Pen Figurative Drawings and Watercolors

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Farmers in the landscape is a very beautiful pen and pastel drawing realized by Georges Conrad. The artwork is in very good conditions on paper. Georges Conrad (1874-1936) is a fa...

Techno-Forest, 2018 Ink and marker on paper (Signed and dated on lower front end) 11.61 H x 16.53 W in 29.5 H x 42 W cm The majority of Tara’s drawings are built on the idea of in...

Cyclop is an artwork realized by Ferdinando Codognotto in 2023. Black marker on paper. Handsigned and dated in the lower right part. 33x24 cm, no frame. Excellent conditions.

Dora Holzhandler. Girl in the Sea. French - British ( b.1928 - d.2015 ). Pastel and Felt Pen on Paper. Signed & dated 2007 lower right. Image size 10.8 inches x 8.3 inches ( 27.5cm ...

Pen and black ink on watermarked Ingres laid paper, 9 1/4 x 12 1/4 inches (234 x 310 mm), signed, dated and titled in brown ink, and initialed and titled in black ink in the lower ri...

This piece titled "14th Century Romanian Peasant" is an original artwork made from micron pen on bristol board by Kate Glasheen. This piece is shipped in ...

This original drawing by artist Ellen Williams is one in a series of elegant minimal nude studies, using a singular line to interpret the curves of a body. Ellen Mae Williams, artis...

Fine 18th century French School drawing of an oriental battle scene battle Scene This skilful drawing has been quickly and confidently drawn, it depicts oriental warriors in a battl...

An original 1946 drawing painted by Royal Academy artist Christopher Sanders. A fine example of a Modern British nude drawing by an artist who exhibited hundreds of times at The Roya...

This scene represents the acquaintance of the bride before marriage among the nobility. This scene is fictitious and has no specific temporal and historical prototypes. Nevertheless,...

Polly Mellen Forever, by Manuel Santelices Gouache and pen on paper Image size: 12 in. H x 9 in. W Unframed 2023 The worlds of fashion, society, and pop culture are explored throug...

Portrait is a Black Marker Drawing realized by an anonymous artist in the Mid-20th Century. Good conditions The artwork is through confident strokes.

Trees is a Black Marker Drawing realized by Reynold Arnould in the Mid-20th Century. Good conditions No signature. The artwork is through confident strokes.

Drawing size: 50 x 37.5 cm Paper size: 74 x 58 cm Sara Menon was born in 1985 in Palmanova and lives and works in Aquileia, in the province of Udine. She specialized in the restorat...

Beachcomber - Line Drawing Landscape in Ink on Paper Bold landscape line drawing by listed Maine artist Laurence Sisson (American, 1928-2015). A lone figure walks a shoreline carrying a tool towards a line of trees stretching towards the water. This drawing was likely a preparatory sketch for a larger painting. This piece is unsigned, but was acquired from David Sisson, the artist's son. Presented in a new black mat with foam-core backing. Mat size: 10"H x 13"W Image size: 4.25"H x 7.19"W Laurence Sisson, was a student of Herbert Barnett (1910-1972), he was one of America's preeminent realist painters today. His work may be found in the permanent collections of museums nationwide including the Museum of Fine Arts, Boston, and the Portland Museum of Art, Maine. Laurence Sisson painted landscapes for sixty years. He was known for his paintings of the Maine coast and landscapes of the southwest. His style ranges from plein air watercolors to large oil landscapes...

Tending the fields - Line Drawing Landscape in Ink on Paper Bold landscape line drawing by listed Maine artist Laurence Sisson (American, 1928-2015). Two figures bent over the field...

Monochromatic abstract figurative drawing by Houston, TX artist David Adickes. The drawing depicts a lady wearing a hat and a drawing of a pineapple on the right. Signed by the artis...

Monochromatic abstract figurative drawing by artist Emma Foster. This drawing depicts a cowboy with his horse. Signed by the artist at the bottom right. Framed in a beautiful two-ton...

Pink, sky blue, yellow, and black abstract modern figurative drawing by Houston, TX artist Charles Pebworth. The drawing depicts four nude women behind what appears to be windows. Si...

An expressive monochrome scene by Spanish artist Antonio Mari Ribas (1906-1974), depicting figures rushing past harbour masts. Signed to the lower right. Smartly mounted in a natural...

A striking monochrome street scene by Spanish artist Antonio Mari Ribas (1906-1974). Unsigned. Smartly mounted in a natural wood frame. With a printed gallery label verso. On paper.

An expressive monochrome scene by Spanish artist Antonio Mari Ribas (1906-1974), depicting figures in a busy market square. Signed to the lower left. Smartly mounted in a natural woo...

Black and white figurative drawing by Texas artist William Anzalone. The drawing depicts nude women dressing up. Signed by the artist at the bottom right. Framed in a beautiful black modern frame. Dimensions Without Frame: H 16.63 in. x W 21.5 in. Artist Biography: William Anzalone was born in Brooklyn, New York, in 1935. He was educated at the Massachusetts Institute of Technology...

Deeda Blair at Home, by Manuel Santelices Ink pen and watercolor on paper Image size: 12 in. H x 9 in. W Unframed 2023 The worlds of fashion, society, and pop culture are explored ...

André Derain ​ Madame Knaublich avec collier, Nu ​ ink, signed with estate stamp, 33 x 15.5cm Provenance: Atelier Derain; André Charlemagne Derain; the sale of Madame Raym...

Original pen and black ink drawing with watercolor wash in specific areas. Study of figures and animals intertwined. Signed vertically right side along with the artist’s initials lower right. The artwork is tabbed on top two corners to a heavy card backing. Circa 1965. Condition is good to very good. Under UV plexiglass. Framed in a contemporary silver gallery frame. Overall framed measurements are 16.5 by 19 inches. Provenance: A Sarasota, Florida estate. Craig Rubadoux...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Tenterden by Lucien Pissarro (1863-1944) Watercolour, ink, pen and coloured crayon 16.5 x 24 cm (6 ¹/₂ x 9 ¹/₂ inches) Signed with monogram and titled lower right Provenance: The Redfern Gallery...

"Tired Cowboy" by Michael Ome Untiedt, 10" x 8" Pen and Ink Western Art Sketch Drawing on Paper, Matted and Framed to 22" x 18", behind glass, rea...

A striking pen and ink illustration of a regal queen being fanned by an attendant in an exotic interiorlandscape. Well-presented in a complimenting contemporary frame. Signed and dat...

Wonderland Tale - Fairy Tale - Female Illustrator - The work is meticulously rendered in an exacting technique of line to the point of wonderment. Yet, Baxter can obtain an ethereali...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

This vigorous drawing has long been attributed to Polidoro da Caravaggio: The Abduction of the Sabine Women is one of the scenes that Polidoro depicted between 1525 and 1527 on the façade of the Milesi Palazzo in Rome. However, the proximity to another drawing inspired by this same façade, kept at the Ecole des Beaux-Arts, and to other drawings inspired by Polidoro kept at the Musée du Louvre, leads us to propose an attribution to Biagio Pupini, a Bolognese artist whose life remains barely known, despite the abundant number of drawings attributed to him. 1. Biagio Pupini, a Bolognese artist in the light of the Roman Renaissance The early life of Biagio Pupini, an important figure of the first half of the Cinquecento in Bologna - Vasari mentions him several times - is still poorly known. Neither his date of birth (probably around 1490-1495) nor his training are known. He is said to have been a pupil of Francesco Francia (1450 - 1517) and his name appears for the first time in 1511 in a contract with the painter Bagnacavallo (c. 1484 - 1542) for the frescoes of a church in Faenza. He then collaborated with Girolamo da Carpi, at San Michele in Bosco and at the villa of Belriguardo. He must have gone to Rome for the first time with Bagnacavallo between 1511 and 1519. There he discovered the art of Raphael, with whom he might have worked, and that of Polidoro da Caravaggio. This first visit, and those that followed, were the occasion for an intense study of ancient and modern art, as illustrated by his abundant graphic production. Polidoro da Caravaggio had a particular influence on the technique adopted by Pupini. Executed on coloured paper, his drawings generally combine pen, brown ink and wash with abundant highlights of white gouache, as in the drawing presented here. 2. The Abduction of the Sabine Women Our drawing is an adaptation of a fresco painted between 1525 and 1527 by Polidoro da Caravaggio on the façade of the Milesi Palace in Rome. These painted façades were very famous from the moment they were painted and inspired many artists during their stay in Rome. These frescoes are now very deteriorated and difficult to see, as the palace is in a rather narrow street. The episode of the abduction of the Sabine women (which appears in the centre of the photo above) is a historical theme that goes back to the origins of Rome and is recounted both by Titus Livius (Ab Urbe condita I,13), by Ovid (Fasti III, 199-228) and by Plutarch (II, Romulus 14-19). After killing his twin brother Romus, Romulus populates the city of Rome by opening it up to refugees and brigands and finds himself with an excess of men. Because of their reputation, none of the inhabitants of the neighbouring cities want to give them their daughters in marriage. The Romans then decide to invite their Sabine neighbours to a great feast during which they slaughter the Sabines and kidnap their daughters. The engraving made by Giovanni Battista Gallestruzzi (1618 - 1677) around 1656-1658 gives us a good understanding of the Polidoro fresco, allowing us to see how Biagio Pupini reworked the scene to extract this dynamic group. With a remarkable economy of means, Biagio Pupini takes over the left-hand side of the fresco and depicts in a very dense space two main groups, each consisting of a Roman and a Sabine, completed by a group of three soldiers in the background (which seems to differ quite significantly from Polidoro's composition). The balance of the drawing is based on a very strongly structured composition. The drawing is organised around a median vertical axis, which runs along both the elbow of the kidnapped Sabine on the left and the foot of her captor, and the two main diagonals, reinforced by four secondary diagonals. This diamond-shaped structure creates an extremely dynamic space, in which centripetal movements (the legs of the Sabine on the right, the arm of the soldier on the back at the top right) and centrifugal movements (the arm of the kidnapper on the left and the legs of the Sabine he is carrying away, the arm of the Sabine on the right) oppose each other, giving the drawing the appearance of a whirlpool around a central point of support situated slightly to the left of the navel of the kidnapper on the right. 3. Polidoro da Caravaggio, and the decorations of Roman palaces Polidoro da Caravaggio was a paradoxical artist who entered Raphael's (1483 - 1520) workshop at a very young age, when he oversaw the Lodges in the Vatican. Most of his Roman work, which was the peak of his career, has disappeared, as he specialised in facade painting, and yet these paintings, which are eminently visible in urban spaces, have influenced generations of artists who copied them abundantly during their visits to Rome. Polidoro Caldara was born in Caravaggio around 1495-1500 (the birthplace of Michelangelo Merisi, known as Caravaggio, who was born there in 1571), some forty kilometres east of Milan. According to Vasari, he arrived as a mason on the Vatican's construction site and joined Raphael's workshop around 1517 (at the age of eighteen according to Vasari). This integration would have allowed Polidoro to work not only on the frescoes of the Lodges, but also on some of the frescoes of the Chambers, as well as on the flat of Cardinal Bibiena in the Vatican. After Raphael's death in 1520, Polidoro worked first with Perin del Vaga before joining forces with Maturino of Florence (1490 - 1528), whom he had also known in Raphael's workshop. Together they specialised in the painting of palace façades. They were to produce some forty façades decorated with grisaille paintings imitating antique bas-reliefs. The Sack of Rome in 1527, during which his friend Maturino was killed, led Polidoro to flee first to Naples (where he had already stayed in 1523), then to Messina. It was while he was preparing his return to the peninsula that he was murdered by one of his assistants, Tonno Calabrese, in 1543. In his Vite, Vasari celebrated Polidoro as the greatest façade decorator of his time, noting that "there is no flat, palace, garden or villa in Rome that does not contain a work by Polidoro". Polidoro's facade decorations, most of which have disappeared as they were displayed in the open air, constitute the most important lost chapter of Roman art of the Cinquecento. The few surviving drawings of the painter can, however, give an idea of the original appearance of his murals and show that he was an artist of remarkable and highly original genius. 4. The façade of the Milesi Palace Giovanni Antonio Milesi, who commissioned this palace, located not far from the Tiber, north of Piazza Navona, was a native of the Bergamo area, like Polidoro, with whom he maintained close friendly ties. Executed in the last years before the Sack of Rome, around 1526-1527, the decoration of Palazzo Milesi is considered Polidoro's greatest decorative success. An engraving by Ernesto Maccari made at the end of the nineteenth century allows us to understand the general balance of this façade, which was still well preserved at the time. The frescoes were not entirely monochrome, but alternated elements in chiaroscuro simulating marble bas-reliefs and those in ochre simulating bronze and gold vases...

An original pen and ink by Barbara Macdonald 1892-1969, that was published on page 70 of the 1922 book, 'Princess Herminie and the Tapestry Prince,' written by Lee Ivatt. The second ...

The capitalist is an artwork realized by Mino Maccari in 1960s. Pen drawing with artist's monogram below. 9x11 cm; 11 x 15 cm with perspex frame. Good condtions. Mino Maccar...

CHARLES PERCIER (1764-1838) ELEMENTS D’ARCHITECTURE, AVEC LE SANGLIER BORGHÈSE Watercolour with pen & ink 29 x 20.8 cm Provenance: With Hazlitt, Gooden & Fox; Where purchased by Si...

The loose hash marks come together in this colored pen drawing taken from Bernini's sculpture titled "The Rape of Persephone" in the Galleria Borghe...

Todd Siler (American, b. 1953) Untitled, c. Late 20th Century Pen/ink on paper Framed: 32 3/4 x 24 in. Signed verso The following, submitted August 2005, is from the artist. The Am...

Todd Siler (American, b. 1953) Untitled, c. Late 20th Century Pen/ink on paper Framed: 31 x 25 in. Initialed lower left: T.L.S. The following, submitted August, 2005, is from the ar...

Lynn Russell Chadwick, CBE RA (British, 1914-2003) Abstracted figure Ink pen and wash Signed and dated `Chadwick 66’ (lower right) 24 x 18.1/4 in. (61 x 46.3 cm.) Lynn Chadwick was ...

Hash marks come together in this colored pen study of a flayed figure. The quick and loose style evoke studies done in preparation for a larger piece. They often appear unfinished yet in reality, the artist reached a point with the study has served its purpose and he can then move on to producing the main work. This particular study is a copy of one that is hanging in La Speccola Museo in Florence, Italy. This piece is matted but unframed. Please contact the gallery for framing options. Christopher Ganz Flayed Wax-Cast Figure colored pens 10h x 13.50w in 25.40h x 34.29w cm CG0020 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

Small drawing (brown ink, pen on paper 16.5 x 19 cm; with frame 42 x 49 cm) depicting two characters of different ages:One is an old bearded man pointing out, the other is a young ma...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. Whilst Rock always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Cornucopia, 60x50cm, acrylic ink and acrylic paint on paper, 2011 Artwork Provenance: from the Artist Studio A certificate of authentication comes from Gallery Art 1821...

Luxor is a Color Markers Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a sheet of a notebook No signature, titled and dated on the lower ri...

Original pen and India ink drawing on heavy card stock of French soldiers on horseback by the well known French military artist, Edouard Detaille. Signed lower left and dated 1882. ...

Pen, ink, watercolor and wash on paper by André Dunoyer de Segonzac, France, 1922-1924. Boating on the Morin River. Measurements : with frame: 52.5x65x2 cm - 20.7x25.6x0.8 inches / without frame: 36.5x45 cm - 14.4x17.7 inches. Signed lower left "A. Dunoyer de Segonzac". Colors may vary slightly depending on your screen. The lighter band at the top and the bottom of the piece, visible in the first picture, is only due to the reflection in the protective glass. It does not exist. In its frame gilt with gold leaf and its protective glass. André Dunoyer de Segonzac was born in Boussy-Saint-Antoine (Essonne) July 7, 1884. After his schooling at high school Henri IV, as early as 1900, he attends classes at the National School of Fine Arts in Paris in free listener where he will befriend Charles Dufresne. In 1903, he enters the private studio of Luc-Olivier Merson. In 1907, he studies with Jean-Paul Laurens and attends the La Palette and Colarossi academies in Montparnasse. He meets Luc-Albert Moreau and Jean-Louis Boussingault with whom he shares a studio. His first drawings are published in 1908 in The Great Review and The Witness. Nearly indifferent to contemporary aesthetic revolutions, Dunoyer de Segonzac undertakes, with Jean-Louis Boussingault and Luc-Albert Moreau, to revive Gustave Courbet's realism by performing still lifes, nudes, landscapes, in a thick paste and masonry . In one of his letters to the painter Maurice Boitel, he wrote in the 1950s: "I have not forgotten the heroic period of the independents - when we were grouped around Paul Signac, the charming and valiant Maximilien Luce - in these barracks where the living and authentic Art was grouped outside the academic formulas - or literary and systematic tendencies - which were to lead to this abstract aesthetic of which the painting dies. " In 1908, he begins exhibiting at the Salon d'Automne and the Salon des Indépendants, with Paul Signac and Maximilien Luce. He befriends Apollinaire, Max Jacob, Raoul Dufy and Vlaminck. From this period, renting a house belonging to Signac, Dunoyer discovers the landscapes of Saint-Tropez, to which he will remain faithful and where he lived until the end of his life. He stays in Saint-Tropez only in the summer season. For the rest, he leads a real nomadic life, in search of the motive especially through the Île-de-France, the Grand Morin valley, Feucherolles, Chennevières-sur-Marne, Guyancourt, etc. "I also worked a lot on the banks of the Seine in Chatou, Bougival, Andrésy, Poissy and Triel that I particularly like, with its beautiful Gothic church that is reflected in the Seine and the high wooded hills that surround him", he will say. In 1910, he knows fashion designer Paul Poiret and meets Max Jacob, Raoul Dufy and Vlaminck. From 1910 to 1914, he travels to Italy, Spain, North Africa, and is interested in sport and dance...

Original watercolor paper 26x31cm 2023 hand signed

Viktor Schreckengost (American, 1906-2008) Bovine Watercolor and pen and ink on paper Signed lower right 7.5 x 9 inches 12 x 14 inches, framed The son of a commercial potter in Sebring, Ohio, Viktor Schreckengost learned the craft of sculpting in clay from his father. In the mid-1920s, he enrolled at the Cleveland School of Art (now the Cleveland Institute of Art, or CIA) to study cartoon making, but after seeing an exhibition at the Cleveland Museum of Art he changed his focus to ceramics. Upon graduation in 1929, he studied ceramics in Vienna, Austria, where he began to build a reputation, not only for his art, but also as a jazz saxophonist. A year later, at the age of 25, he became the youngest faculty member at the CIA. In 1931, Schreckengost won the first of several awards for excellence in ceramics at the Cleveland Museum of Art, and his works were shown at the Metropolitan Museum of Art, the Art Institute of Chicago, the Panama-Pacific Exposition in San Francisco, and elsewhere. By the mid-1930s, Schreckengost had begun to pursue his interest in industrial design. For American Limoges...

A man shadow is an artwork realized by Keziat, in 2023. Pen on paper. 49x43 cm with frame. Handsigned in the lower right margin. Born in San Severo (Apulia) in 1973, Italian ar...

Le Jardin Près du Port de Catania is a Watercolour and Color Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition and vivid colors. No Signatur...

The Bottle is a drawing artwork in Black Marker on paper realized by Italian Artist Giuseppe Scalarini (Mantova, 29 Gennaio 1873 – Milano, 30 December 1948). The state of preservati...

Hank approaches his artistic practice from a place of personal history and deeply personal experiences, paired with an exploration of cultural heritage, belonging and transformative ...

Portrait is a Watercolor and color Markes Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition included a white cardboard passpartout (49x35 cm). No si...

Hank approaches his artistic practice from a place of personal history and deeply personal experiences, paired with an exploration of cultural heritage, belonging and transformative ...

Animal is a Color Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a white sheet of a notebook No Signature. Reynold Arnould was born i...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. Whilst Rock always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: (A), 48x60cm, acrylic ink and acrylic paint on paper, 2011 Artwork Provenance: from the Artist Studio A certificate of authentication comes from Gallery Art 1821 photo credits, Isabel working, black and white shots, James Brown In Isabel's own words: Banana Boat...

Pen and brown ink drawing on paper. Writing on the back from the early '900 that describes the drawing as preparatory for decors and glass windows. There is also a paper label from a...