Stephen Namara

Pear

2025

Bronze warm sophisticated Passion Flower botanical watercolor crated by Adrienne Sherman, whose poetic floral series is at once modern, fresh and contem...

'Roses' original watercolor painted in 2021 in mainly red with pink, green and blue, from Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 years. Buk...

'Roses and Agapanthus' original watercolor painted in 2021 in beautiful shades of pinks and blues from Cleveland-born and educated Gary Bukovnik who has lived in California for over ...

'Tall Tulips' original watercolor painted in 2021 in subtle shades of pink with hints of yellow in a clear blue vase from Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 years. Bukovnik’s art conveys a monumental quality. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik fuses sensual vitality with fluid yet powerful colorations, creating floral images of great depth and intensity. The paper is 40 x 20 inches. Ships flat and unframed. Although professional framing is available upon request. This is a stunning and wonderful work of art from Gary Bukovnik. In 2003 and 2005, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist and provided him with a room and studio for six weeks. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. Solo exhibitions include Caldwell Snyder Gallery in San Francisco and in St. Helena, CA; Trajan Gallery in Carmel, CA; Campton Gallery in New York City; Concept Gallery in Pittsburgh, PA; Elins Eagles-Smith Gallery and A.C.T. Gallery in San Francisco, the Bonfoey Gallery in Cleveland and the Erickson Fine Art Gallery in Healdsburg. Other recent exhibitions have been organized by the Butler Institute of American Art, Youngstown, Paula Brown Gallery, Toledo, Neuhoff Gallery, New York; Lisa Kurts Gallery, Memphis; Irving Galleries, Palm Beach; Galerie Kutter, Luxembourg; the Southern Alleghenies. Museum of Art, Johnstown, Pennsylvania; Chin Show Cultural Center, Taipei; Takashimaya, Tokyo; the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh; and Brevard Museum of Art, Melbourne, Florida. Among the artwork displayed at the Brevard Museum of Art was a tapestry based on a Bukovnik watercolor and hand-woven in Aubusson, France by Atelier Raymond Picaud, weavers since the eventeenth century. Atelier Raymond Picaud has been at the forefront of progressive tapestry firms since the 1930s, focusing on images of modern artists such as Alexander Calder, Georges Braque, and Helen Frankenthaler. Bukovnik’s watercolors and monotypes are the subject of Flowers: Gary Bukovnik Watercolors & Monotypes, published by Harry N. Abrams, New York. This book includes a foreword by James J. White, curator at the Hunt Institute for Botanical Documentation; an interview with the artist by Robert Flynn Johnson, curator at the Fine Arts Museums of San Francisco; and an essay about Bukovnik and the depiction of flowers in art...

Tess Michalik Birfday Cake, 2023 oil on panel 25.5 x 30.25 in. (mic039AP)

MEDICINAL PLANTS, PAPAVER SOMNIFERUM L. (OPIUM), 2013 Tempera on paper 49,5 x 38,5 cm Born in 1967 in Trikala, she grew up in Athens, Greece, where s...

A single bud vase, a willow tree seeming to grow inside a confined vessel, all appearing to float upon a sea of moving water are the subjects of Christ...

Tree roots emerge from a vase to create a forest of trees in Christina Haglid's "Canopy". The artist invites the viewer to take a closer look at nature, to question what is seen and to enter into a newly created world. Meticulous in her execution, Haglid uses watercolor as one might use a colored pencil. Layer upon layer of color is added to achieve this impressively detailed painting. Christina Haglid Canopy watercolor and gouache on paper 11h x 8w in 21.75h x 18w in framed CMH033 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...