Watercolor Still-life Drawings and Watercolors

Xiao Wen Xu's artistic practice is deeply influenced by her profound appreciation for the natural world. This artwork is part of her "Zinnia Bouquet" series. Through a masterful blen...

Red Tulip English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 15 x 13 inches Provenance: private collection, England. Condition: The drawing is...

Two Daffodil Stems English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The dr...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

A set of three fine hand painted botanical watercolour studies on silk of tulips by La Roche Laffitte. The works are signed bottom right. Some are titled and numbered (see photos) Th...

Dog-tooth violet Flower English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: T...

Peach Flower English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The drawing ...

This is an exclusive handprinted limited edition cyanotype. "Blue Moon" shows an outstanding full moon with all its details. Details: + Title: Blue Moon + Year: 2022 + Edition Size...

Marilla Palmer Intertwining Vines, 2025 watercolor, embroidery, pressed flowers, Durabright prints on Arches paper 30 x 22 in. (pal265) Marilla Palmer lives and works in Brooklyn, N...

Signed lower right, 'Olga' for Her Imperial Highness, Olga Alexandrovna, Grand Duchess of Russia (Russian, 1882-1960) and painted circa 1925. Provenance: Formerly in the collection o...

Wood Anemone English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The drawing ...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came t...

'Amaryllis Study no. 3' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and s...

Two Daffodil Stems English School, 19th century, indistinctly signed Medium: watercolour drawing on paper, glass covering Size: 13 x 9.5 inches Provenance: private collection, Engla...

Glenny created beautiful miniature watercolors, mostly still life. This image of a bronze teapot with red onions is a unique work of art. Glenora Rich...

Watercolor on heavy paper realized by Carlo Ravagnan in 1960s. Hand signed lower right. Excellent condition.

Sweet Violet Flower English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The ...

Here for your consideration is a beautiful watercolor still life on heavy paper by the German artist, E. Riehle. Signed and dated lower right, 1903. In good condition with it's orig...

Beautiful watercolor, pen and ink floral study of tiger lilies, with brilliant attention to detail and a signature delicate style, by California artist De...

'Composition with Tumbling Vases - Screen I', by Gary Bukovnik. Watercolor on mulberry, 28 1/2 x 68 inches, 2019. Hand painted folding screen created with watercolor on mulberry pape...

This delicate still life scene depicts an elaborate floral arrangement in a ceramic vase with fruits in the foreground, set against a scenic mountain backdrop. Well presented in an o...

A pair of fine hand painted botanical watercolour studies on silk of anemones by La Roche Laffitte. The works are signed bottom right. Both are titled. The silk has been mounted on h...

Potted Begonia, Watercolour on paper. Signed and dated '82. Well presented in a large gilt-effect frame with linen mount.

Xiao Wen Xu's artistic practice is deeply influenced by her profound appreciation for the natural world. This artwork is part of her "Zinnia Bouquet" series. Through a masterful blen...

August Frederick Biehle (American, 1885-1979) Abstract Floral Still Life Watercolor and pencil on paper Signed lower right 24 x 19 inches 29.5 x 24.5 inches, framed A versatile pain...

Silver Teapot and Petunias by Lu Haskew Watercolor 16x20" image size 24x28" framed as pictured, gold leaf, behind glass with archival matte Still life of flowers in pinks and whites ...

'Lily Study III' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. I...

Tangerines - sill life composition - exquisite highly contemporary still life drawing / mixed media work, created with watercolor and dry pigment and conte crayon on paper that is 30...

Serviceberry Blossom English School, 19th century Medium: watercolour drawing on paper, glass covering, framed Size: 12 x 8 inches Provenance: private collection, England. Condition...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Gouache on paper fabric design circa 1920 by French fauvist painter Raoul Dufy executed in dark blues and a deep red. Dimensions: Framed: 16"x12.5" Unframed: 11"x7.5" Provenance: P...

Still life. Paper, watercolor, 72.5x89 cm Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued her stu...

'The Terrace', watercolour on art paper, by Maurice Savin (circa 1950s). An inviting scene from the South of France depicts a quiet sun terrace on a balmy day with azure skies. The v...

"Yellow Cadillac" is an original watercolor painting by Bruce McCombs. The artist signed the piece lower right. It reatures a shiny yellow car with its doors open sitting on a suburb...

Machine Age Industrial WPA Era American Scene Social Realism Mid 20th Century Jo Cain (1904 - 2003) Elliot 17 ¼ x 35 ¾ inches Gouache on board, c. 1930s Signed lower left 27 x 46 in...

This series of works stems from the reflection on the value attributed to objects (metals and precious stones), established culturally and historically by society. By means of the tw...

Elisabeth Condon’s Memorial Flowers series reimagines the still life as a meditation on memory, impermanence, and renewal. Using gouache and ink, she stages vibrant floral arrangemen...

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Delicate watercolor, pen and ink floral study of a cyclamen blending into line drawing, with brilliant attention to detail and a signature delicate style, by California artist Debora...

Charming and brightly colored French Impressionist watercolor, depicting an interior scene in great detail with an antique desk full of books, a bouquet of sunflowers, and a doll by ...

Signed lower right: Henry B. Snell Provenance Private collection Born in Richmond, England, on September 29, 1858, Henry Bayley Snell was the son of Edward and Elizabeth Snell. At ...

Iris Watercolor on paper, c. 1920 Unsigned Provenance: Estate of the Artist Condition: Excellent, slight surface dirt Image/Sheet size: 15 x 10 1/4 inches Allen was trained in Boston...

Eve Nethercott, American (1925 - 2015) - Vase of Flowers (P3.25), Year: circa 1960, Medium: Watercolor on Paper, Size: 17.5 x 13 in. (44.45 x 33.02 cm), Description: Cast aga...

Abstracted still life by Les Anderson (American, 1928-2009). Unsigned, but was acquired from the estate of Les Anderson in Monterey, California. No frame. Image size: 20"H x 14"W. L...

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a pr...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed right. Excellent condition.

Katie DeGroot This Way More Than That, 2025 watercolor on paper 50 x 60 in. (groo121)

Charming still-life watercolor of a table setting by French artist JF Thomas, circa 1950. Signed lower right. Original artwork on paper displayed on a white mat with a gold border...

French concert poster style composition with violin and graphic musical elements (20th century) Mixed media on paper, unframed. Size: approximately 15.75 x 11.75 inches (height x wid...

Marilla Palmer Euphoria, 2025 watercolor, gold leaf, pressed flowers, sequins, holographic vinyl, Durabrite prints, mushroom spores, millinery velvet, stitching on Arches cold press ...

'Red Tulips in a Tall Vase' original watercolor painted in 2018. in mainly red and green with blue and yellow from Cleveland-born and educated Gary Bukovnik who has lived in Californ...

This delicate watercolour depicts a bird's nest containing eggs, nestled amongst pale primroses and scattered blossom. The artist has rendered the composition with meticulous detail,...

Wonderful and evocative watercolour on paper by the great Austrian-born artist who lived in the United States John Haymson (Vienna 1902 - New York 1980). This beautiful still life de...

Daffodil Bulbs English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The drawin...

Timeless Love: Twisted Gold Heart Pendant Duo Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed l...

'Mixed flowers in a green vase' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, ...

A still-life painting of wine and fruit by Charles Cobelle. This piece features more muted and neutral colors than his other works and bears his signature in the lower right front co...

Artist Comments
A squash and a chocolate-covered maraschino cherry rest on a green table. Split open, they reveal rich colors and textures in their cores. In this still life, a...

Mid Century Italian watercolour on paper of a tablescape, signed and dated (1956) bottom right. The artist is currently unknown. Presented under glass in original, period plain woo...

Soft Yellow Cowslips English School, 19th century Medium: watercolour drawing on paper, glass covering Size: 18 x 13 inches Provenance: private collection, England. Condition: The ...