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Giovanni ColacicchiDisegno figurativo italiano ritratto femminile della metà del XX secolo1950s
1950s
About the Item
Soggetto del disegno a penna è un ritratto femminile, con aria seria che contrasta con la pettinatura elegante e vaporosa, tipica degli anni '50, periodo a cui può essere datato.
Rientra nelle opere realizzate dall'artista durante un periodo in cui teneva corsi per gli stranieri, probabilmente legato a una prova dal vivo o ad un esempio per loro.
è firmato a destra Colacicchi.
- Creator:Giovanni Colacicchi (1900 - 1992)
- Creation Year:1950s
- Dimensions:Height: 13 in (33 cm)Width: 9.06 in (23 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Florence, IT
- Reference Number:1stDibs: LU1240214779252
Giovanni Colacicchi
The origins of Giovanni Colacicchi are tied to a rather important family: his grandmother Germana was a descendant of Caetani della Torre (in fact the artist signed his first works with the double surname Colacicchi Caetani) while his grandfather was the painter Scipione Vannuttelli. The radically catholic environment in which he grew up and the classical studies undertaken in his youth were fundamental, permitting him, in fact, a profound knowledge of religious texts and developing in him a strong interest in literature which accompanied him throughout his entire career.
Of Latium origins, he approached painting after his move to Florence in 1916 entering into contact with Garibaldo Cepparelli, Raffaello De Grada and frequenting the Caffe Giubbe Rosse, meeting place for the intellectual elite, where he met the man he would deem his real master, Francesco Franchetti. Many were his suggestions regarding painting, which ranged from Renaissance artists to Futurists, from Cézanne to Hans von Marées.
Colacicchi was endowed with a multifaceted personality and was always in search of new stimuli, engaging himself in various cultural and social activities. He took part, in fact, in many exhibitions in Italy and abroad, taught at the Academy of Fine Arts and many times fought in defense of the art and of its respect. He maintained friendships with prominent personalities in the art world and critics including Giorgio De Chirico, Libero Andreotti, Renato Guttuso, Carlo Del Bravo and Bernard Berenson, but also of literature like Giuseppe Ungaretti and Eugenio Montale. This inclination of his towards writing, manifested already in adolescence with his choice of a classical high school, accompanied the entire lifetime of Colacicchi, he dedicated himself also to poetic activity and founded in 1924 “La Rivista di Firenze” and in 1926 “Solaria”.
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In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party
On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later.
Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven".
The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial.
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