in 1883, and the Paris Salon. He exhibited at the Fine Art Society in the 1880s and at the Grafton Galleries in 1908. An official war artist in the Great War, his work is included in the collection of the Imperial War Museum. It is also contained in many regional art galleries. Drawings of the nude, called academic studies...

Watercolor, mixed media, using resists. Janet Morgan’s explosive art captures the exuberance and deep wisdom we humans yearn to experience. Her sense of...

Watercolour and pencil on paper, 76cm x 51cm, (87cm x 61cm framed). Born in London to his renowned artist mother Elisabeth Frink RA and a French architect father, Michel Jammet, Ja...

Victor Cartagena Untitled, 2021 Charcoal and India Ink on paper Unframed dimensions: 30 x 22 inches Framed dimensions: 35.12 x 26.50 in

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

George Dureau is an icon in the history of New Orleans art. He was friends with Robert Mapplethorpe, and influenced Mapplethorpe's work greatly. Dureau often drew or photographed dwa...

Pastel on paper, signed (lower right), 50cm x 74cm (70cm x 92cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher...

graphite, conte crayon and charcoal on Arches paper 30 x 22 inches, 37.5 x 26 inches framed Custom frame with Natural wood molding, white 8ply mat, AR non glare glass Signed BEARD 20...

This watercolor has a photo certificate signed by the artist and will be included in his future catalogue raisonne. This has a complete subject compared to other drawings consisting...

This Charcoal drawing is made on toned paper with charcoal and chalk. The drawing is framed in a wooden gold frame with passe partout behind Clarity museum glass. The Italian artist Daniela Astone...