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1920s Drawings and Watercolor Paintings

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Period: 1920s
Woman in a Fur Wrap
Located in Fairlawn, OH
Woman in a Fur Wrap Pen and ink heightened with white, c. 1920 Signed in ink lower right (see photo) Estate stamp verso (see photo) Provenance: estate of the artist ...
Category

Art Deco 1920s Drawings and Watercolor Paintings

Materials

Ink

A 1926 Watercolor of Ships at a Dock by Artist Harold Haydon
Located in Chicago, IL
A 1926 watercolor of ships at a dock by artist Harold Haydon. Image size: 9" x 12". Framed size: 14" x 18". Provenance: Estate of the artist. Harold Emerson Haydon was born in...
Category

Post-Impressionist 1920s Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

A 1920s Caricature of Author Lennox Robinson by Irish Artist Isa M. Macnie
Located in Chicago, IL
A 1920s caricature of author Lennox Robinson, by artist Isa M. Macnie. Inscription on drawing reads: "Author of “The White-Headed Boy” etc." Image size: 8 7/8" x 6 7/8". Archiva...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

A 1920s Caricature of Author Sean O’Casey by Irish Artist Isa M. Macnie
Located in Chicago, IL
A 1920s caricature of author Sean O'Casey, by artist Isa M. Macnie. Inscription on drawing reads: "Author of 'Juno and the Paycock' etc," Image size: 8 7/8" x 6 7/8". Archivally...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

A ca. 1920s Caricature of Irish Politician Padraic Colum by Artist Isa M. Macnie
Located in Chicago, IL
A 1920s caricature of Irish politician Padraic Colum by artist Isa M. Macnie. Inscription on drawing reads: "Padraic Colum". Image size: 8 7/8" x 6 7/8". Archivally matted to 12...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

A ca. 1924 Caricature of Irish, Senator W.B. Yeats by Artist Isa M. Macnie
Located in Chicago, IL
A 1920s caricature of Irish senator W.B. Yeats by artist Isa M. Macnie. Inscription on drawing reads: "Senator W.B. Yeats, Nobel Prize, 1924". Image size: 8 7/8" x 6 7/8". Archi...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

A ca. 1920s Caricature of Irish Politician Alexander Green
Located in Chicago, IL
A 1920s caricature of Irish politician George Russell by artist Isa M. Macnie. Inscription on drawing reads: "For Richard Madden, George Russell "AE". Image size: 8 7/8" x 6 7/8"...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

A 1928 Caricature of Irish Politician Alexander Green by Artist Isa M. Macnie
Located in Chicago, IL
A 1928 caricature of Irish politician Alexander Green by artist Isa M. Macnie. Inscription on drawing reads: "For my Irish friend Richard Madden, Alex Greene, 20 October 1928, Alex...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

L V Guirand de Scevola (1871-1950) A Man writing at his desk , Signed pastel
Located in Paris, FR
Lucien-Victor Guirand de Scevola (1871-1950) A Man writing at his desk, 18th century interior scene Pastel on paper Signed upper right 20.5 x 15.8 cm Framed under glass : 37 x 31.5 cm It is known that Guirand de Scevola was very interested in the Palace of Versailles and its Old Regime atmosphere, that he often painted it and that he participated in the Versailles Revival movement at the beginning of the century. This probably led him to paint scenes in the 18th century style, for which he was particularly well known and which are still sought after. What is striking is the modernity of the execution of our pastel, which obviously contrasts with its subject in the style of the 18th century. Guirand de Scevoal is a great colourist and he proves it here with eclat, by building up his composition with white pastel highlights, contrasting with brown and black. There is something of the northern painters in this treatment of light. All this, as always with him, is very subtle. The light radiating from the window is almost an abstract notation, but it gives meaning to this interior scene. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...
Category

Art Deco 1920s Drawings and Watercolor Paintings

Materials

Pastel

Dining - Pencil Drawing by Paul Emile Colin - 1924
Located in Roma, IT
Dining is a drawing realized by Paul Emile Colin in 1924. Carbon Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expressive ...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Pencil

'Study for a Stained Glass Window', Devotional, Ecclesiastical, Pre-Raphaelite
Located in Santa Cruz, CA
A sensitively drawn and highly-detailed study for a three-panel set of stained glass windows showing the ascension of Jesus by angels and mortals. Initialed, lower right, 'EB-J', an...
Category

Academic 1920s Drawings and Watercolor Paintings

Materials

Ink, Watercolor, Gouache

Farm Horse Drinking
Located in Fairlawn, OH
Farm Horse Drunking Charcoal and pastel on artist's board, c. 1920 Signed lower right in pencil (see photo) Titled in ink lower center, as are all the illustration for At the Farm (s...
Category

English School 1920s Drawings and Watercolor Paintings

Materials

Chalk

Albert Moulton Foweraker RBA, Moonlight, Algeciras
By Albert Moulton Foweraker
Located in Cheltenham, GB
This early 20th-century watercolour by English artist Albert Moulton Foweraker RBA (1873-1942) depicts a nocturnal view in Algeciras, southern Spain. Foweraker was an accomplished pa...
Category

1920s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Antique English Impressionist Charcoal Pencil Drawing Portrait Study Two Heads
Located in Portland, OR
A very good English Impressionist charcoal and pencil drawing of two male heads, by the celebrated British artist Sir George Clausen R.A. (1852-1944), the drawing circa 1905. Clausen was a very well respected British artist based in London in the late 19th & early 20th century, stylistically he managed to meld Romanticism and Impressionism with great success. This very handsome drawing depicts a study of two male heads, most likely related to the 1905 painting "Binding Sheaves" or another harvest painting from that period. This work of art was exhibited & sold in 1976 by the "New Grafton Gallery 42 Old Bond Street London W1", exhibition to the verso, the gallery specialized in showing major 20th century British artists. The drawing is in excellent condition and is ready to hang. At sight without frame 5.50" x 8.50" Biography George Clausen was born at 8 William Street in the Regents Park district of London on 18 April 1852, the son of a decorative...
Category

Impressionist 1920s Drawings and Watercolor Paintings

Materials

Charcoal, Paper

Plowman, Brecksville, Ohio, Early 20th Century Farm Landscape, Cleveland School
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887–1964) Plowman, Brecksville, Ohio, c. 1922 Watercolor on paper Signed lower right 22.5 x 27.75 inches 27.75 x 34.5 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...
Category

American Modern 1920s Drawings and Watercolor Paintings

Materials

Watercolor

Early 20th Century Painting of Josephine Baker by Master Illustrator Paul Colin
Located in Beachwood, OH
Paul Colin (French, 1892-1985) Josephine Baker, 1925 Watercolor on paper Signed and dated lower right 14 x 10 inches 27.25 x 23 inches, framed Paul Colin (27 June 1892 – 18 June 198...
Category

1920s Drawings and Watercolor Paintings

Materials

Watercolor

Home in the Village, Mt. St. Michel, France, Early 20th Century Cleveland School
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887–1964) Home in the Village, Mt. St. Michel, France, c. 1926 Watercolor on board Signed lower right 21.75 x 28 inches 30.5 x 36.5 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...
Category

American Modern 1920s Drawings and Watercolor Paintings

Materials

Watercolor

Antique Russian French Impressionist Watercolor Gouache Landscape Painting
Located in Portland, OR
Important Russian-French Impressionist Gouache & Watercolor painting by Pyotr Alexandrovich Nilus (Пётр Александрович Нилус in French Pierre Nilouss (1869–1943), signed & dated 1928....
Category

Impressionist 1920s Drawings and Watercolor Paintings

Materials

Watercolor, Gouache

Study of an Indian Model
Located in Fairlawn, OH
Study of an Indian Model Unsigned Pastel and chalk on blue paper, mounted to support Provenance: Estate of the artist (per Graham and Sons, agent for the estate) James Graham & Sons,...
Category

Ashcan School 1920s Drawings and Watercolor Paintings

Materials

Chalk, Pastel

“The Embrace”
Located in Southampton, NY
Here for your consideration is a well executed oil pastel drawing of a man and woman embracing. Artist is unknown. Initials in red lower right “Ho”. Appears to be a date below the ...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Archival Paper, Oil Pastel

Russian French Impressionist Watercolor Gouache Figurative Landscape Painting
Located in Portland, OR
Important Russian-French Impressionist Gouache & Watercolor paining by Pyotr Alexandrovich Nilus (Пётр Александрович Нилус in French Pierre Nilouss (1869– 1943), signed circa 1925. N...
Category

Impressionist 1920s Drawings and Watercolor Paintings

Materials

Watercolor, Gouache

"Tanzfeier" George Grosz, Caricatural Dance 1920s Modernist Ink on Paper
Located in New York, NY
George Grosz Tanzfeier Signed lower right Ink on paper 13 ⅞ x 10 ½ inches Painter, draftsman, printmaker known for pointed political satire and social criticism. Early work, from a...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Ink

Bedford Park, LUDOVIC-RODO PISSARRO - Watercolour, Town Scene, 20th Century
Located in London, GB
Bedford Park by LUDOVIC-RODO PISSARRO (1878-1952) Watercolour on paper 24.5 x 38 cm (9 ⅝ x 15 inches) Signed, inscribed and dated lower left, Bedford Park 1928 Ludovic Rodo Painted ...
Category

Post-Impressionist 1920s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Vogue - Elegantly Dressed Women Shopping For Hats Art Nouveau - Female Artist
Located in Miami, FL
The present work by pioneering female artist Helen Dryden was most likely a cover assignment for Vogue Magazine. It is deftly rendered in a tight linear art nouveau style with flat c...
Category

1920s Drawings and Watercolor Paintings

Materials

Paper, Ink, Watercolor

Projet de Tissus - Fauvist Still Life Study Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts a study of apples and pears. This work was executed by Dufy as a fabric design. Dimensio...
Category

Fauvist 1920s Drawings and Watercolor Paintings

Materials

Paper, Gouache

'Corinthian Yacht Club, Marblehead, Mass' — New England Post-Impressionism
Located in Myrtle Beach, SC
Hailey Lever 'Corinthian Yacht Club, Marblehead, Mass.', watercolor, c. 1925. Signed in pencil, lower right. Titled in pencil, verso. A fine, spontaneous watercolor, with fresh color...
Category

Impressionist 1920s Drawings and Watercolor Paintings

Materials

Watercolor

Original Pastel Man Nude
Located in Pasadena, CA
Superb neoclassical drawing representing a nude of man. The pastel enhanced design is sign and framed .
Category

Academic 1920s Drawings and Watercolor Paintings

Materials

Oil Pastel

La Promenade by Georges Manzana Pissarro - Drawing, Pastel, Charcoal, Landscape
Located in London, GB
La Promenade by Georges Manzana Pissarro (1871-1961) Charcoal and pastel on paper 49.5 x 63.5 cm (19 ⅜ x 25 inches) Signed lower left, Manzana Executed circa 1920 This work is accom...
Category

Art Deco 1920s Drawings and Watercolor Paintings

Materials

Charcoal, Pastel

A 1921 Watercolor on Paper Landscape of Lake Forest, IL by Louis H. Reiss
Located in Chicago, IL
A 1921 Watercolor on Paper late summer landscape of Lake Forest, IL in its original frame by Louis H. Reiss. Image size: 11 1/2" x 22 1/2". Framed size: 21 1/4" x 32". Reiss was...
Category

American Impressionist 1920s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

Sleeping Cat, Early 20th Century, Cleveland School Artist
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000) Sleeping Cat, 1929 Watercolor on paper Signed and dated upper right 15 x 19 inches 21.25 x 25.25 inches, framed Clarence Holbrook Car...
Category

American Modern 1920s Drawings and Watercolor Paintings

Materials

Watercolor

Portrait de Jean Desbordes - Lithograph by Jean Cocteau - 1929
Located in Roma, IT
Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Lithograph

Portrait de Jean Desbordes - Lithograph by Jean Cocteau - 1929
Located in Roma, IT
Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Lithograph

Portrait of Ben Nicholson
Located in Douglas, Isle of Man
Christopher ' Kit ' Wood 1901-1930, was an English painter who briefly attended Liverpool University to study architecture but pursued an artistic career. He trained at the Academy J...
Category

1920s Drawings and Watercolor Paintings

Materials

Paper, Pencil

Frank Dobson - Nude with Blue - 20th Century British Drawing
Located in London, GB
FRANK DOBSON, R.A. (1886-1963) Study Towards Cornucopia Pencil, watercolour and gouache Framed 51 by 35.5 cm., 20 by 14 in. (frame size 71 by 55 cm., 28 by 21 ½ in. Provenance: T...
Category

Realist 1920s Drawings and Watercolor Paintings

Materials

Watercolor, Gouache, Pencil

Joseph Arthur Powell - A Sussex Farm - Early 20th Century British watercolour
Located in London, GB
JOSEPH ARTHUR POWELL (1876-1961) A Sussex Farm Watercolour Unframed 28 by 38 cm., 11 by 15 in. (mount size 41 by 50 cm., 16 by 19 ¾ in.) Born in London he was the son of the succ...
Category

Realist 1920s Drawings and Watercolor Paintings

Materials

Watercolor

Oriental characters, Algeria
Located in PARIS, FR
Albert MARQUET Bordeaux 1875 - Paris 1947 Oriental characters, Algeria Around 1920 Indian ink wash Workshop stamp lower right 32,5 x 20,5 cm 55 x 41,5 cm framed
Category

Fauvist 1920s Drawings and Watercolor Paintings

Materials

India Ink

Portrait de Jean Desbordes - Lithograph by Jean Cocteau - 1929
Located in Roma, IT
Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Lithograph

Portrait de Jean Desbordes - Lithograph by Jean Cocteau - 1929
Located in Roma, IT
Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Lithograph

Portrait de Jean Desbordes - Lithograph by Jean Cocteau - 1929
Located in Roma, IT
Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Lithograph

Portrait de Jean Desbordes - Lithograph by Jean Cocteau - 1929
Located in Roma, IT
Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Lithograph

Portrait de Jean Desbordes - Lithograph by Jean Cocteau - 1929
Located in Roma, IT
Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Lithograph

Portrait de Jean Desbordes - Lithograph by Jean Cocteau - 1929
Located in Roma, IT
Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Lithograph

Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red, blue and green. This work was executed by Dufy as a fabric design. Dimensions: Framed: 19.5"x19.5" Unframed: 12"x12" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

Fauvist 1920s Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Gouache

Portrait de Jean Desbordes - Lithograph by Jean Cocteau - 1929
Located in Roma, IT
Lithograph on vélin pur fil des Papeteries du Marais, realized by Cocteau in 1929. Belongs to the suite "25 Dessins d'Un Dormeur", published by H. L. Mermod, Lausanne. Edition of 2...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Lithograph

Jean – Gabriel DOMERGUE (1889 – 1962), "Elegant Lady with Parasol and Dog"
Located in Paris, FR
Jean-Gabriel Domergue (1889–1962) was a renowned French painter and engraver, celebrated especially for his portraits of elegant women or, more precisely, a feminine figure in a styl...
Category

Art Deco 1920s Drawings and Watercolor Paintings

Materials

Paper, Charcoal, Watercolor, Gouache, Pencil

Portrait Of A Woman Pencil Drawing
Located in Lake Worth Beach, FL
Portrait of a Woman Pencil signed and dated Feb 20. 20 unframed 14x11 George Kenneth Hartwell painter and illustrator was born in Fitchburg 1891-1949, Massachus...
Category

American Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Pastel, Pencil

Nude Pencil Drawing pair of Portraits
Located in Lake Worth Beach, FL
Nude Pencil Drawing pair of Portraits Pencil and pastel on paper, unsigned from the artist portfolio. George Kenneth Hartwell painter and illustrator was born in Fitchburg 1891-1949...
Category

American Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Pastel, Pencil

Antique Russian French Impressionist Watercolor Gouache Painting Romantic Couple
Located in Portland, OR
Important Russian-French Impressionist Gouache & Watercolor paining by Pyotr Alexandrovich Nilus (Пётр Александрович Нилус in French Pierre Nilouss (1869– 1943), signed & dated 1926....
Category

Impressionist 1920s Drawings and Watercolor Paintings

Materials

Watercolor, Gouache, Pencil

Passageway North Africa, street scene
Located in Greenwich, CT
Passageway North Africa was executed during Walter’s extensive travels throughout Spain, Northern Africa, and the Dalmatian coast. These works are magnificent snapshots –pictorial po...
Category

American Impressionist 1920s Drawings and Watercolor Paintings

Materials

Watercolor, Archival Paper

Projet de Tissus - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts roses in reds, pinks and yellows against a black background. This work was executed by Dufy as a fabric design. Dimensions: Framed: 27.5"x14.5" Unframed: 20"x7" Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

Fauvist 1920s Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Gouache

La Princesse Lointaine: Porteurs d' Eventails (original gouache on paper)
Located in Aventura, FL
Original on Gouache on paper. Hand signed on front; signed, titled, dated with dedication on verso by Erte. Stamped "Composition originale". Frame size 29 x 24.5 inches. Artwork s...
Category

Art Deco 1920s Drawings and Watercolor Paintings

Materials

Gouache

Fleurs et Papillons - Fauvist Flowers Watercolor & Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

Fauvist 1920s Drawings and Watercolor Paintings

Materials

Paper, Watercolor, Gouache

"6th Avenue El" American Scene Social Realism Mid-20th Century Cityscape Modern
Located in New York, NY
"6th Avenue El" American Scene Social Realism Mid-20th Century Cityscape Modern Max Arthur Cohn (1903-1998) 6th Avenue Elevated 19 1/4 x 13 3/4 inches Watercolor on paper Signed an...
Category

American Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Watercolor

French Art Deco c1925 Fabric Design in Gouache Genevieve Moreau Green Triangles
Located in London, GB
Genevive Moreau (French, fl. early Twentieth Century) Design for Fabric - Triangles in Green, Blue and Terracotta (c. 1925) Gouache 22 x 16 cm Signed in pencil; from a small portfol...
Category

Art Deco 1920s Drawings and Watercolor Paintings

Materials

Gouache

Projet de Fleurs - Fauvist Flowers Gouache by Raoul Dufy
Located in Marlow, Buckinghamshire
Botanical gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work flowers in red and blues with green foliage against a yellow and white stripped background. Dimensions: Framed: 25"x20" Unframed: 18"x13" Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...
Category

Fauvist 1920s Drawings and Watercolor Paintings

Materials

Paper, Gouache

Brooklyn Bridge NYC American Scene Ashcan 20th Century Social Realism Modern
Located in New York, NY
Brooklyn Bridge NYC American Scene Ashcan 20th Century Social Realism Modern John Marin (1870-1953) Brooklyn Bridge 7 1/2 x 9 7/8 inches Graphite on paper Signed lower right, c. 1...
Category

American Modern 1920s Drawings and Watercolor Paintings

Materials

Paper, Graphite

Fanciulla con il Cane - Drawing by Massimo Campigli - 1928
Located in Roma, IT
ink and watercolor on paper. Prov. Locarno, Collection Nesto Jacometti; Rome Art Center. Exhibitions: - Pescara, 2002 Ref. Cat. Raisonné, Electa Editore, Milano 2023, n. 28/021, ...
Category

Modern 1920s Drawings and Watercolor Paintings

Materials

Ink, Watercolor

French Art Deco c1925 Fabric Design in Gouache Genevieve Moreau Three in Blue
Located in London, GB
Genevive Moreau (French, fl. early Twentieth Century) Three Designs in Blue Gouache 32 x 50 cm c. 1925 Signed in pencil; from a small portfolio of well-executed designs by the artis...
Category

Art Deco 1920s Drawings and Watercolor Paintings

Materials

Gouache

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