Pen Figurative Drawings and Watercolors

Pen, ink and wash Framed dimensions: 13 x 11 ¼ inches Drawn c.1765 Verso: a study of a hanged man Mortimer has filled this small sheet with action, depicting in the top right, Apollo and Artemis...

"Peek A Boo" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The piece is part of Lugo's mounted "Blackbooks" series paying tribute to blackboo...

Pen, ink and wash Framed dimensions: 9 ½ x 11 ¼ inches Drawn c. 1763 This small, powerful study shows St Jerome contemplating the bible with a cross and sk...

ARTIST— Juan Carlos Vazquez Lima Juan Carlos was born in Havana Cuba June 30th 1986. He Studied at Eduardo Garcia Delgado School of Art. He currently lives and works in Havana. PAI...

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

"Reminiscing" is an original piece by Sean 9 Lugo, known artistically for his murals and street art. The piece is part of Lugo's mounted "Blackbooks" series paying tribute to blackbo...

Signed lower left, 'A. Manganaro' for 'Antonio Manganaro (Italian, 20th Century), and titled lower center, 'Ability of the Working Classes to Enjoy Meals Under Humble Surroundings'. ...

Two elegant and leggy models are rendered and meticulously designed in this illustration for Geoffrey Beene. Miyake's composition is one model as two or two models as one. We see th...

Title: Coloured Portrait Of Smiling Man In Flat Cap On Toned Paper By Tony Herbert (1927-2024) Medium: Mixed media (pen, ink, and coloured marker/pencil) on toned paper, unframed Siz...

Pen & ink illustration depicting a famous French horse trainer by Peb c1960s Art Sz: 11"H x 7"W Frame Sz: 15"H x 11"W Pierre Camille Lucien Hilaire J...

19th Century Street Art - British children's book author and illustrator Edith Farmiloe depicts a waif-like girl - Cockney Gutter Imp - who is disheveled. The artist draws her i...

Walasse Ting 丁雄泉 CAT (original drawing), 1985 Original Ink and Marker on offset lithograph held in hardback monograph Hand signed and inscribed by the artist This is an absolutely gorgeous drawing of a cat by the pioneering Chinese-American-European artist Walasse Ting, who famously collaborated with Sam Francis and many other Ab Ex, Pop and COBRA artists. (He was the brainchild behind the legendary One Cent Life portfolio). Ting was also, famously, a cat lover, and is renowned for his expressive, colorful and gorgeous drawings of cats...

KAWS Unique Cloud Drawing, inscribed to Caroline Original drawing done in silver marker. Hand signed, inscribed and dated. Held in hardback monograph 11 × 8 3/4 inches Boldly hand s...

Charming pen & ink framed sketch depicting Mr Max Beerbohm (1872-1956) taking advantage of the English climate and amusing himself w/ a box of paints. S...

115 years after they were created, one can view these silhouettes differently than the artist’s intent. After all, the genesis of this work was an editorial illustration for Life Magazine to showcase elaborate women’s hats. They were done for a commercial assignment with a deadline, and picky editors were overseeing the final work. Today, they have a dual meaning. These charming silhouettes are abstractions as much as they are representations. Moreover, each one is a compact little gem stuffed with observational detail. Golden Age female illustrator Jesse Gillespie's mastery of technical skill, is apparent in minute details and composition. Young women, old women, pendants, necklaces, feathers, and laced vails all contribute to the works understated complexity. The identity of the subjects are revealed by small areas of exposed neck and chin. As the viewers eyes goes from left to right - all six silhouettes read as fashion hieroglyphs in a sentence with a visual rhythm and cadence. . Initialed JG lower right., Matted but not framed. Published: Life Magazine, March 17th, 1910. Provenance: Honey and Wax Bookstore ________________________________ From Wikipedia, the free encyclopedia Jessie Gillespie Willing (March 28, 1888 – August 1, 1972) was an American illustrator during the Golden Age of illustration. She was considered the foremost silhouette illustrator of her time, although she did traditional illustration as well. Willing illustrated for books and magazines including Life, The Ladies' Home Journal, Woman's Home Companion, Mother and Child, McClure's Magazine, Childhood Education, the Sunday Magazine, Association Men (the magazine of the YMCA), Farm and Fireside, Every Week, Children: The Magazine for Parents (which became Parents Magazine), and the American Magazine. She is perhaps most well known for her work for the Girl Scouts. Early life Willing was born in Brooklyn on March 28, 1888 to John Thomson Willing (August 4, 1860 – July 8, 1947)[1][2] and Charlotte Elizabeth Van Der Veer Willing (December 1, 1859 – March 4, 1930).[3] Thomson Willing was a noted illustrator and art editor. He was also well known for finding new artistic talent. Jessie Willing was the eldest of three children. Her brother Van Der Veer (November 30, 1889 – January 14, 1919), who died of pneumonia at the age of 29, was an advertising agent.[4] Her sister Elizabeth Hunnewell Willing (July 26, 1908 – August 15, 1991) was one of the first women to graduate from the Philadelphia Divinity School.[5][6] Elizabeth married the Rev. Orrin Judd, rector of St. Mary's Episcopal Church, on September 22, 1931, and was active in church work.[citation needed] The Willing family moved to the Germantown neighborhood of Philadelphia in 1901 or 1902. Jessie Willing attended the Stevens School, from which she graduated in 1905. She then went on to attend the Philadelphia Academy of Fine Arts from 1906 to 1907.[7][8] Career Willing used her middle name Gillespie as her professional surname. She also often signed her illustrations J.G.[9] The story goes that the art editor of Life magazine was in Thomson Willing's office when he was the art editor of the Associated Sunday Magazine syndicate. Thomson Willing had some of Jessie's artwork on his desk, which the Life editor saw and admired. He asked for the artist's information so that he could give her freelance work. Thomson Willing did not want to be accused of nepotism so he persuaded Jessie to use Jessie Gillespie as her professional name, which she did.[10][11] In addition to her extensive illustration work, Willing was also the editor of Heirlooms and Masterpieces from 1922 to 1931 and the art editor of Jewelers' Circular-Keystone from 1933 to 1939.[12] She specialized in jewelry publicity and advertising. In 1966 she won the Gold medal of the Printing Week Graphic Arts Exhibit in Philadelphia for her Christmas catalog for J.E. Caldwell Co., Philadelphia. Willing was a member of the Plastic Club of Philadelphia,[13] the American Institute of Graphic Arts (AIGA) and the National Arts Club of New York.[14] She was an honorary life member of the National Arts Club[15] and served on its Board of Governors from 1941-1970. In 1963, she received the Gold Medal of the National Arts Club in recognition of 32 years of selfless devotion.[15] Additionally, she was the national director of the American Institute of Graphic Arts (AIGA) from 1943 to 1946.[15] Previous to this she served as the Program Chairman of the AIGA and in that position she put together a travelling exhibit on the "history of narrative art from the first recorded picture story to the comic book of the twentieth century."[16][17] Illustrations in books With Tongue and Pen--Frederick Bair, et al. (MacMillan, 1940) Masoud the Bedouin--Alfred Post Carhart (Missionary Education Movement, 1915) The Path of the Gopatis--Zilpha Carruthers (National Dairy Council, 1926) The Schoolmaster and His Son: A Narrative of the Thirty Years War--Karl Heinrich Caspari (Lutheran Publication Society, 1917) On a Rainy Day--Dorothy Canfield Fisher and Sarah Scott Fisher (A.S. Barnes and Co., 1938) Book of Games for Home, School and Playground--William B. Forbush and Harry R Allen...

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Listing includes framing with UV plexi, free shipping and a 14 day return policy. Ed Templeton Untitled (Sunset Tower Hotel), 2019 Image size: 11 ...

Drawing size: 50 x 37.5 cm Paper size: 74 x 58 cm Sara Menon was born in 1985 in Palmanova and lives and works in Aquileia, in the province of Udine. She specialized in the restoration of paintings and wooden sculptures in Mantua, a profession she still pursues today, while continuing to experiment with other art forms such as painting, sculpture and illustration. Her passion and activity as a naturalistic and scientific illustrator began in 2002, when she collaborated with medical examiner Gianpiero Ceci, producing a series of anatomical-surgical plates to accompany her publications, mainly related to the field of obstetrics and gynecology. In 2010, through the European Institute of Design in Milan, she had the opportunity to meet and get to know the illustrator Massimo Demma, who allowed her to refine the method and painting techniques used in scientific investigation and the rendering of natural data, as well as further knowledge in the field of naturalistic illustration. She had the opportunity to publish some naturalistic plates for the publishing house Il Prato...

Figures is a black marker Drawing realized by Mino Maccari (1924-1989) in 1960s. Hand signed on the lower margin. Good condition on a yellowed paper. Mino Maccari (Siena, 1924-Rom...

Medium: Pen & Ink, Watercolor on Vellum Overlay on Board Signature: Signed Lower Left This piece is on 22.00" x 14.50" illustration board with watercolor on vellum overlay. The image measures to 14.00" x 13.00." Caricature by George Wachsteter (1911-2004) for the 1963 epic comedy blockbuster, `It`s a Mad, Mad,Mad, Mad World`, with stars in pursuit of hidden loot. The madcap treasure hunters are (counterclockwise) Buster Keaton, Edward Everett Horton, Mickey Rooney, Buddy Hackett, Ethel Merman, Phil Silvers, Joe E. Brown, Milton Berle...

America's greatest female illustrator draws a heartwarming picture of a mother putting to bed her child. Motherly love towards their children is the artist's most iconic theme. This ...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for 1964 French movie `Umbrellas of Cherbourg...

“Yes, I find there’s nothing like a motor for giving me ideas for new dance steps.” Humorous illustration for Life magazine, published December 31, 1914 Signed lower left Lowell ...

This drawing titled "Roaring Fork Shelter, North Carolina, [ 35.805, -82.94978 ]" is an original artwork by Sarah Kaizar made of pen and ink, and acrylic wash. Drawing from her experience hiking the Appalachian trailing...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Drawing by George Wachsteter (1911-2004) for the 1962 release of the book `Fail-Safe`, depicting the Strateg...

Figures is a china ink Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand-signed on the lower margin. Good condition on a white paper. Mino Maccari (Siena, 1924-Rome, Jun...

The loose hash marks come together in this colored pen drawing taken from Bernini's sculpture titled "The Rape of Persephone" in the Galleria Borghe...

Medium: Pen and Ink on Illustration Board and Cardstock Signature: Signed Upper Right Caricature by George Wachsteter (1911-2004) for the 1945 Broadway show...

Pen drawing on paper realized by Mino Maccari in 1960 ca. Hand signed lower right. Very good condition except for a stain and a rip in the lower right edge.

Signed lower right, 'Vanessa Stafford' (American, born 1954) and dated 1982. Vanessa Stafford received her Bachelor of Science in Graphic Design from San Jose State University. She ...

Signed lower right, 'A. Manganaro' for 'Antonio Manganaro (Italian, 20th Century), and titled lower center, 'The Enduring Attractions of the Open Market'. Matted Dimensions: 16 x 20

Givenchy Paris Haute Couture fashion illustration c1980s No.72. with a gold fabric swatch attached Image Sz: 11 3/4"H x 8"W Frame Sz: 15 7/8"H x 12 1/2"W w/ lavender mat & green w...

Market pen drawing realized by Mino Maccari in 1940s. Hand signed in pencil lower right. Very good condition.

Title: Charcoal Portrait of a Woman in Profile Artist: Josine Vignon (French 1922-2022) Medium: signed black pen/charcoal on artists paper stuck on board, glass covered Size: 11 (...

Medium: Pen and Ink on Paper Signature: Inscribed and Signed

Medium: Pen and ink with pale color washes on paper Signature: Unsigned The label on the reverse details a conversation taking place between the wealthy father (Pater) and elegantl...

Sketches is an original pen drawing on ivory-colored paper, realized by the French artist Paul Garin (Nice, 1898-1963) in the 1950s. Black ink stamp on the lower-left corner: "Cath...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

This original illustration was used in Toby Tyler or Ten Weeks with a Circus by James Otis. Published in 1937 by The John C. Winston Company - "The Children's Bookshelf" series. The ...

China ink and watercolor drawing on paper realized by Mino Maccari in 1945 ca. Hand signed lower right. With a second sketch on rear. Very good condition.

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

A. E. Halliwell (1905-1987) Defending the Wicket Airbrush and pen 13 x 13 cm c.1930 Signed to the bottom right Provenance: Family of the artist A.E. Halliwell (1905–1986) was a Bri...

Original watercolor and pen drawing by the African American artist Vincent D. Smith. Signed lower right and dated 1966. Under glass. Condition is very good. The artwork is framed in...

Sketches is a modern artwork realized by Brunello Uloa Serena. The artwork consist in three sketches realized in pen. Includes frame

"Summer Time" is an original piece by Sean 9 Lugo made from acrylic, marker, ink on paper and mixed media on a decommissioned street sign .This pieces measures 41”h x 42”w and comes ...

Woman is an original modern artwork realized by the french Artist Florane (1871-1939) in the early 20th Century. Pen and pencil drawing on paper. Signature of the artist on the low...

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right On 20.00"x 15.00" illustration board with the image measuring to 11.50" x 9.00." The round portraits are paste...

Medium: Pen and Ink on Board Dimensions: 14.00" x 18.50" Illustration of a man and a woman playing cards. At bottom it reads "Of course you can tell fortunes with cards". This il...

"Doom" is an original piece by Sean 9 Lugo made from acrylic, marker, ink on paper and mixed media wheatpasted and collaged on decommissioned street sign. This piece features a portr...

Medium: Pen & Ink, Watercolor Paper Overlay on Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) of Steve Allen and a personalized jester stick for `Th...

Fish Net, 2020, gel pen paper, figurative, drawing, black, white, pink, blue, spider, web, ant

Medium: Pen and Ink on Illustration Board Signature: Signed Lower Right Caricature by George Wachsteter (1911-2004) for 1947 Broadway drama, `The Whole World Over`, starring Uta Hag...

"El Toro Loco" is an original, collaborative piece by Sean 9 Lugo and El Toro made from acrylic, marker, ink on paper and mixed media on a decommissioned street sign . The cartoon bull figure is recognizable in the Philadelphia street...

"No One Cares" is an original piece by Sean 9 Lugo "No One Cares" is an original contemporary wall-hanging artwork by Sean 9 Lugo, known artistically for his murals and street art...

"Talavera Series #1" New Mexico - June 24, 2022 Original Work Image Size: 17" x 14" in Framed Size: 25.75” x 28.75 x .5” in Signed on the bottom right hand corner by the artist. ...

"Talavera Series #1" New Mexico - August 2020 Original Work Image Size: 17" x 14" in Framed Size: 25.75” x 28.75 x .5” in Signed on the bottom right hand corner by the artist. C...

Black marker pen and watercolor on paper realized by Mino Maccari in the mid-20th Century. Hand signed. Very good condition except for some minor folds on edges.

This work is hand signed in ink by the artist "Feininger" at the upper right corner. Provenance: The Collection of Peter Kamnitzer. Peter Kamnitzer (1922-2016) was a renowned and r...

Opera is an original drawing in Pen and ink on paper realized by Olga Klein Astrachan (1907-1999). Good conditions except for a cutaway on the right margin, Hand-signed. The artwo...