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Sylvia Spicuzza
"Vase of Flowers on Chartreuse Tablecloth, " Watercolor signed by Sylvia Spicuzza

c. 1950

About the Item

"Vase of Flowers on Chartreuse Tablecloth" is a watercolor signed by Sylvia Spicuzza. This watercolor is of a simple flower arrangement. There are red tulips, blue, red, and pink chrysanthemum in an transparent vase. Art: 12 x 9 in Frame: 17.25 x 14.25 in Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings, watercolors and prints from the 1920's to the 1990's. Her style ranges from early figurative drawings to regionalism, art deco, lyrical abstractions of every conceivable subject (both real and imagined), as well as figurative paintings that reflect the work of Picasso and Ernest Max in the 1930's and 1940's. Biomorphic and organic, Modernist images are presented with Sylvia Spicuzza's own unique sense of style, humor and fantasy. Exhibitions David Barnett Gallery, Milwaukee, Wisconsin Education Northwestern University, MFA, Illinois
  • Creator:
    Sylvia Spicuzza (American)
  • Creation Year:
    c. 1950
  • Dimensions:
    Height: 17.25 in (43.82 cm)Width: 14.25 in (36.2 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Milwaukee, WI
  • Reference Number:
    Seller: 5218d1stDibs: LU60535529182

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"Leaves & Berries" giclée print after ca. 1950s original watercolor and collage
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This still life is an unusual example of Sylvia Spicuzza's work, as most of her most significant output are geometric and biomorphic abstract images. The objects in the image - a sea shell, a pitcher, a heavy necklace - are objects the artist likely had at home and staged for the image. But of particular significance is the insertion of the artist's hand, as though she was reaching into the still life while she was painting. The hand has been a significant symbol of the artist throughout art history as a source of creation: Albrecht Dürer's 'Self Portrait at the Age of Twenty-Eight' (1500) highlights the artist's hand much like traditional images of Christ giving gestures of blessing. Likewise, Ernst Ludwig Kirchner's 'Self Portrait as a Soldier' (1915) shows the artist in military uniform but with a severed hand as a symbol of helplessness during the First World War. Another important comparison, given Spicuzza is a Midwestern artist, is Ivan Albright's magic realist work 'That Which I Should Have Done I Did Not Do (The Door)' at the Art Institute of Chicago. The massive painting...
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