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View AllGivenchy Glam No.23
Located in Bristol, CT
Givenchy Paris (haute couture) hand-coloured fashion plate replete with a floral fabric swatch attached c1980s
Image Sz: 11 3/8"H x 8"W
Frame Sz: 16"H x 12 3/8"W
Category
1980s Drawings and Watercolor Paintings
Materials
Watercolor, Gouache
Sailboat Gouache
Located in Bristol, CT
Charming sailboat gouache signed 'Felix' (LR)
Art Sz: 8"H x 5 1/2"W
Frame Sz: 13 1/2"H x 10 3/4"W
Category
20th Century Figurative Drawings and Watercolors
Materials
Gouache
MARE Yachting Attire
Located in Bristol, CT
French nautical-inspired c1980s fashion gouache illustration. Signed: (LR)
Art Sz: 7 3/4"H x 4 1/2"W
Frame Sz: 15 1/4"H x 11 1/4"W
Category
1980s Drawings and Watercolor Paintings
Materials
Gouache
"Horses Neck"
Located in Bristol, CT
Original gouache 'Cocktail' artwork signed: Jim McDonough depicting a Bakelite horsewoman being thrown off her mount- circa 1930s- in a custom shadowbox ...
Category
1930s Figurative Drawings and Watercolors
Materials
Resin, Gouache
Lanvin of Paris Eye of The Bouquet c.1950's Watercolour
By Alexander Warren Montel
Located in Bristol, CT
Art Sz: 18"H x 14"W
Frame Sz: 23"H x 19"W
In gilt bamboo frame w/ coral mat
Original illustration c1950s watercolour for Lanvin of Paris depicting an elaborate bouquet by Alexand...
Category
1950s Figurative Drawings and Watercolors
Materials
Watercolor, Gouache
Go Fly a Kite
Located in Bristol, CT
Charming gouache depicting a boy flying a sailboat kite on pea green paper in a gilt bamboo frame
Art Sz: 11 1/4"H x 10 3/4"W
Frame Sz: 16"H x 15"W
Category
20th Century Figurative Drawings and Watercolors
Materials
Gouache
$450
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1920's Illustration of a Country Girl
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Finely detailed figurative illustration of a young woman leaning against a fence. The woman is wearing a plaid dress and bonnet with a black ribbon. Some of the landscape has been il...
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Low Reservoir, colorful Abstract Impressionist landscape gouache
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Modern Orange, Brown, Yellow, and Black Geometric Abstract Pattern Painting
By John Little
Located in Houston, TX
Modern orange, brown, yellow, and black geometric abstract composition by textile designer John Little. The work was created as a proposed design for a wallpaper and features the original color codes in the front lower left corner. Currently hung in a solid black frame with a large white margin.
Dimensions Without Frame: H 35.5 in. x W 33.5 in.
Artist Biography: A painter and textile designer, John Little is best known for gestural works filled with boldly explosive color that reflect the influences of his teacher Hans Hofmann and for his involvement in the Abstract Expressionist movement in East Hampton, where he moved in the late 1940s. In East Hampton Little congregated with Jackson Pollock, Lee Krasner, and the other artists who were the leading innovators in the New York School.
John Little was born in Sanford, Alabama. He left home at the age of fourteen to become an artist, and moved to Buffalo, New York, in 1923. After spending a year working as a stevedore on the docks to save money, he enrolled at the Buffalo Fine Arts Academy and developed an interest in singing. In 1927 he moved to New York City where he continued his vocal work and studied operatic literature. He also became involved in textile design, opening his own store in 1920, called John Little Studios: Fabric and Wallpaper Design. He ran the store until 1950.
In 1933 John Little resumed his painting studies at the Art Students League in New York under the guidance of George Grosz (1893-1959). The following year he made his first visit to East Hampton, Long Island, which he would eventually call home. Later in the decade, he traveled to Paris where he became familiar with European modernism. On his return to America, he taught textile design at the Pratt Institute in Brooklyn. He hired Josephine Watkins to work for him; she later became his wife. Little's textile store and teaching job gave him a financial security that was rare during the Depression, and he never found it necessary to find employment with the Works Progress Administration. At the end of the decade, John Little studied with Hans Hofmann (1880-1966) in New York and Provincetown. Little was greatly influenced by Hofmann, particularly by his views on color theory.
In 1942 John Little joined the Navy as an aerial photographer. In the late 1940s he purchased a rundown house on Three Mile Harbor...
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