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Art Subject: Decor
Reclined Nude - Drawing by Sirio Pellegrini - 1960s
Located in Roma, IT
Charcoal and oil pastel on cardboard realized by Sirio Pellegrini in 1960s.
Hand signed.
Includes a wooden frame realized by the Artist. cm. 44x34.
Sirio Pellegrini, born in Rome ...
Category
1960s Contemporary Nude Drawings and Watercolors
Materials
Charcoal, Oil Pastel
French Neo-Impressionist Pointillist Reclining Nude Mid 20th Century Painting
By Louis Bellon
Located in Cirencester, Gloucestershire
Pointillist Female Reclining Nude
by Louis Bellon (French 1908-1998)
signed lower right
gouache painting on paper, unframed
measurements: 11 x 7...
Category
Mid-20th Century Pointillist Nude Paintings
Materials
Gouache, Watercolor
"Reclining Nude 2" Robert Gilberg 1950s Ink Brush Drawing on Japanese Rice Paper
Located in Arp, TX
Robert Gilberg (1911-1970)
"Reclining Nude 2"
c.1950s
Ink on Japanese rice paper with writing
21.75"x9.75 unframed
Signed in pencil lower right
Category
1950s American Modern Figurative Drawings and Watercolors
Materials
Ink, Rice Paper
Nude - Drawing by Sirio Pellegrini - 1960s
Located in Roma, IT
Charcoal and oil pastel on cardboard realized by Sirio Pellegrini in 1960s.
Hand signed.
Includes a wooden frame realized by the Artist. cm. 44x34.
Sirio Pellegrini, born in Rome ...
Category
1960s Contemporary Nude Drawings and Watercolors
Materials
Charcoal, Oil Pastel, Cardboard
Celebration - Drawing by Sirio Pellegrini - 1960s
Located in Roma, IT
Charcoal and oil pastel on cardboard realized by Sirio Pellegrini in 1960s.
Hand signed.
Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his...
Category
1960s Contemporary Nude Drawings and Watercolors
Materials
Charcoal, Oil Pastel
Nude Girl Epiphany Playboy Cartoon - Women's Liberation Moment
Located in Miami, FL
Richard Taylor is one of the great Cartoonists. He is celebrated for his dry sense of humor and skill in depicting people in subtle narratives. His instantly recognizable style is ...
Category
1960s Conceptual Nude Drawings and Watercolors
Materials
Ink, Watercolor, Gouache, Illustration Board, Pencil
Louis-Félix de La Rue (1730-1777) Putti playing around a sculpture, drawing
Located in Paris, FR
Louis-Félix de La Rue (1730-1777)
Putti playing around a sculpture, a mythological scene
Pen and brown ink on paper
15.4 x 31 cm
In good condition
The ancient mount has has a smal...
Category
1770s Old Masters Figurative Drawings and Watercolors
Materials
Ink
Three Nudes - Original Red Pen on Paper by Unknown French Artist Early 1900
Located in Roma, IT
Image dimensions: 10.5 x 15 cm.
Three Nudes is an original artwork realized by a French artist.
Original red pen on paper.
Passepartout included (cm 25.5 x 33).
Very good cond...
Category
Early 20th Century Modern Figurative Drawings and Watercolors
Materials
Pen
Sketch of Nude - Original Pencil Drawing - 20th Century
Located in Roma, IT
Nude Sketch is an original drawing in pencil on brownish paper realized by an Anonymous artist of the XX century.
With the stamp on the lower left " Moulin".
Very good conditions.
The artwork represents sketches of nude...
Category
20th Century Figurative Drawings and Watercolors
Materials
Pencil
'Reclining Nude', Bay Area Abstraction, San Francisco Museum of Fine Arts, CWS
Located in Santa Cruz, CA
Painted circa 1955 by Robert George Gilberg (American, 1911-1970) and stamped, verso, with certification of authenticity.
Born in Oakland, Robert George Gilberg first studied at the Oakland Art Center during the 1930s. Following service during WWII, he settled in Nevada City, California where he remained until shortly before his death in San Francisco. Gilberg exhibited widely and with success and was the recipient of numerous medals, prizes and juried awards, including at the San Francisco Museum of Fine Arts...
Category
1960s American Modern Nude Drawings and Watercolors
Materials
Paper, Ink, Watercolor
The Sun Dazzled the House with Light, gouache painting of female nude on yellow
Located in Dallas, TX
Beautiful original gouache paintings on Arches watercolour paper by Ellen Von Wiegand are float mounted and framed in white, all archival materials, and ready to hang. "The Sun Dazzl...
Category
2010s Contemporary Figurative Paintings
Materials
Gouache, Archival Paper
Blue Life - Painting - 2020s
Located in Roma, IT
Blue Life is an acrylic pouring painting on canvased cardboard realized by the Italian artist Amanda Ludovisi.
Hand-signed on the back.
The ...
Category
21st Century and Contemporary Abstract Figurative Drawings and Watercolors
Materials
Acrylic
Untitled - Contemporary mixed media drawing, Figurative, Monochromatic
Located in Warsaw, PL
ANTONI JANUSZ PASTWA (b. 1944)
Graduated from Academy of Fine Arts in Warsaw at the Faculty of Sculpture. Obtained his diploma in 1970. Between 1974-1981 he was an assistant at profe...
Category
2010s Abstract Figurative Drawings and Watercolors
Materials
Paper, Mixed Media
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A Fabulous 1945 Mid-Century Modern Cubist Drawing of a Standing Female Nude
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Located in Chicago, IL
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Strength - Tattooed Shirtless Man Holding a Purple Plastic Squirt Gun, Framed
By Bruno Surdo
Located in Chicago, IL
A muscular male torso with tattooed arms, holds a gun while gazing up towards the sky. The face is obscured but the viewer is drawn toward the taut, defined muscles. This piece is floated and framed in a simple black frame measuring 18.25h x 15.25w inches.
Bruno Surdo
Strength
charcoal on paper
11h x 14w in
27.94h x 35.56w cm
BRS113
Bruno A. Surdo
b. Chicago, 1963
EXHIBITIONS
2018 Liberation, Gallery Victor Armendariz, Chicago, IL
Blood Sport, Gallery Victor Armendariz, Chicago, IL
Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY
SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL
2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL
Coming Attractions, Gallery Victor Armendariz, Chicago, IL
2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL
Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL
2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL
Modern Metaphors, Rockford Art Museum, Rockford, IL
2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL
Vice + Virtue, Northern Illinois University Museum of Art
2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN
2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN
Uncensored, Ann Nathan Gallery, Chicago, IL
2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL
2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN
2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR
Creative Imaginings, Mobile Museum of Art, Mobile, AL
Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL
2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL
2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Art Chicago 2004, Ann Nathan Gallery, Chicago, IL
Group Show, Arcadia Gallery, New York, NY
Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA
Armory Show, New York Armory, New York, NY
2003 Paintings & Drawings, College of Lake County, Grayslake, IL
The Art Show, New York, NY
Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL
Art Chicago 2003, Ann Nathan Gallery, Chicago, IL
2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL
2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA
Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL
Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL
Art Chicago 2002, Ann Nathan Gallery, Chicago, IL
Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL
1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI
1995 Bruno Surdo: Recent Works, College of Lake County, IL
AIDS in Our Society, Loyola University, Chicago, IL
Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL
2001 Magic Vision, Arkansas Art Center, Little Rock, AR
Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL
1999 Group Show, Ann Nathan Gallery, Chicago, IL
1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL
1995 Spiritual Inquiries, Struve Gallery, Chicago, IL
1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL
Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL
SELECTED COLLECTIONS
The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art
Arkansas Art Center, Little Rock, AR
College of Lake County, Greyslake, IL
Flashpoint Academy, Chicago IL
John Robert Wiltgen Design
Shoemaker Ruud Collection
Julie & Thomas Danilek
Michael Vozzella and Mike Silver
Benjamin Fernandez
Tom Braake
Betsy Colburn
Michael Diemand & Lor LaRose
Michael Staab & Kathy Brock
Bruce Leep
Frank Tzurect
Mary Foley
Rosalyn Carlson
Mimmy Turney
Janet Long Halstead
Billy Hunt
Carol Galli
Myles Kerrigan
Honorable & Mrs. Edwin Berman
Theodore Gage
Northrop Art Museum
Past Present & Future Company
Dr. James & Peggy Kemmler
Salvatore Monastero
Nix & Virginia Lauridsen
Joel Miller
David & Marlene Zerkel
Ann & Andy Abel
Claudia Rush
Marc Miller
Leonard Goldberg
Lawrence Pucci
Howard Tullman Collection
Susan & Manny Kramer
James Rinnert
Richar Interiors
Michael & Nancy Colt
Khalid Altijir
Dr. Joe Grodman
Beryl & Jack Gore
Larry Wolf & Eric Naegle
Chuck Wolandi
Jack Schwab & David Sandelin
Thomas Kaczmarek
Marti Dinerstein
Craig & Michael Golden
Mike & Jill Rose
SELECTED PUBLICATIONS
Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog
An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment
“Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014
“Master Class” What’z Up Magazine, Fort Wayne, 2011
”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011
“Illuminated Images” Fort Wayne Reader, 2011
“Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010
“Art and Calamity” Art Papers, 2009
“Versions of the Present, Techniques of the Past” American Artist Magazine, 2004
“Living Artists” Crow Book Publishing, Chicago, IL 2004
“The New Master” by Craig Keller, Chicago Social Magazine, 2004.
“Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002
“Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002
Review by Dennis Raverty, Art Papers Magazine, July 2001
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French Vintage portrait of nude by Antoine Calbet - pastel signed
Located in PARIS, FR
Mint condition, vivid colors.
Free US CONTINENTAL shipping, incl Europe and Asia.
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'Bacchanal', Mid-century Pompeii, Roman Mythology, Bacchus, Neo-classical
Located in Santa Cruz, CA
Signed lower right, 'Gallo Giovanni' for Giovanni Gallo (Italian, 20th century) and dated 1954.
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Untitled
By Mark Beard
Located in New York, NY
Charcoal with red and white conté crayon on Rives BFK paper
Signed and dated, recto
This artwork is offered by ClampArt, located in New York City.
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The Captive, Study of a Naked Man, Red Chalk Study, Carracci Gallery
By Annibale Carracci
Located in London, GB
Red chalk on paper
Image size: 11 x 5 1/2 inches (28 x 14 cm)
Mounted
This 18th century drawing is after the work of the 16th Century Italian artist Annibale Carraci. This figure, along with many more, were painted by Carraci in the Palazzo Farnese in a space now known as the Carracci gallery. The Carracci gallery is considered as one of the most important Renaissance commissions in Rome. This figure, along with five other companions, were known as 'The Captives'. They were designed by the artist to appear trapped in the architectural spaces in the walls and sat around the fresco that featured Perseus and Andromeda.
Annibale Carracci
Annibale Carracci (1560–1609) was the most admired painter of his time and the vital force in the creation of Baroque style. Together with his cousin Ludovico (1555–1619) and his older brother Agostino (1557–1602)—each an outstanding artist—Annibale set out to transform Italian painting. The Carracci rejected the artificiality of Mannerist painting, championing a return to nature coupled with the study of the great northern Italian painters of the Renaissance, especially Correggio, Titian, and Veronese.During the 1580s, the Carracci were painting the most radical and innovative pictures in Europe. Annibale not only drew from nature, he created a new, broken brushwork to capture movement and the effects of light on form. His Two Children Teasing a Cat marks a new chapter in the history of genre painting.
The revolutionary potential of this new kind of painting would be taken up over a decade later by Caravaggio, who must have seen the Carraccis’ work while traveling from Milan to Rome in 1592.The Carracci saw themselves as heir to a great artistic tradition, and they consciously situated themselves within the history of northern Italian painting. Annibale and Agostino visited Parma and Venice to study the work of Correggio, Titian, Tintoretto, and Veronese. Their altarpieces and secular fresco cycles in Bologna reasserted a northern Italian emphasis on color, light, and the study of nature, but with a new focus on emotive communication. Their success led to Annibale being invited to Rome to work for the powerful Farnese family (1595). Ludovico remained in Bologna to direct the academy they founded. Through the next generation of painters—Francesco Albani, Domenichino, Guido Reni, Giovanni Lanfranco, and Guercino—Bolognese painting became the dominant force in seventeenth-century art.
In Rome, Annibale’s painting was transformed through his first-hand encounter with classical antiquity and the art of Michelangelo and Raphael. Individual scenes of ancient mythology are surrounded by an elaborate illusionistic framework with feigned statues, in front of which sit muscular nude figures seemingly lit from the actual windows (Galleria Farnese ceiling). The corners are opened to painted views of the sky. When unveiled in 1600, the ceiling was instantly acclaimed as the equal of any work in the past. In combining northern Italian naturalism with the idealism of Roman painting, Annibale created the basis of Baroque art. His only challenger in Rome was Caravaggio, whose relation with the past was combative rather than assimilative. Moreover, Caravaggio’s art...
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