Armory Still-life Drawings and Watercolors

Rose 13 [2021] original Coloured pencil on 150gsm paper Image size: H:30 cm x W:20 cm Complete Size of Unframed Work: H:30 cm x W:20 cm x D:0.01cm Sold Unframed Please note that ins...

Antique Floral Still Life of Roses, Delicatly Rendered American, 19th/20th Century Signed: A. Ziffel 1906 (Lower, Right) " Still Life of Roses ", 1906 Watercolor and Gouache on...

Iris 7 [2021] original Coloured pencil on 150gsm paper Image size: H:30 cm x W:20 cm Complete Size of Unframed Work: H:30 cm x W:20 cm x D:0.01cm Sold Unframed Please note that insi...

Finely detailed historical figurative fashion illustration painted in watercolor in 1921, of a lady in 17th century dress; complete with a full blac...

Finely detailed figurative illustration of a young woman leaning against a fence. The woman is wearing a plaid dress and bonnet with a black ribbon. Some of the landscape has been il...

DOROTHY FITCHEW (1889-1975) “I Must Go Seek Some Dewdrops Here, And Hang a Pearl in Every Cowslip’s Ear.” Midsummer Night’s Dream, Act II, Scene I Signed l.l.: DOROTHY FITCHEW ...

Fruit basket is an original sketch pencil drawing realized by Serge Fontinsky (1887-1971) in the half of the 20th Century. Good conditions, minor cosmetic wear. Hand-signed on the...

(Photographed behind the glass of the frame, so please pardon reflections.) As you can see from the receipt, this fine drawing was originally purchased for $3,500 on Julia Row in New Orleans. A New Orleans legend, Franklin Adams moved to the city in 1958 to teach painting and drawing at Newcomb College. Over the following years, he applied his wide-ranging talents to architecture, set design, logo design and other diverse projects. He was good friends with Mignon Faget...

David Morrison's freshly bloomed Magnolia and Iris drawings further his play with artifice and hyperrealism. Cream and rose-colored blossoms seem to jump boldly from their branches. ...

Hummingbird IX 40x26 unframed Ink, Watercolor, Paper Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor & ink. He has honed his skills, clarified his vision, experimented, explored and expanded his expression steadily over the years, the results of which thus far culminate here. Clearly, Keith’s extensive travels have roots in the luminous quality of his work, eminently holding the utmost possibilities of beauty and significance. Keith’s most recent paintings explore a spiritual path, he integrates them with transformative healing energies and infuses his enthusiasm into these dynamic pieces that you see here today. GROUP EXHIBITIONS 2015 Renata Fine Arts, Hudson, New York 2013 @60″ New York, NY 2012 @60″ New York, NY curated sale with Harry Heisman 2011 KL/Karen Lynne Gallery, Boca Raton, Florida & Beverly Hills, California 2003 Dupont Gallery, Milwaukee Wisconsin 1994 Jack Shainman Gallery, New York, NY 1994 The Roger Smith Gallery, New York, NY 1993 Ambassador Galleries, New York, NY 1992 Elaine Benson Gallery, Bridgehampton, New York 1983 Manor House Gallery, Rhinebeck, New York SOLO EXHIBITIONS 2014 & 2015, 2010: C. Bell, Palm Beach, Florida 1995: Luxe Energy Aesthetics, West Palm Beach, Florida 1991: Time Warner Publishing, New York, NY 1990: Imperial Hotel Gallery, Chestertown, Maryland 1988 & 1987: National Symphony Show House, Washington, DC 1986: International Jumping Derby, Jockey Club, Newport, Rhode Island Elijah Locke House, Rye Beach, New Hampshire 1984: Washington Design Center, Washington, D.C. SELECTED CORPORATE COLLECTIONS Bovis Inc., New York, NY The Kiplinger Collection, Washington, D.C. The International Monetary Fund, Washington, D.C. Hopkins & Sutter, Washington, D.C. McKenna, Conner, & Cuneo, Washington, D.C. Oliver T. Carr Company, Alexandria, Virginia SELECTED PRIVATE COLLECTIONS RuPaul, Beverly Hills, California Kelly Klein, New York, NY Governor & Mrs. Bruce Sundlun, Providence, Rhode Island Mr. & Mrs. William Aylward...

Ellen Williams Anemone II Original drawing Pencil on 150gsm Paper Sold Unframed (Please note that in situ images are purely an indication of how a piece...

Graphite, ink wash and watercolor on handmade laid paper with a large, indistinguishable ovoid watermark with a bunch of grapes, 8 7/16 x 12 5/8 inches (225 x 320 mm), signed in brown ink in the lower left. With the Henry Scipio Reitlinger oval stamp in brown ink on the verso (Lugt 2274a). The condition of the image and paper is consistent with age, there is minor toning on the recto and some attenuation of the green pigment. The drawing is laid down to an 18th century laid paper support and has a small pencil notation in the lower right corner (modern), and scattered notations in pencil on the verso of the support (also modern, perhaps auction/accession notes). On the paper support is an ink drawing in red and black of what appears to be the floor plan for the wing of a large building. The drawing is top-up, adhered facing the verso of the drawing. The architectural drawing on the support is visible through to the recto of the composition when the sheets are viewed through raking light. There is a small area of stipple point spotting in brown ink on the verso of the support. Examination under black light shows no indication of repairs or additions, expert or otherwise. Provenance: Henry Scipio Reitlinger was born in either 1882 or 1885, attended Kings College...