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Eduard BraunBiedermeier Period Academic Life Study Male Nude Half Kneeling Pose Circa 1826
$3,939.50
£2,895
€3,401.14
CA$5,412.20
A$6,042.22
CHF 3,166.03
MX$73,962.67
NOK 40,208.62
SEK 37,911.63
DKK 25,383.09
About the Item
Eduard Braun.
German ( b.1798 - d.1876 ).
Academic Life Study Of A Male Nude Half Kneeling Pose.
Pencil & Charcoal On Paper With Heightening.
Paper size 22.8 inches x 17.3 inches ( 58cm x 44cm ).
Frame size 29.9 inches x 24.8 inches ( 76cm x 63cm ).
Available for sale; this academic life drawing of a male nude is by the German artist Eduard Braun and dates from around 1826.
The drawing is presented and supplied in an interesting configuration with a modern twist (which is shown in these photographs). The drawing has been float mounted between two sheets of Tru Vue Museum Glass® UV99 so that the wall or setting behind the hanging is visible and therefore provides the surround for the artwork.
This antique drawing is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display.
The drawing is not signed but came from a portfolio of drawings by Eduard Braun.
This stunning original pencil and charcoal drawing on paper is by a German artist called Eduard Braun. He was born in 1798 and died in 1876, but little else is known about him apart from the fact that he was active in the Paris art salons and rooms.
This drawing is from a portfolio by this artist on a similar theme and is typical of the type of academic study undertaken by serious art students throughout the nineteenth century. One of the other drawings in this portfolio is annotated as being created in 1826 and there is every reason to think that this drawing is contemporaneous with that.
The drawing is of a very high standard, capturing both strength and sensitivity, showcasing the artist’s ability to reproduce a lifelike image of a nude model.
The subject of this drawing is a nude young man, possibly in his mid-twenties, with a toned and muscular physique. He stands with his weight over his right leg, which is bent and kneeling on a raised surface. The raised surface is covered in a plain white cloth, with folds and shading in detail. The model has his right arm raised over his head, with his elbow bent so that his fist touches the back of his head. His left leg and left arm are straight. He is facing fully towards the viewer, but his gaze is to his right. The background is bare, save for the shadow cast by the model.
This excellent antique decorative piece is mounted and framed in a specialised way which sets it off to wonderful effect.
© Big Sky Fine Art
- Creator:Eduard Braun (1798 - 1876, German)
- Dimensions:Height: 29.93 in (76 cm)Width: 0.99 in (2.5 cm)Depth: 0.99 in (2.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:This antique drawing is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display.
- Gallery Location:Sutton Poyntz, GB
- Reference Number:1stDibs: LU489314441882
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View AllBiedermeier Period Academic Life Study Male Nude Carrying A Staff Circa 1826
Located in Sutton Poyntz, Dorset
Eduard Braun.
German ( b.1798 - d.1876 ).
Academic Life Study Of A Male Nude Carrying A Staff.
Pencil & Charcoal On Paper With Heightening.
Annotation (presumably a dedication) Lower Left.
Paper size 24 inches x 16.5 inches ( 61cm x 42cm ).
Frame size 30.1 inches x 22.2 inches ( 76.5cm x 56.5cm ).
Available for sale; this academic life drawing of a male nude is by the German artist Eduard Braun and dates from around 1826.
The drawing is presented and supplied in an interesting configuration with a modern twist (which is shown in these photographs). The drawing has been float mounted between two sheets of Tru Vue Museum Glass® UV99 so that the wall or setting behind the hanging is visible and therefore provides the surround for the artwork.
This antique drawing is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display.
The drawing is not signed but came from a portfolio of drawings by Eduard Braun. This drawing has a later annotation and presumably a dedication in red ink in the bottom left hand corner. The annotation is the monogram HL within a heart. The configuration of the HL resembles the format used by the French artist Henri Laurens 1885 – 1954 where the downstroke of the L is merged with the second downstroke of the H.
This stunning original pencil and charcoal drawing on paper is by a German artist called Eduard Braun. He was born in 1798 and died in 1876, but little else is known about him apart from the fact that he was active in the Paris art salons and rooms.
This drawing is from a portfolio by this artist on a similar theme and is typical of the type of academic study undertaken by serious art students throughout the nineteenth century. One of the other drawings in this portfolio is annotated as being created in 1826 and there is every reason to think that this drawing is contemporaneous with that.
The drawing is of a very high standard, capturing both strength and sensitivity, showcasing the artist’s ability to reproduce a lifelike image of a nude model.
The subject of this drawing is a young man, possibly in his mid-twenties, with a toned and muscular body. He is standing with his weight on his right leg, which is slightly bent, and holding a wooden staff in his right hand. His left foot is raised slightly with the toes pointed, and his left hand is placed behind his back. Although he is facing fully towards the viewer, his gaze is to his left. He has pleasant, serene expression on his face. The background is bare, save for the shadow cast by the model.
This original antique drawing...
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Located in Sutton Poyntz, Dorset
Henry Arthur Roberts.
French ( b.1819 - d.1900 ).
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Pencil & Charcoal On Paper.
Paper size 23.8 inches x 13.6 inches ( 60.5cm x 34.5cm ).
Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ).
Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s.
The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs).
This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display.
The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts.
Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father.
Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style.
Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist.
Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA.
© Big Sky Fine Art
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Located in Sutton Poyntz, Dorset
Henry Arthur Roberts.
French ( b.1819 - d.1900 ).
Academic Life Study Of A Male Nude Carrying A Staff.
Pencil & Charcoal On Paper.
Paper size 23.4 inches x 13.6 inches ( 59.5cm x 34.5cm ).
Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ).
Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s.
The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs).
This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display.
The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts.
Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father.
Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style.
Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist.
Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA.
© Big Sky Fine Art
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André Charles Voillemot.
French ( b.1822 - d.1893 ).
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Located in Sutton Poyntz, Dorset
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French ( b.1891 - d.1950 ).
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Signed Lower Left.
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Frame size 29.3 inches x 24.8 inches ( 74.5cm x 63cm ).
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The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures.
The canvas and the painted surface have benefitted from cleaning and conservation, which was performed on our instruction, supervision and approval.
This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display.
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A later dedication to “Louise” dated April 1942 in the artist’s hand is set around the earlier signing.
Raymond Moritz was a French impressionist artist and illustrator. He was born in Paris on 8 July 1891. His family came from the Alsace region and were poor and Catholic. On his mother’s side, the Staubs were from Wihr-au-Val where they had been coopers for several generations. His uncle, Marie Clement Staub, was the founder in Canada of the Sisters of Saint Joan of Arc.
Moritz fought during the Great War in the Picardy region of the Somme with the 2nd machine gunner company. He won the French 1914-1918 War medal with bronze palm attachment, which signifies that the awardee was mentioned in dispatches at army level. Moritz obviously created some art during the war because during the inauguration of the new town hall in the town of Albert he was congratulated by the French President, Albert Lebrun, and the British press for the paintings he had produced. Albert was the main town behind the lines for the Allies on the Somme battle fields...
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