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G. Campbell Lyman
Gridish #30 (Framed Multimedia Contemporary Abstract Painting)

2021

$450
$60025% Off
£341.11
£454.8225% Off
€398.28
€531.0425% Off
CA$630.32
CA$840.4325% Off
A$709.54
A$946.0525% Off
CHF 375.37
CHF 500.5025% Off
MX$8,800.94
MX$11,734.5925% Off
NOK 4,638.12
NOK 6,184.1625% Off
SEK 4,435.96
SEK 5,914.6125% Off
DKK 2,971.38
DKK 3,961.8425% Off
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About the Item

Artist's Statement: "As I often do, I chose a very simple form to work with here – a grid of rectangles. Content never interests me much, and I don’t spend time thinking about it. I’m interested in the balance of assonant and dissonant colors, line quality, texture and impasto, push and pull, these sorts of issues. Making these paintings was a series of minute decisions about addition and subtraction that goes on for a long time, even if the result looks deceptively simple." Comes framed in maple floater frame. “Lyman’s work evolves restlessly, with the common elements generally being deft and unusual color choices that balance assonance and dissonance, and vestiges of the hand and facture purposely left in the paintings. The negative space is often so meticulously worked that it’s almost as if the objects – usually simple shapes – are there as much to complement the background as vice versa. Despite the often bold colors there is an elegance about his paintings that prevents them from being loud or decorative. " Artbeit Zeitschrift (On prior series by the artist): “These paintings are a refreshing departure from the current abstract art world’s seemingly endless parade of fields of color with scribbles providing form, a style that is easily mimicked and has become a sort of “safe,” accessible go-to. There are confident decisions in these paintings appearing as commitments of strongly delineated forms and unexpected collisions of color that give the work a visceral, confident and playful soul, increasingly missing from contemporary expressionist abstraction. They are the paintings of a real painter rather than a decorative artist.” ArtSeen, 2018
  • Creator:
    G. Campbell Lyman (1960, American)
  • Creation Year:
    2021
  • Dimensions:
    Height: 18 in (45.72 cm)Width: 24 in (60.96 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New Orleans, LA
  • Reference Number:
    1stDibs: LU994313205442

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Gridish #27 (Framed Contemporary Abstract Mixed Media Painting)
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Large Gridish #25 (Large Contemporary Multimedia Abstract Painting)
By G. Campbell Lyman
Located in New Orleans, LA
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"Lost Languages #2" - Contemporary Multimedia Abstract Painting
By G. Campbell Lyman
Located in New Orleans, LA
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2010s Abstract Abstract Paintings

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"Lost Languages #5" - Contemporary Multimedia Abstract Painting
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(Note: sorry about the large pic of the full painting; could not get the light right, without reflections from the varnish; in person the negative space is less brownish, lighter. Th...
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"Gridish #21" - Contemporary Mixed Media Abstract Painting
By G. Campbell Lyman
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(NOTE: if you enter "Gridish" into the 1stDibs search field you can view other paintings in this series) Artist’s Statement: “As I often do, I chose a very simple form to work with ...
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2010s Abstract Abstract Paintings

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Archipelago (Abstract Contemporary Painting, Framed)
By G. Campbell Lyman
Located in New Orleans, LA
(Comes professionally framed in a solid maple floater frame, ready to hang) Artist's Statement "This series of intensely colorful paintings was begun a couple of years back in reaction to the gray oppressive weight that had descended like a pall on the American scene. I wanted to make paintings about nothing but pure delight, in honor of the fact that beneath the fog of germs and political antagonism, we still eat, laugh, love and if we're wise, acknowledge how spectacularly fortunate we are -- at least for now, in this time and place, despite the problems. For me, the colors, forms and brushstrokes here feel exuberant without suggesting an unnerving chaos. I have purposely used unlikely color combinations that despite their dissonance seem to work together. I don't feel this is a time to be making brooding works that reflect the problems we are working our way through; we all know about this. On the contrary, I think it's a time for art...
Category

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