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Joyce Wieland
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1962

$1,750
£1,328.57
€1,519.60
CA$2,445
A$2,719.38
CHF 1,419.97
MX$33,091.94
NOK 18,135.24
SEK 17,007.66
DKK 11,341.36
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About the Item

Joyce Wieland (1931-1998) is one of the most accomplished and versatile Canadian artists. She achieved a level of commercial and critical success in her lifetime that was exceptional for a woman in her era in a male-dominated field. Wieland established new benchmarks for what was possible for a female artist to achieve. Notably, she was the first female artist to have a solo exhibition at the National Gallery (Ottawa) in 1971. Many of her innovative creations predate similar works by female artists of the late 20th century - Tracey Emin's crotchet works are one of several examples. Beginning in the 1960s, Wieland explored the role of women, the body, nationalism and relationships through a wide variety of media. She was a prolific illustrator and created many intimate works on paper which mocked common portrayals of women throughout history. The artist's work in this area was the subject of a major exhibition, Joyce Wieland: The Female Nude, held at the Art Gallery of Ontario in 2000. This drawing exemplifies Wieland's confident depictions intimate moments. Joyce Wieland's works can be found in numerous public collections across Canada including the National Gallery (London) and the Art Gallery of Ontario (Toronto) to mention a few.
  • Creator:
    Joyce Wieland (1931 - 1998, Canadian)
  • Creation Year:
    1962
  • Dimensions:
    Height: 7 in (17.78 cm)Width: 10 in (25.4 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Framed with museum glass Very good condition.
  • Gallery Location:
    Toronto, CA
  • Reference Number:
    Seller: 09-201stDibs: LU21526761132

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Joyce Wieland "Marie Antoinette"
By Joyce Wieland
Located in Toronto, Ontario
Joyce Wieland (1931-1998) is one of the most accomplished and versatile Canadian artists. She achieved a level of commercial and critical success in her lifetime that was exceptional for a woman during an era in a male-dominated field. Notably, she was the first female artist to have a solo exhibition at the National Gallery (Ottawa) in 1971 and the Art Gallery of Ontario (Toronto) in 1987. Although Wieland was an artist who was always drawing, she launched her career as a painter. Always experimenting, her art practice expanded to incorporate a range of media and materials, from textile works to film. In New York City, she was best known as an experimental filmmaker. In the mid 1960s Wieland began to embrace more representational and narrative elements in her work. Inspired by comic books, and her background in film as an animator, Wieland embraced figuration albeit clearly influenced by Pop Art. One of the reoccurring motifs in Wieland's oeuvre is playing with and subverting icons of femininity. In this work Wieland presents icons inspired by the French Queen Marie-Antoinette: a jewelry or hat box, a hairbrush, a medallion. The artist seems to be willing to give a make-over to the Queen. In the "nice medallion painting...
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