Abstract Impressionist Drawings and Watercolor Paintings

“City Square with Equestrian Statue" By Maurice Mazeilie (French) Watercolour on paper, unframed Size: 5 x 7 inches (Height x Width) Stamped Verso Condition: Good - There are no noti...

itle: "Castle overlooking fields" Artist: Maurice Mazeilie (French) Medium: Watercolour on paper, unframed Size: 5 x 7 inches (Height x Width) Signed: No Stamped Verso: Yes Con...

“Park Scene with Building" By Maurice Mazeilie (French) Watercolour on paper, unframed Size: 4.75 x 7 inches (Height x Width) Stamped Verso Condition: Good - There are no noticeable ...

“Bridge Scene with Trees" By Maurice Mazeilie (French) Watercolour on paper, unframed Size: 7 x 8.25 inches (Height x Width) Stamped Verso Condition: Good - There are no noticeable f...

Title: "Village Scene Upon a Hilltop" Artist: Maurice Mazeilie (French) Medium: Watercolour on paper, unframed Size: 5.3 x 8.2 inches (Height x Width) Signed: No Stamped Verso: ...

“City Square with Equestrian Statue" By Maurice Mazeilie (French) Watercolour on paper, unframed Size: 5.5 x 7.5 inches (Height x Width) Stamped Verso Condition: Good - There are no ...

“Seaside Scene with Pier" By Maurice Mazeilie (French) Watercolour on paper, unframed Size: 5.75 x 8.25 inches (Height x Width) Stamped Verso Condition: Good - There are no noticeabl...

Judith Brenner Sophie Dancing 2 Original Nude Drawing Mixed Media on Paper Sheet Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indi...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: State of Grace Year: Circa 1990 Medium: Acrylic on paper Paper: Thick wove Size, image: 29.5 x 39.5 inches Size, ...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Circle Lime Year: Circa 1990 Medium: Acrylic on paper Paper: Thick wove Size, image: 29.5 x 39.5 inches Size, pap...

Artist: Sandra Phipps MacDiarmid (American, born 1937) Title: Afternoon Year: Circa 1990 Medium: Acrylic on paper Paper: Thick wove Size, image: 29.5 x 39.5 inches Size, pape...

Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...

A charming watercolour study by Alfred Henry Hart. Well presented in a wash-line mount and gilt-effect frame. Signed to the lower left. On watercolour paper.

Walks along the River Avon in Somerset. Estuary to the river in Bath and forking to The rivers beyond,. A journey of light, form, sound and essence. A generally graphic approach in ...

I have worked on a new series of small oil paintings. This is the one of them. This series is dedicated to the scenes of everyday life. This painting is called "Two avocados". Thi...

Maria C. Bernhardsson is a colorful artist who lives and paints in Sweden. Most of her works are influenced by the architecture and geometry of houses. Bernhardsson travels the world...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 10.75 x 8.5 inches condition: excellent provenance: all the paintings we h...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 14.75 x 11 inches condition: excellent provenance: all the paintings we ha...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 12.75 x 10 inches condition: excellent provenance: all the paintings we ha...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 9.5 x 12 inches Very good condition. Provenance: from the artist...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 12 x 14.75 inches Very good condition. Provenance: from the arti...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 9.5 x 13 inches Very good condition. Provenance: from the artist...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 9.5 x 12.5 inches Very good condition. Provenance: from the arti...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 8.5 x 10.5 inches Very good condition. Provenance: from the arti...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 8.25 x 11.5 inches Very good condition. Provenance: from the art...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 9.5 x 13 inches Very good condition. Provenance: from the artist...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 9.5 x 13 inches Very good condition. Provenance: from the artist...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 8.5 x 10.5 inches Very good condition. Provenance: from the arti...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 10 x 14 inches Very good condition. Provenance: from the artists...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 10 x 14 inches Very good condition. Provenance: from the artists...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 8.5 x 10.5 inches Very good condition. Provenance: from the arti...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 10 x 14 inches Very good condition. Provenance: from the artists...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 7 x 10.5 inches Very good condition. Provenance: from the artist...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 9.5 x 13 inches Very good condition. Provenance: from the artist...

Josine Vignon (French 1922-2022) signed lower left, Inscribed Verso. watercolour painting on artist paper, unframed 10 x 14 inches Very good condition. Provenance: from the artists...

Philip Laughlin (American, 1936-2024), Atelier Scene with Nude Figure, Pastel on Board, 1986, signed and dated lower left, signed and with Art Students League of New York label to re...

Trees Richard C. Karwoski, American (1938–1993) Date: 1984 Watercolor on Canvas, signed Size: 50 x 67 in. (127 x 170.18 cm)

Coffee Peloton XXXI by Eliza Southwood [2022] original Coffee on Paper Image size: H:59.5 cm x W:42.5 cm Complete Size of Unframed Work: H:59.5 cm x ...

Always inspired by nature, Ingrida Irbe makes the viewer feel the atmosphere of November. Brave expressive strokes convey the wind gusts, while bright warm colors allow to enjoy an i...

Sandy Litchfield found peace and inspiration in regular solitary walks through nature throughout the pandemic. Her most recent body of work diaristically documents her constitutional...

Oil on canvas, signed lower Left Gérard Altmann, né à Paris le 23 septembre 1923 et mort à Paris le 19 avril 2012, est un peintre français. Il est le p...

Carolyn (Arms raised to her head) Graphite on laid paper Unsigned Provenance: Estate of the artist by descent to his Grandson Depicts the artist's wife Carolyn. Most probably created in Nashville, Indiana Related to the painting entitled "Maiden" in the Haan Museum, Lafayette, IN (see photo) Condition: Excellent Archival framing with TruVue Conservation Clear glass Image size: 10 3/4 x 8 1/2 inches Frame size: 18 7/8 x 16 inches Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop, Griffith was a member and president of the Chicago Palette and Chisel Club. He made his first trip to Brown County...

Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art Thomas French Fine Art Ronald C. Sloter, Columbus, Ohio Columbus College of Art and Design (de-accessed) Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibition at the North Franklin Street Gallery. One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy, AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...