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Sergio BarlettaThe Train - China Ink by Sergio Barletta - 1980s1980s
1980s
$778.79
£579.65
€650
CA$1,066.75
A$1,186.46
CHF 619.53
MX$14,437.97
NOK 7,912.38
SEK 7,420.42
DKK 4,948.22
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About the Item
The Train is an original China Ink Drawing realized by Sergio Barletta in 1980s.
Good Condition included a white passpartout (2x35 cm).
No signature.
Sergio Barletta is a cartoonist and illustrator Italian, born in Bologna on 1934. Makes his debut very young for the Saturday insert of the Gazzetta del Popolo Fuorisacco, and in the same years collaborates with various magazines as illustrator.
- Creator:Sergio Barletta (1934, Italian)
- Creation Year:1980s
- Dimensions:Height: 8.67 in (22 cm)Width: 11.03 in (28 cm)Depth: 0.08 in (2 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1291791stDibs: LU65039646052
Sergio Barletta
Sergio Barletta is an Italian cartoonist and illustrator who has also published some humorous and political satire books. From the age of 22, he was active in Rome, where he worked as an illustrator and art director in some monthly magazines like Costume, Diners ClubHouse Organ, BP Review, IBM and others. In 1965, Barletta started working with Marino Gallery in Rome; in 1966, in Milan, with Humour Graphics group; at Levi Gallery and others in the following years. During these years, Barletta's graphic work and illustration mixed with painting and photography, and also with satirical drawings for Rinascita, weekly of the Italian communist party; Azione Sociale, weekly of ACLI Catholic Workers Association; movie posters, advertising for Gucci, some writings for Popular Photography Italiana, layouts, writings and illustrations for Avinews, bimonthly for tour operators and so on.
During the 1980s, Barletta began a long collaboration with satirical weekly Il Sale, complemented by a book with Ottaviano Edizioni in Milan and other publications in Turin and Rome, all of satirical drawings. During this period he collaborated with linus, the most important Italian comics monthly, and Harakiri, a humor weekly published in France.
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