Flower Still-life Drawings and Watercolors

Watercolor on handmade Richard de Bas "fleurs" paper Agnes Murray has an extensive exhibition history and she is represented in both private and public collections. Ms. Murray is a p...

APPLE BLOSSOM AND YEW is a new watercolor on Arches paper by Fleur Thesmar. This is part of a series by the artist examining the inherent geometry and co...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 9.75 x 14.75 inches Delightful early 20th centur...

This artwork "Flower in a Vase" c.1950 is a watercolor on paper by noted California artist Sara Ethel Kolb Danner, 1894-1969. It is signed at the lower right corner by the artist. The artwork size is 19 x 15.25 inches, framed size is 27.25 x 23.25 inches. It is custom framed in a wooden gold frame, with off white matting and gold color spacer. It is in excellent condition. About the artist: Born in NYC on Oct. 2, 1894. As a child Sara Kolb was taught to paint by her father who was an artist and student of Thomas Eakins. She grew up in Philadelphia where in 1917 she wed William Danner. The Danners moved from South Bend, IN to Santa Barbara in 1926 and remained. She studied under Henry Snell at the PAFA (the Sara Kolb Danner...

"Bleeding Hearts" is an original watercolor on paper by Sylvia Spicuzza. The artist stamped her signature on the lower right. This piece depicts a vine of bleeding heart flowers. A...

Signed lower right, 'Charlotte A. Morton' (American, 1885-1974) and painted circa 1955. A sensitive study of various blossoms including geraniums, lupin and catmint. A landscape painter and teacher, Charlotte Augusta Morton graduated from Kansas State College before continuing her education at the Art Institute of Chicago, the Art Students League of New York and the Pratt Institute. After moving to California and attending Stanford University where she received her Masters in Education, Morton taught at San Jose State College before moving to Monterey and joining the Carmel Art...

Flowers is an original orangish drawing in pastel realized by Gustave Bourgogne, Hand-signed by the artist on the rear. The State of preservation is good. Sheet dimension: 59 x 46 ...

Ellen Williams Anemone II Original drawing Pencil on 150gsm Paper Sold Unframed (Please note that in situ images are purely an indication of how a piece...

This wall-hanging painting titled "Be Here Now" is an original artwork by Melissa Lomax made of acrylic paint & colored pencils on wood. This piece measure...

HOPE is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30". The artist has written that in the spring of 2020, at the height ...

In this small painting, Sylvia Spicuzza presents the viewer with a simple trillium flower, the white petals framed by blue-green leaves. 4.5 x 8 inches, artwork 13 x 15 inches, fram...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Watercolor on paper

Signed (at lower right): FJK

Signed lower right, 'Beverly Fields' (American, 20th century) and dated 1988. Accompanied by a copy of the artist's poster from the same series. This listed California artist has exhibited widely and with success and is the recipient of numerous medals and juried awards. Beverly Fields first studied with Zoltan Szabo and later with Charles Reid...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Clean and detailed watercolor of blue flag irises by David Wang (Chinese-American, 20th Century). Signed in the lower right corner by the artist. Presented in a double mat of cream and light purple, and a wood frame with plexiglass. Image size: 20.5"H x 28"W David Wang is a native of Beijing, China. He gained his education from the Beijing Education College of China in 1984, where he learned various techniques in drawing, watercolor, oil painting, sculpture, graphic design, and Chinese watercolor. After receiving his Bachelor of Arts Degree, he became a fine arts teacher. During his eight years of teaching, he has taught hundreds of quality students, some becoming professional artists and cinematographers. Wang has also accomplished several major art and design projects, such as designing and creating an exhibit of the Terra-Cotta army warriors in the Forbidden City and interior designs for shopping plazas in Beijing. In 1988, David came to the U.S as a visitor scholar and studied at the University of Southern California in Los Angeles. After his studies in 1992, he continued his profession as a full-time artist. For twelve years, he had a successful career creating visual art for the Walt Disney Feature Animation Florida Studio. He worked as a senior background artist doing work from concept development to production final work. His work has achieved him credits on: "Pocahontas," "Mulan," "Tarzan," "Lilo & Stitch," "Brother Bear," and "The Princess and the Frog...

Ann Bridges Late Afternoon Sunshine (poppies) Contemporary Semi-Abstract Painting Oil based ink on board Image size: 59 x 75 cm Sheet size: 75 x 91 cm Framed size: 83 x 100 cm Sold F...

Signed (at lower right): FJK

An original airbrush painting by Shirrell Graves depicting a single Pink Peony Flower.

In this small painting, Sylvia Spicuzza presents the viewer with a simple trillium flower, the white petals framed by blue-green leaves. 10 x 7.25 inches, artwork 19.75 x 17.25 inch...

Signed (at lower right): FJK [partial]

Ann Bridges The Woods are Lovely, Dark and Deep Original Still Life Painting Oil based ink Image size: 27 x 27 cm Sheet size: 39 x 39 cm Framed Size: 43 x 43 cm. Sold Framed (Dark Gr...

MAGNOLIAS is a new acrylic painting on panel by Fleur Thesmar. The artwork measures 18x24". The artist has written about an epiphany she had studying tre...

White Flower Display in a Glass Vase by Henri Miloch (1898-1979) signed lower right watercolour painting on artist's paper, unframed sheet: 18 x 12 inches Charming still life pain...

Mary Reilly explores the full tonal depth of graphite in her nature drawings and landscapes. She finds all of the soft subtleties of gray as she shifts seamlessly from branch to pebb...

11"x14" pen and ink painting on paper with depicting long stemmed flowers and planks of wood with a defined wood grain. This drawing pairs elements of man...

Here for your consideration is a beautiful watercolor still life on heavy paper by the German artist, E. Riehle. Signed and dated lower right, 1903. In good condition with it's orig...

These elegant graphite dandelion drawings belie the rigor of their process. Once the surface of the paper is prepared, Glass uses a stylus to carefully delineate the lacy quality of ...

'April still life with speckled wood butterfly'. watercolour. 15" x 21" mounted on card 18" x 24". Looking at the colours of early spring: petals and flowers from my garden as spring...

"Vase of Flowers on Chartreuse Tablecloth" is a watercolor signed by Sylvia Spicuzza. This watercolor is of a simple flower arrangement. There are red tulips, blue, red, and pink chr...

Flowers in a bowl original watercolor English 1905 Signed with the initials JCB 1905 One of two we have by the same artist which is listed separately By an accomplished artist very w...

"Pink Poppy at the Front Door" is an original pastel drawing by David Barnett, signed along the lower left edge. The image features a single pink poppy in a patch of grass. Art size...

Joseph Stella was a visionary artist who painted what he saw, an idiosyncratic and individual experience of his time and place. Stella arrived in New York in 1896, part of a wave of ...

spring, flowers, bees, red and blue. Finally taking off your shoes and getting your feet outlander the sun. The illustration is that. I am dreaming, the flowers are ticking my feet, ...

11"x14" pen and ink painting on paper with depicting a flower and vines with planks of wood with nails and a defined wood grain. This drawing pairs elemen...

'Red Tulips in a Tall Vase' original watercolor painted in 2018. in mainly red and green with blue and yellow from Cleveland-born and educated Gary Bukovnik who has lived in Californ...

"Red Vase of Flowers on Orange Tablecloth" is a watercolor signed by Sylvia Spicuzza. This simple still life shows a vase on a table. Some of the flo...

Signed lower right, 'Kevin Elston' (American, 20th century) and painted circa 1985. A substantial watercolor still-life of orchids and a persimmon, arranged with other objects relat...

Flowers in a bowl original watercolor English 1905 Signed with the initials JCB 1905 One of two we have by the same artist which is listed separately By an accomplished artist very w...

Flowers illustration that brig you the joy, light, colors of summer

'Healdsburg Camelias' original watercolor painted in 2018. in pink, green with blue and yellow from Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 ...

Charles Demuth was one of the most complex, talented, and deeply sensitive artists of the American modern period. Whether he was painting floral still lifes, industrial landscapes, or Turkish bathhouses, art was, for Demuth, fraught with personal meaning. A fixture of the vanguard art scene in New York, Demuth navigated the currents of Modernism, producing some of the most exquisite watercolors and original oil paintings in twentieth-century American art. Demuth was born in Lancaster, Pennsylvania, the only child of a well-to-do family. He had an awkward and introverted childhood shaped by a childhood illness, Perthes, a disease of the hip that not only left him permanently lame, but, as part of the “cure,” bedridden for two years in the care of his mother. This long period of incapacitation had a deep impact on Demuth, who came to see himself as an invalid, an outsider who was different from everyone else. It was perhaps during this period of indoor confinement that his keen interest in art developed. Several relatives on his father’s side had been amateur artists, and, following his convalescence, his mother encouraged his artistic pursuits by sending him to a local painter for instruction. The majority of his early pictures are of flowers, a subject for which Demuth maintained a lifelong passion. Following high school, Demuth enrolled at the Drexel Institute of Art in Philadelphia, a school renowned for its commercial arts program. He advanced through the program rapidly, and, in 1905, at the encouragement of his instructors, he began taking courses at the Pennsylvania Academy of the Fine Arts. The two leading teachers then at the Academy were William Merritt Chase and Thomas Anshutz. Anshutz, himself a former student of Thomas Eakins, was well liked by his students, and is best known as the teacher of Robert Henri, John Sloan, and several of the other artists of the Ashcan School. Demuth, too, adopted a similar idiom, working in a controlled, realistic manner while at the Academy, where he remained until 1910. In 1907, Demuth made his first trip to Europe, staying in Paris. He spent time on the periphery of the art scene composed of the numerous American artists there, including John Marin and Edward Steichen. He returned to Philadelphia five months later, and immediately resumed courses at the Academy. Despite his introduction to advanced modern styles in Europe, Demuth’s work of this period retains the academic style he practiced before the trip. It wasn’t until he had summered at New Hope, Pennsylvania, in 1908 and 1911, that his style began to evolve. New Hope was a prominent American Impressionist art colony whose members were largely affiliated with the Pennsylvania Academy. Demuth dropped the conservative tone of his style and adopted a freer and more colorful palette. Although he remained based in Philadelphia, Demuth frequently went to New York during this period. Many of the same American artists of the Parisian art scene Demuth had encountered on his earlier European trip now formed the nucleus of New York’s avant-garde, which centered around Alfred Stieglitz’s 291 gallery. It wasn’t long before Demuth began to apply modernist-inspired strategies to his work. He was particularly influenced by the watercolor work of John Marin, also a former student of Anshutz, whose bold use of color in the medium Demuth freely adapted into looser washes of color. In 1912, Demuth again left for Paris, this time studying in the Académie Moderne, Académie Colorossi, and Académie Julian. In Paris Demuth met the American modernist Marsden Hartley. Hartley, a principal figure in the expatriate art circle, acted as a mentor to Demuth, and introduced him to the wide array of modern styles currently practiced in Europe. Hartley also introduced Demuth to many of the members of the Parisian avant-garde, including Gertrude Stein. Demuth was an aspiring writer, and he spent many hours in conversation with Stein. He wrote extensively during this period, and published two works shortly after his return to America. He also developed an interest in illustrating scenes from literary texts. From 1914 to 1919, Demuth produced a series of watercolors of scenes from books such as Emile Zola’s Nana and Henry James’s The Turn of the Screw. Upon his return to America, Demuth settled in New York. In 1914, Demuth had his first one-man show at Charles Daniel’s gallery, which promoted emerging modern American artists, including Man Ray, Rockwell Kent, Yasuo Kuniyoshi, Stuart Davis, and Max Weber. Demuth drew closer to the artistic vanguard in New York, becoming friends with many in the Stieglitz and Daniel circles, including Georgia O’Keeffe, Marcel Duchamp, Carl Van Vechten, and Edward Fiske. New York’s cosmopolitan atmosphere and active nightlife appealed greatly to Demuth. In a sketchy style well suited to watercolor, he painted many vaudeville and circus themes, as well as nightclub, café, and bathhouse scenes. Often with Duchamp, Demuth took part in an urban subculture replete with nightclubs, bars, drugs, and sexual permissiveness, which, for a homosexual artist like himself, allowed room for previously unattainable personal expression. Demuth’s pictures of sailors, bathhouses, and circus performers embody a sensual and sexual undercurrent, expressing the artist’s sense of comfort and belonging in the bohemian subculture of New York. Simultaneously, Demuth deepened his interest in floral pictures, painting these almost exclusively in watercolor. His style evolved from the broad color washes of his earlier pictures to more spare, flattened, and sinuous compositions, inspired by the drawings of Aubrey Beardsley and other artists of the Aesthetic Movement. Demuth’s flower watercolors are moody and atmospheric, sensuous and elegant, introspective and yet full of expressive power. Moreover they are beautiful, and are unequivocally among the finest still lifes in American art. Despite numerous subsequent artistic undertakings that led him in a variety of directions, Demuth never stopped painting flower pictures, ultimately adding fruits and other still-life objects to his repertoire. In 1916, Demuth began to develop a style later known as Precisionism, a form of landscape painting infused with Cubism, in which space is divided into precisely drawn geometric regions of color. Demuth first began to paint the landscape in an appropriated Cubist mode while on a trip with Hartley to Bermuda. In these early landscapes, in which the curvilinear forms of trees intersect the geometrically articulated architectural forms, Demuth explored ideas that shaped the future development of modernism in America. The full realization of Demuth’s explorations came after his return to America in 1917, when he turned his attention to industrial subjects. These works derive from a “machine aesthetic,” espoused by New York artists such as Francis Picabia, Joseph Stella, Albert Gleizes, and Duchamp, by which artists viewed machines as embodying mystical, almost religious significance as symbols of the modern world. Rather than painting the skyscrapers and bridges of New York as did most of his like-minded contemporaries, Demuth returned to his home town of Lancaster, where he painted factories and warehouses in a Precisionist idiom. The titles for these pictures are often contain literary references, which serve as clues for the viewer to aid in the decoding of the artist’s meaning. In 1923, Demuth planned a series of abstract “poster portraits” of his friends and contemporaries in the New York art and literary scene. In these “portraits,” Demuth combined text and symbolic elements to evoke the essential nature of his sitters’ distinguishing characteristics. In this fashion, he painted portraits of such artists as Georgia O’Keeffe, John Marin, and Arthur Dove. His most famous poster portrait, I Saw the Figure 5 in Gold...

Vibrant mid-century watercolor still-life of bright pink roses with petals falling on the table by Celia B. Michelena (American/Mexican, 1910-2006). Signed "Ce...

Signed lower left, 'M.E. Bailey' for Mike Bailey (American, 20th century) and painted circa 1980. A substantial, bravura study of red and pink lilies contrasted against a variegated green background. This notable American watercolorist has served has President of the National Watercolor Society...

"Red Tulips" is a litho-crayon, color pencil and graphite drawing by artist Emilio Sanchez. It is drawn to the paper edge and unsigned. "Emilio Sanchez Foun...

Love / Pink / Bouquet / Flowers / Couple / Pair / Family Angela A'Court says her soft pastel paintings are "about color, form and texture, play, interaction, and balance." Informed ...

"Iridescent Hybrid Rose" is an original acrylic and watercolor painting by David Barnett, signed in the lower left. The rose of the title is a vibrant red, perched atop a stem that g...

'Mademoiselle' is a sophisticated subdued, yellow and cream with green and brown still life orchid composition. The botanical watercolor created by a...

Highly detailed watercolor of an amaryllis blossom by Joe Yeager (American, early-mid 20th Century). Signed "Joe Yeager" in pen under one of the petals. Pre...

'Red Camelia' original watercolor painted in 2018. in vibrant ruby red and green from Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 years. Bukovni...

Watercolor of a pink rose with a stem on laid paper by Barbara Gibson (20th Century). Presented in a double mat in a modern silver frame. Signed "Barbara Gibson" and dated "1989" in ...

"Triple Studio Golden African Violets" is an original watercolor and iridescent acrylic painting on paper by David Barnett, signed and dated in the lower left. Three pots of colorful...