Pen Figurative Drawings and Watercolors

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...

Maquette for L'Asino is an original mixed media drawing in pencil and pen realized by Gabriele Galantara, the state of preservation of the artwork is good. The artworks represent a ...

Trees is an Original China Ink and Pen Drawing realized by Gustave Pierre. Hand-signed by the artist on the lower right corner. Good condition included a white cardboard passpartout (48.5x32.5 cm). Gustave René Pierre...

View of Rome is an original drawing in pen realized by Luigi Montanarini in 1947. Hand-signed by the artist on the lower right margin. Passepartout: 48.5 x 65 Good condition excep...

[Mode Drawing] From Tutti studios - Coat Style Dress Original ink, pencils and felt pen drawing on drawing paper 29.7 x 21 cm (c. 12 x 8in) c. 1978 INFORMATION : Located Rue du Ren...

[Mode Drawing] From Tutti studios - Low-Necked Dress Original ink and felt pen drawing on drawing paper 29.7 x 21 cm (c. 12 x 8in) c. 1978 INFORMATION : Located Rue du Renard in P...

Nude of Woman is a violet marker Drawing realized by Mino Maccari in 1970. Hand-signed on the lower margin. Good condition on a little yellowed cardboard. Mino Maccari (Siena, 19...

Translated title: "Figure" Watercolor and marker on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, with no erasure. Th...

The Artist Get a Tan in an original pencil and pen drawing realized by Riccardo Origon in 1990. Good condition, except for some stains on the back. The little cardboard has a red o...

Luxor is a Color Markers Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a sheet of a notebook No signature, titled and dated on the lower ri...

Bruges is an original Black Marker and Watercolor on paper realized by an anonymous artist in the Mid-20th Century. Good conditions except for consumed margins and a small cut-away ...

The Broken Heart is an Original Drawing in pen on creamy-colored paper realized by Mino Maccari in the mid-20th century on a telegram paper. Good conditions. Mino Maccari (1898-198...

Road is an original blue China ink drawing on ivory paper by Anonymous Artist of the early 20th Century. In excellent conditions: As good as new. Unreadable signature on the lower ...

With his hands on his hips and a look of contemplation, Bemelmans, with a few lines, captures the essence of a top Chef. This is not a portrait of a specific individual but more of a...

Kiev is a Watercolour and Color Marker Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition and vivid colors on a sheet of a notebook. No Signature, ...

The Sparre/De la Gardie collection is one of Sweden’s most important collections of drawings. In 1969, upon the death of Pontus de la Gardie, the collection—comprising approximately ...

Bird is an original drawing in pen realized by a French Anonymous artist of the Mid-20th Century, the state of preservation of the artwork is good except for some foxing along the margins. Hand-signed on the lower left, illegible. The artwork represents the study of bird...

Framed Size: approx 17 3/4 x 20 3/4 inches Fred Conway (1900-1973) "Golf Bags, Caddy with Golf Bag on His Back" Pen/Ink/Watercolor on Paper Site Size: approx. 10 x 13 inches Framed Size: approx. 17 3/4 x 20 3/4 inches A member of the faculty of the Washington University Art School from 1929 to 1970, Frederick Conway...

Mixed media on paper Unique piece Combining felt pen and ink Hand signed

Tamer is a pen Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was...

Composition is a pen Drawing realized by Mino Maccari (1924-1989) in the Mid-20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, 198...

A. E. Halliwell (1905-1987) Defending the Wicket Airbrush and pen 13 x 13 cm c.1930 Signed to the bottom right Provenance: Family of the artist A.E. Halliwell (1905–1986) was a Bri...

Seductive Woman is a China ink Drawing realized by Mino Maccari (1924-1989) in the 1970s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16...

Landscape is an original drawing in marker, felt tip pen on paper realized by an Anonymous artist of the XX century. The State of preservation is very good with some folding on the...

Acrylic, watercolour, marker & ink on paper Maria Vanishvili is a Georgian artist born in 2004 who lives and works in Tbilisi, Georgia. She signa her...

The Meeting is an original drawing in pen and watercolor realized in 1933 by Gustave Bourgogne (1888-1968). Hand-signed and dated by the artist on the lower center. The artwork re...

Male portrait Sketched is an original drawing on paper, realized around the 1960s by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989). Black fountain pen ...

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

Figure in an Interior is an original pen drawing realized by Herta Hausmann. Good condition on a yellowed paper, tear hatching paper on the right margin. On the back of the paper t...

Bycicle is an original China Ink Drawing realized by Norbert Meyre. The little artwork on a yellowed paper is in good condition. No Signature. Norbert...

Expressive line drawing figure study featuring a group of figures in a classroom by David Rosen (Canadian, 1912-2004). Unsigned, but was acquire...

Firemen of the Communism is a Pen Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower. Good condition with slight folding. Mino Maccari (Siena, 19...

Portrait of a boy is an original drawing on pencil realized by Anthony Roaland in 1980. Hand-signed and dated by the artist on the lower right margin. In the foreground the boy is...

Nude is an original drawing in pen on ivory-colored paper realized by Anonymous Artist of the mid-20th Century. The state of preservation of the artwork is very good. The artwork ...

The Visit is a black marker drawing realized by Hermann Paul . Hand signed on the lower left corner. Good condition except for some foxing and yellowed paper . René Georges Herman...

Portrait of a boy is an original pen drawing realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. In the foreground the figure turne...

Arab Soldier is an original pen drawing realized by R. Legrand in 1880. Good conditions on a yellow thick cardboard. Hand-signed by the artist with a d...

Satiric Scene For l’asino is an original drawing in pencil and pen realized in 1910 ca. by Gabriele Galantara. The state of preservation of the artwork is good. The artwork with a ...

Smiling boy is an original pastel drawing realized by Anthony Roaland in 1980. Hand-signed and dated by the artist on the lower right margin. The boy is depicted with a delicate an...

The boy at the mirror is an original drawing pen realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. The artist represents the figu...

City view is an original artwork realized in the half of 20th century by Daniel Pipard (1914-1978). Permanent marker drawing on paper. Hand signed on t...

Archeologists is an original pen drawing realized by Brunello Ulloa Serena. Good condition on a brown paper, glued on a black cardboard. Mounted on a white cardboard passpartout (2...

Two Figures in Profile is an original modern artwork realized the half of the XX Century by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original black Charcoal on pa...

Portrait of Woman is an original etching realized by Francis Mockel (1940) Limited edition of some copies numbered and signed. Good condition, on a white little cardboard. Francis...

Woman with child is an original Drawing pen and watercolor on paper in pencil realized in the Mid-20th Century. In good condition. The artwork is depicted skillfully through confi...

In the Kitchen is a black pen drawing by Herta Hausmann. Atelier stamp on the back of the white paper. The drawing depicts a woman in her kitchen.

Medium: Pen and Ink on Illustration Board Signature: Signed Upper Left Drawing by George Wachsteter (1911-2004), of Sam Jaffe & Ruth Ford in the Broadway dr...

Architectural is a modern artwork by Gabriele Galantara (1865-1937) in the early 20th century. Pen and pencil on paper. Good conditions and aged with foxing and cutting. The work ...

Architecture is an original drawing in pen on creamy squared paper realized by Gabriele Galantara (1865-1937) in 1910s. In good conditions. This is an original drawing representin...

Farmers in the landscape is a very beautiful pen and pastel drawing realized by Georges Conrad. The artwork is in very good conditions on paper. Georges Conrad (1874-1936) is a fa...

Landscape is an original drawing in pen realized by Simon Goldberg (1913-1985). With the stamp Atelier Simon Goldberg on the lower left. With descripti...

Portrait is an original drawing in pen on paper, realized by the Italian painter Beppe Guzzi. Good conditions and aged except for some ripping and foxing along the margins which does not affect the image. This beautiful drawing represents a portrait from back...

"Coats of Arms" is an original drawing in pen and watercolor on paper, realized by an Anonymous France Artist of the XIX Century. The state of pre...

Abstract Composition is an original contemporary artwork realized the second half of the XX Century. Original black Charcoal on paper. Hand-signed in pencil by the artist on the lo...

Figures in the Museum is an original black and white drawing in pen on ivory-colored paper, realized by the french artist Bertrand Mogniat-Duclos. In very good conditions. This art...

Christ is an original drawing on paper in pen and pencil mounted on blueish Passepartout, realized by an anonymous Italian artist of the Early 20th Cen...

Paco Rabanne ( 1934 -2023 ) Grand couturier et parfumeur franco - espagnol . Il a marqué l'univers de la mode dans les années 60. En 1963 , Lauréat de la Biennale de Paris avec une s...

Translated title: "Character with flower" Watercolor and marker on high-quality cotton paper, which is handmade in Italy. This is part of an album. It's been drawn in one go, with ...

America's greatest female illustrator draws a heartwarming picture of a mother putting to bed her child. Motherly love towards their children is the artist's most iconic theme. This ...

Ganesh Pyne - Untitled - 8.25 x 11 inches (unframed size) Pen & Ink on Paper Inclusive of shipment in roll form. Style : Initially, Pyne painted watercolo...

Nude Female is an original pen drawing realized by Angelo Sabbatani (1922-1974). The artwork is in good conditions on a yellowed paper. Hand-signed by the artist on the lower left ...

Nudity of Woman is an original china ink drawing realized by Toti Scialoja, born Antonio Scialoja (Roma, 1914 – 1998) in 1943. The conditions of th...

Jean Dupas (French, 1882 – 1964) The angel of light Pen and ink and charcoal on paper 14.3/4 x 12.1/2 in. (37.5 x 31.8 cm.) One of the leading artists of the Art Deco period, Jean Théodore Dupas was the son of a merchant marine captain and began his adult life as a merchant seaman. Poor health meant that he had to abandon this career and he enrolled in art school instead, first in his native Bordeaux and later in Paris. He won the Prix de Rome in the category of painting in 1910 and studied at the Académie de France in Rome, from where he sent several paintings to the Paris Salons, although his studies were interrupted by the outbreak of war. Dupas’s work came to public prominence on the occasion of the seminal Exposition des Arts Décoratifs in Paris in 1925. He was chosen by the furniture designer Jacques-Emile Ruhlmann to provide paintings for the latter’s Maison d’un collectionneur, alongside furniture by Ruhlmann and objects by many of the leading Art Deco craftsmen of the day, while other paintings by Dupas were also displayed to great effect elsewhere in the Exposition. In the late 1920’s and 1930’s Dupas won a number of important and prestigious commissions. In 1926 he worked alongside Ruhlmann and the sculptor Alfred Jeanniot on the decoration of the tearoom of the ocean liner Ile-de-France; the first of the grand transatlantic ships to be built in France after the First World War. By this time Dupas had firmly established his reputation. Writing in 1927, his fellow artist George Barbier could already note that ‘Few artists have at such an early age attained such a degree of success, or gathered around them such swarms of imitators and disciples.’ Dupas reached the height of his fame in the mid 1930’s, and in 1934 he received his most important commission to date; a series of large glass murals...

Mid Century French feutre drawing on paper of a Provençal stable with horses by Jean Arène. Signed and dated bottom left and presented in a wooden frame under glass. This evocative...

Late Mid Century French feutre drawing on paper of a Provençal lady sitting in her kitchen by Jean Arène. Signed and dated bottom left. This artwork is a striking pen-and-ink drawing that vividly captures a cluttered interior scene filled with an assortment of teapots and household objects. The central figure, an elderly lady with an expressive face, sits at a table surrounded by an overwhelming array of details. The artist uses bold, dynamic lines to convey a sense of chaos and charm, creating an atmosphere of cozy clutter. The composition’s intricacy draws the viewer's eye around the room, showcasing...

Arman Hope for Peace, 1997 Original drawing done in permanent marker, held inside a softback monograph (Hand signed and inscribed to noted collector and philanthropist David Copley) ...

Ray Swanson (1937-2004) "Native American" Original Pen & Ink c.1960s Fine portrait of a Native American Indian by listed Western artist Ray Swanson. Dime...

Kenny Scharf Original drawing on Tony Shafrazi poster, signed and inscribed to Andy Warhol's last boyfriend Jon Gould, 1984 Permanent marker drawing on Kenny Scharf Tony Shafrazi Gallery exhibition poster (hand signed and inscribed by Kenny Scharf) Boldly signed and inscribed to Andy Warhol's last boyfriend Jon Gould Frame included: Framed in a museum quality wood frame with UV plexiglass. Measurements: Frame: 35 x 28.5 x 1.5 inches Print 28.25 x 22 inches Own a piece of Pop Art history! This is a unique drawing hand signed and inscribed by Kenny Scharf, done on a vintage collectible 1984 poster from the legendary Tony Shafrazi Gallery. If you saw "The Andy Warhol Diaries" on Netflix, you'd know about Warhol's relationship with Jon Gould - Andy's last boyfriend; tragically, Warhol would become Gould's last boyfriend as well, when, soon after, Gould would die of AIDS at the young age of 33 Kenny Scharf created an original drawing, done in marker, and inscribed it to Jon Gould (featured prominently in Andy Warhol's Diaries and the eponymous Netflix series) - and it had not been seen since the 1980s. Jon Gould was a New England educated former Vice President of Corporate Communications at Paramount Pictures - a Boston Brahmin whose real claim to fame was as Andy Warhol's last boyfriend. This work was acquired from the widely publicized sale of the collection of Jon Gould - -a treasure trove of valuable gifts and art works by Warhol and others like Kenny Scharf, Basquiat and Keith Haring to Gould - that had not been seen in nearly four decades. This is one of the works from that impressive sale. Below are links to two of the many articles about the collection of Jon Gould in the New York Times, Artnet News and the New York Post respectively. About Kenny Scharf: Kenny Scharf (b. 1958, United States) is a renowned artist affiliated with the 1980’s East Village Art movement in New York. Scharf developed a distinct and uniquely personal artistic style in paintings as well as sculpture, alongside his mentor Andy Warhol, and contemporaries like Jean-Michel Basquiat and Keith Haring with whom he pioneered contemporary street art. References to popular culture reoccur throughout his works, such as appropriated cartoon characters from the Flintstones and Jetsons, as well as imagined anthropomorphic creatures. Through ecstatic compositions and a dazzling color palette, Scharf presents an immersive viewing experience that is both intimate and fresh. Scharf’s multifaceted practice—spanning painting, sculpture, installation work, murals, performance and fashion—reflects his dedication to the creation of dynamic forms of art that deconstruct existing artistic hierarchies, echoing the philosophy of Pop artists. Yet Scharf’s artistic significance expands beyond the art historical terrain of Pop Art; the artist instead coined the term “Pop Surrealist” to describe his one-of-a-kind practice. His inclusion in the 1985 Whitney Biennial marked the start of his international phenomenon, a reputation that continues to thrive today. Courtesy of Almine Rech MORE ABOUT JON GOULD: Warhol wrote extensively on Jon Gould in his diaries. In July, 2022, when the Netflix series "The Andy Warhols Diaries" came out, the New York Post (among many other publications) ran a major feature article on Warhol's relationship with Gould and on this very sale: It reads, "When Harriet Woodsom Gould died in 2016 in her nineties, she left behind a trove of family heirlooms dating back to the 1700s in her Amesbury, Mass., home. Yet in her attic, she had a secret veritable shrine to pop art. There, she had stashed her late son Jon Gould’s belongings for decades since his death in 1986 from AIDS. He had vases painted by Jean-Michel Basquiat, works by Keith Haring and dozens and dozens of gifts — photos, valentines, sketches, letters and more — from pop god Andy Warhol. “My mother kept everything,” Jon’s twin brother, Jay Gould, told The Post. Jay knew his brother “had some type of relationship” with Warhol in the 1980s, though Jon always remained discreet about it. “We were very close, identical twins, but we never talked a lot about his sexuality,” Jay, now 68, explained. “It was a different time.” Yet, he was still stunned to read the poetry and love notes Jon wrote to the older artist. “I didn’t realize the relationship was as deep as it was.” Actually, no one really knew. Gould was Warhol’s last romance, a young Paramount executive with floppy hair and preppy good looks who died tragically at 33. And though Warhol frequently mentioned him in his famed diaries, published posthumously in 1989, the artist’s dashed-off musings gave the impression that Jon was more of a crush than a genuine partner...Gould didn’t so much enter into Warhol’s life as Warhol willed him into it. It was April 1981, and Warhol, then 52, was still reeling from his breakup with Jed Johnson... Jed left that December, and that spring Warhol confessed to feeling lonely: “I’ve got these desperate feelings that nothing means anything. And then I decide that I should try to fall in love, and that’s what I’m doing now with Jon Gould.” Gould was a 26-year-old Paramount exec: a New England WASP with a lithe, strong physique and charismatic personality, who looked straight. Warhol reasoned: “Jon is a good person to be in love with because he has his own career, and I can develop movie ideas with him, you know? And maybe he can even convince Paramount to advertise in Interview, too. Right? So my crush on him will be good for business.” Warhol began courting Gould with a vengeance, sending extravagant bouquets of roses to his office at Paramount. He even offered their mutual friend, the photographer Christopher Makos, a fancy watch if he could get Gould to be his boyfriend. “I guess he never got loved,” Makos says in the series. “Because I didn’t get my watch.” (Jay Gould also tells the camera that his brother had admitted that he was in a relationship but that he said they didn’t have sex.) At first, Gould resisted Warhol’s attention, but eventually the two began spending a lot of time together, though Gould would frequently pull away if things got too intense, and he often would tell Warhol not to write about him in his diary. “I think my brother was concerned about his career at that time,” Jay Gould said. But the younger man attended parties and art events with him, invited the artist skiing with his family in Aspen and even for a time moved into his place on 66th Street. “I love going out with Jon because it’s like being on a real date,” Warhol wrote early in their relationship. “He’s tall and strong and I feel like he can take care of me.” Yet it turned out that Warhol would have to take care of Gould. On Feb. 4, 1984, Jon was admitted to New York Hospital with pneumonia — though it was understood that he had AIDS. Warhol stayed with him in the hospital every night for the 30 days he was there, despite his fear of hospitals since getting shot and his fear of getting AIDS. (Warhol couldn’t bring himself to talk about Gould’s illness in the diary, but his editor notes that when Gould was released March 7, Warhol instructed his housekeepers to wash Jon’s clothes and dishes “separate from mine.”). Around 1985, Warhol began working on his massive series of 100 works based on Da Vinci’s “The Last Supper...

Black and white figurative drawing by Texas artist William Anzalone. The drawing depicts nude women dressing up. Signed by the artist at the bottom right. Framed in a beautiful black modern frame. Dimensions Without Frame: H 16.63 in. x W 21.5 in. Artist Biography: William Anzalone was born in Brooklyn, New York, in 1935. He was educated at the Massachusetts Institute of Technology...

The viewer 2022. Paper/mixed media, 19.3x14.8 cm Liga Kalnina Artist Liga Kalnina(1990) is born in Riga, Latvia. Her artist interests is mainly realistically based -landscapes, ...